<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:psc="http://podlove.org/simple-chapters" xmlns:podcast="https://podcastindex.org/namespace/1.0"><channel><title><![CDATA[IN SERIES - An Em3ry Production]]></title><description><![CDATA[<p>IN SERIES, An Em3ry Production. Based in Philadelphia, PA, USA with a passion for performing arts, IN-SERIES is a vehicle, driving imagination and creativity. We explore the creative world in series so the podcast stays fresh! What will we discover next? RIDE WITH US! Em3ry is "On The Move"!</p>]]></description><link>https://em3ry.com</link><generator>Riverside.fm (https://riverside.com)</generator><lastBuildDate>Fri, 11 Sep 2026 03:22:01 GMT</lastBuildDate><atom:link href="https://api.riverside.com/hosting/qhn9YnJ1.rss" rel="self" type="application/rss+xml"/><author><![CDATA[Darnelle Radford]]></author><pubDate>Tue, 04 Aug 2026 16:54:08 GMT</pubDate><copyright><![CDATA[2026 Darnelle Radford]]></copyright><language><![CDATA[en]]></language><ttl>60</ttl><category><![CDATA[Society & Culture]]></category><category><![CDATA[Performing Arts]]></category><itunes:author>Darnelle Radford</itunes:author><itunes:summary>&lt;p&gt;IN SERIES, An Em3ry Production. Based in Philadelphia, PA, USA with a passion for performing arts, IN-SERIES is a vehicle, driving imagination and creativity. We explore the creative world in series so the podcast stays fresh! What will we discover next? RIDE WITH US! Em3ry is &quot;On The Move&quot;!&lt;/p&gt;</itunes:summary><itunes:type>episodic</itunes:type><itunes:owner><itunes:name>Darnelle Radford</itunes:name><itunes:email>dradford@em3ry.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:category text="Society &amp; Culture"/><itunes:category text="Arts"><itunes:category text="Performing Arts"/></itunes:category><itunes:image href="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/logos/67aae693-5e1b-4d9d-8c64-59048a903d92.png"/><item><title><![CDATA[IN SERIES: Philly Fringe - Señor Babyhead]]></title><description><![CDATA[<p>Ani Raya-Flores discusses her production 'Señor BabyHead' and her journey as a performer, exploring themes of clowning, drag, and the immigrant experience. She shares insights into the creative process and the impact of fringe arts on live performance.</p><p></p><p>In an evening of drag, clown, and desperation, Señor Babyhead presents his Día de Muertos Especial. It’s a journey across the Sonoran Desert in which Babyhead encounters artifacts, mirages, and spirits. Who is Señor Babyhead? Only Mexico’s most (washed up) famous sitcom star, desperate to stay relevant and avoid becoming an artifact, himself. It’s an hour of crooning, crawling, and implicating the audience in a dangerous game, or as Theater Beyond Broadway put it, “An act of defiance disguised as cabaret.”</p><p></p><p>Takeaways</p><ul><li>Clowning and drag: Ani's background in clowning and drag informs her production 'Señor BabyHead', blending humor with social commentary.</li><li>Fringe arts impact: Fringe arts festivals provide a platform for diverse and concentrated storytelling, engaging audiences in meaningful and surprising ways.</li></ul><p></p><p>Chapters</p><ul><li>00:00 Introduction to Señor BabyHead</li><li>01:47 Ani's Background and Inspiration</li><li>03:03 Exploring Clowning and Theater</li><li>05:04 Creating Señor BabyHead</li><li>09:59 Theatrical Process and Experience</li><li>18:24 Theater Scene in Reno and Fringe Arts</li><li>25:43 Expectations and Impact of Fringe Arts</li></ul><p></p><p><b>FOR TICKETS</b>: <a rel="noopener noreferrer nofollow" href="https://phillyfringe.org/events/senor-babyhead/" target="_blank">https://phillyfringe.org/events/senor-babyhead/</a> </p><p><b>LEARN MORE</b>: <a rel="noopener noreferrer nofollow" href="https://www.anirayflo.com/" target="_blank">https://www.anirayflo.com/</a> </p><p><b>Follow us and our links here: </b></p><p><a rel="noopener noreferrer nofollow" href="https://bio.site/em3ry" target="_blank"><b>https://bio.site/em3ry</b></a></p>]]></description><guid isPermaLink="false">542d5b06-1d72-4729-aa71-878f2dd47d5f</guid><dc:creator><![CDATA[Darnelle Radford]]></dc:creator><pubDate>Thu, 03 Sep 2026 13:27:53 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/85a552e79ba734de5b31ec5e452ceb406db3b946ff256ccb5e8079b1df46a69f/eyJlcGlzb2RlSWQiOiI1NDJkNWIwNi0xZDcyLTQ3MjktYWE3MS04NzhmMmRkNDdkNWYiLCJwb2RjYXN0SWQiOiI5ZjAxODkwZS01NTMxLTQzYjItYWI0My00YTU1NDg5M2U5ZTgiLCJhY2NvdW50SWQiOiI2MjA4MjljYzdlYWJmMjAwMGM2NjFlYTAiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmE5OTZiZDZhODk5ZTBjNDZmMTg5ZmY4L2VtMy0tLXN0YXJyLXN0dWRpby0tLXJlcC1yYWRpby1zdHVkaW8tZS0yMDI2LTktM19fMTItNDUtMTAubXAzIn0=.mp3" length="55128964" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/episodes/542d5b06-1d72-4729-aa71-878f2dd47d5f/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;Ani Raya-Flores discusses her production &apos;Señor BabyHead&apos; and her journey as a performer, exploring themes of clowning, drag, and the immigrant experience. She shares insights into the creative process and the impact of fringe arts on live performance.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;In an evening of drag, clown, and desperation, Señor Babyhead presents his Día de Muertos Especial. It’s a journey across the Sonoran Desert in which Babyhead encounters artifacts, mirages, and spirits. Who is Señor Babyhead? Only Mexico’s most (washed up) famous sitcom star, desperate to stay relevant and avoid becoming an artifact, himself. It’s an hour of crooning, crawling, and implicating the audience in a dangerous game, or as Theater Beyond Broadway put it, “An act of defiance disguised as cabaret.”&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Takeaways&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Clowning and drag: Ani&apos;s background in clowning and drag informs her production &apos;Señor BabyHead&apos;, blending humor with social commentary.&lt;/li&gt;&lt;li&gt;Fringe arts impact: Fringe arts festivals provide a platform for diverse and concentrated storytelling, engaging audiences in meaningful and surprising ways.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;ul&gt;&lt;li&gt;00:00 Introduction to Señor BabyHead&lt;/li&gt;&lt;li&gt;01:47 Ani&apos;s Background and Inspiration&lt;/li&gt;&lt;li&gt;03:03 Exploring Clowning and Theater&lt;/li&gt;&lt;li&gt;05:04 Creating Señor BabyHead&lt;/li&gt;&lt;li&gt;09:59 Theatrical Process and Experience&lt;/li&gt;&lt;li&gt;18:24 Theater Scene in Reno and Fringe Arts&lt;/li&gt;&lt;li&gt;25:43 Expectations and Impact of Fringe Arts&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;FOR TICKETS&lt;/b&gt;: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://phillyfringe.org/events/senor-babyhead/&quot; target=&quot;_blank&quot;&gt;https://phillyfringe.org/events/senor-babyhead/&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;b&gt;LEARN MORE&lt;/b&gt;: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.anirayflo.com/&quot; target=&quot;_blank&quot;&gt;https://www.anirayflo.com/&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;b&gt;Follow us and our links here: &lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://bio.site/em3ry&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;https://bio.site/em3ry&lt;/b&gt;&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:28:43</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/logos/67aae693-5e1b-4d9d-8c64-59048a903d92.png"/><itunes:season>1</itunes:season><itunes:episode>9</itunes:episode><itunes:title>IN SERIES: Philly Fringe - Señor Babyhead</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[IN SERIES: Edinburgh - 3 Times I Killed - Andrea Coleman]]></title><description><![CDATA[<p>The conversation covers the preparation for the Fringe, an overview of the Edinburgh Festival Fringe, the transition from attorney to performer, the creation of '3 Times I Killed,' the theme of identity and growth, divine communication, legal cases and anxiety, and the intersection of theater and legal research. The conversation explores the power of intuition, the influence of theatricality in law, the importance of rehearsal and presence, engaging with the audience, word of mouth marketing, and the Edinburgh Fringe experience.</p><p></p><p>Takeaways</p><ul><li>Transitioning from one career to another involves personal growth and identity exploration.</li><li>Divine communication and intuition play a significant role in decision-making and life experiences. The importance of intuition in decision-making</li><li>The impact of word of mouth marketing on show attendance</li></ul><p></p><p>Chapters</p><ul><li>00:00 Preparing for the Fringe</li><li>01:15 Edinburgh Festival Fringe Overview</li><li>02:12 Moving to New York</li><li>03:05 Transition from Attorney to Performer</li><li>04:03 Creating '3 Times I Killed'</li><li>05:20 Identity and Growth</li><li>10:16 Divine Communication</li><li>14:26 Legal Cases and Anxiety</li><li>17:40 Theater and Legal Research</li><li>18:27 The Power of Intuition</li><li>22:32 Theatricality in Law</li><li>23:20 Rehearsal and Presence</li><li>27:07 Engaging with the Audience</li><li>33:34 Word of Mouth Marketing</li><li>38:58 Edinburgh Fringe Experience</li></ul><p></p><p>FOR TICKETS: <a rel="noopener noreferrer nofollow" href="https://www.edfringe.com/tickets/whats-on/3-times-i-killed" target="_blank">https://www.edfringe.com/tickets/whats-on/3-times-i-killed</a></p><p></p><p><b>Follow us and our links here: </b></p><p><a rel="noopener noreferrer nofollow" href="https://bio.site/em3ry" target="_blank"><b>https://bio.site/em3ry</b></a></p>]]></description><guid isPermaLink="false">0eb2be24-4a3c-4929-b4b4-a4e58ce33f4f</guid><dc:creator><![CDATA[Darnelle Radford]]></dc:creator><pubDate>Tue, 25 Aug 2026 20:50:43 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/7e21e2e737f0ddbf5a20440976fe298f835af0c37b0bb4a30200c4228f640a25/eyJlcGlzb2RlSWQiOiIwZWIyYmUyNC00YTNjLTQ5MjktYjRiNC1hNGU1OGNlMzNmNGYiLCJwb2RjYXN0SWQiOiI5ZjAxODkwZS01NTMxLTQzYjItYWI0My00YTU1NDg5M2U5ZTgiLCJhY2NvdW50SWQiOiI2MjA4MjljYzdlYWJmMjAwMGM2NjFlYTAiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmE4ZGZkNzFlNTMwMWVmMTA5OGY3NTVlL2VtMy0tLXN0YXJyLXN0dWRpby0tLXJlcC1yYWRpby1zdHVkaW8tZS1jb21wb3Nlci0yMDI2LTgtMjVfXzIyLTM5LTEzLm1wMyJ9.mp3" length="75374907" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/episodes/0eb2be24-4a3c-4929-b4b4-a4e58ce33f4f/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;The conversation covers the preparation for the Fringe, an overview of the Edinburgh Festival Fringe, the transition from attorney to performer, the creation of &apos;3 Times I Killed,&apos; the theme of identity and growth, divine communication, legal cases and anxiety, and the intersection of theater and legal research. The conversation explores the power of intuition, the influence of theatricality in law, the importance of rehearsal and presence, engaging with the audience, word of mouth marketing, and the Edinburgh Fringe experience.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Takeaways&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Transitioning from one career to another involves personal growth and identity exploration.&lt;/li&gt;&lt;li&gt;Divine communication and intuition play a significant role in decision-making and life experiences. The importance of intuition in decision-making&lt;/li&gt;&lt;li&gt;The impact of word of mouth marketing on show attendance&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;ul&gt;&lt;li&gt;00:00 Preparing for the Fringe&lt;/li&gt;&lt;li&gt;01:15 Edinburgh Festival Fringe Overview&lt;/li&gt;&lt;li&gt;02:12 Moving to New York&lt;/li&gt;&lt;li&gt;03:05 Transition from Attorney to Performer&lt;/li&gt;&lt;li&gt;04:03 Creating &apos;3 Times I Killed&apos;&lt;/li&gt;&lt;li&gt;05:20 Identity and Growth&lt;/li&gt;&lt;li&gt;10:16 Divine Communication&lt;/li&gt;&lt;li&gt;14:26 Legal Cases and Anxiety&lt;/li&gt;&lt;li&gt;17:40 Theater and Legal Research&lt;/li&gt;&lt;li&gt;18:27 The Power of Intuition&lt;/li&gt;&lt;li&gt;22:32 Theatricality in Law&lt;/li&gt;&lt;li&gt;23:20 Rehearsal and Presence&lt;/li&gt;&lt;li&gt;27:07 Engaging with the Audience&lt;/li&gt;&lt;li&gt;33:34 Word of Mouth Marketing&lt;/li&gt;&lt;li&gt;38:58 Edinburgh Fringe Experience&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;FOR TICKETS: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.edfringe.com/tickets/whats-on/3-times-i-killed&quot; target=&quot;_blank&quot;&gt;https://www.edfringe.com/tickets/whats-on/3-times-i-killed&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Follow us and our links here: &lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://bio.site/em3ry&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;https://bio.site/em3ry&lt;/b&gt;&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:39:15</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/logos/67aae693-5e1b-4d9d-8c64-59048a903d92.png"/><itunes:season>1</itunes:season><itunes:episode>8</itunes:episode><itunes:title>IN SERIES: Edinburgh - 3 Times I Killed - Andrea Coleman</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[IN SERIES: Edinburgh - Delusions and Grandeur - Karen Hall]]></title><description><![CDATA[<p>The conversation with Karen Hall at the Edinburgh Festival Fringe covers the artist's journey, struggles, and the challenges of self-producing and promoting a show. It delves into the financial insecurities of artists and the need for support and recognition from society. Karen's show 'Delusions and Grandeur' is a reflection of the artist's resilience and the relatable struggles of the artistic community.</p><p></p><p>Takeaways</p><ul><li>Resilience</li><li>Financial Insecurities</li></ul><p></p><p>Chapters</p><ul><li>00:00 Introduction to the Edinburgh Festival Fringe</li><li>00:41 Karen Hall's Journey and Production</li><li>02:07 The Birth of 'Delusions and Grandeur'</li><li>05:24 The Artist's Struggle and Resilience</li><li>27:20 Challenges of Self-Producing and Promoting</li><li>33:24 The Value and Support for Artists</li></ul><p></p><p>FOR TICKETS: <a rel="noopener noreferrer nofollow" href="https://www.edfringe.com/tickets/whats-on/delusions-and-grandeur" target="_blank">https://www.edfringe.com/tickets/whats-on/delusions-and-grandeur</a></p><p></p><p><b>Follow us and our links here: </b></p><p><a rel="noopener noreferrer nofollow" href="https://bio.site/em3ry" target="_blank"><b>https://bio.site/em3ry</b></a></p>]]></description><guid isPermaLink="false">cee2ecf4-d8dc-4743-8751-2f6529895b6e</guid><dc:creator><![CDATA[Darnelle Radford]]></dc:creator><pubDate>Sat, 22 Aug 2026 23:13:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/91946356069dcc8e0851de54642d679ab1f9b99186563e62a0061060259bf0ac/eyJlcGlzb2RlSWQiOiJjZWUyZWNmNC1kOGRjLTQ3NDMtODc1MS0yZjY1Mjk4OTViNmUiLCJwb2RjYXN0SWQiOiI5ZjAxODkwZS01NTMxLTQzYjItYWI0My00YTU1NDg5M2U5ZTgiLCJhY2NvdW50SWQiOiI2MjA4MjljYzdlYWJmMjAwMGM2NjFlYTAiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmE4YTJhOGE0MDM3MGM0NTQ4ODM3OTllL2VtMy0tLXN0YXJyLXN0dWRpby0tLXJlcC1yYWRpby1zdHVkaW8tZS1jb21wb3Nlci0yMDI2LTgtMjNfXzEtMi0zNC5tcDMifQ==.mp3" length="72083060" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/episodes/cee2ecf4-d8dc-4743-8751-2f6529895b6e/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;The conversation with Karen Hall at the Edinburgh Festival Fringe covers the artist&apos;s journey, struggles, and the challenges of self-producing and promoting a show. It delves into the financial insecurities of artists and the need for support and recognition from society. Karen&apos;s show &apos;Delusions and Grandeur&apos; is a reflection of the artist&apos;s resilience and the relatable struggles of the artistic community.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Takeaways&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Resilience&lt;/li&gt;&lt;li&gt;Financial Insecurities&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;ul&gt;&lt;li&gt;00:00 Introduction to the Edinburgh Festival Fringe&lt;/li&gt;&lt;li&gt;00:41 Karen Hall&apos;s Journey and Production&lt;/li&gt;&lt;li&gt;02:07 The Birth of &apos;Delusions and Grandeur&apos;&lt;/li&gt;&lt;li&gt;05:24 The Artist&apos;s Struggle and Resilience&lt;/li&gt;&lt;li&gt;27:20 Challenges of Self-Producing and Promoting&lt;/li&gt;&lt;li&gt;33:24 The Value and Support for Artists&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;FOR TICKETS: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.edfringe.com/tickets/whats-on/delusions-and-grandeur&quot; target=&quot;_blank&quot;&gt;https://www.edfringe.com/tickets/whats-on/delusions-and-grandeur&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Follow us and our links here: &lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://bio.site/em3ry&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;https://bio.site/em3ry&lt;/b&gt;&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:37:33</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/logos/67aae693-5e1b-4d9d-8c64-59048a903d92.png"/><itunes:season>1</itunes:season><itunes:episode>2</itunes:episode><itunes:title>IN SERIES: Edinburgh - Delusions and Grandeur - Karen Hall</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[IN SERIES: Edinburgh - Penelope, Alex Bechtel]]></title><description><![CDATA[<p>The conversation revolves around the Edinburgh Festival Fringe and the musical 'Penelope.' Alex Bechtel, the creator of 'Penelope,' discusses the inspiration behind the musical and the experience of performing at the festival. The conversation also covers the audience's response, the impact of the pandemic on the show's development, and the unique experience of the Edinburgh Fringe.</p><p></p><p>Takeaways</p><ul><li>Edinburgh Festival Fringe: The festival offers a diverse range of shows and a vibrant atmosphere, making it an exciting and overwhelming experience for performers and audiences.</li><li>Musical 'Penelope': The musical 'Penelope' is deeply personal and emotionally impactful, resonating with audiences and receiving positive feedback at the festival.</li></ul><p></p><p>Chapters</p><ul><li>00:00 Introduction to Edinburgh Festival Fringe</li><li>00:57 Creating 'Penelope' and Performing at the Festival</li><li>02:59 Inspiration and Development of 'Penelope'</li><li>03:36 Exploring the Character of Penelope</li><li>06:01 Audience Response and Impact of the Pandemic</li><li>09:03 Theatrical Experience at Edinburgh Fringe</li><li>16:41 Collaboration and Artistic Process</li><li>21:50 Future Projects and Reflections</li><li>24:19 Recommendations and Conclusion</li></ul><p></p><p>PENELOPE - Edinburgh Fringe</p><p><a rel="noopener noreferrer nofollow" href="https://www.edfringe.com/tickets/whats-on/penelope" target="_blank">https://www.edfringe.com/tickets/whats-on/penelope</a></p><p>Follow us and our links here: </p><p><a rel="noopener noreferrer nofollow" href="https://bio.site/em3ry" target="_blank">https://bio.site/em3ry</a></p><p></p>]]></description><guid isPermaLink="false">50a08e1d-78cb-4668-b4be-44742912a17d</guid><dc:creator><![CDATA[Darnelle Radford]]></dc:creator><pubDate>Sat, 22 Aug 2026 12:59:57 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/d74c2a6011aa3d179b50c73f56105f36508cc3b2103ce841500dcb39b41d6895/eyJlcGlzb2RlSWQiOiI1MGEwOGUxZC03OGNiLTQ2NjgtYjRiZS00NDc0MjkxMmExN2QiLCJwb2RjYXN0SWQiOiI5ZjAxODkwZS01NTMxLTQzYjItYWI0My00YTU1NDg5M2U5ZTgiLCJhY2NvdW50SWQiOiI2MjA4MjljYzdlYWJmMjAwMGM2NjFlYTAiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmE4OTk3MDQwNDcwNWMyZjZkZDg0MGQxL2VtMy0tLXN0YXJyLXN0dWRpby0tLXJlcC1yYWRpby1zdHVkaW8tZS1jb21wb3Nlci0yMDI2LTgtMjJfXzE0LTMzLTgubXAzIn0=.mp3" length="56579282" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/episodes/50a08e1d-78cb-4668-b4be-44742912a17d/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;The conversation revolves around the Edinburgh Festival Fringe and the musical &apos;Penelope.&apos; Alex Bechtel, the creator of &apos;Penelope,&apos; discusses the inspiration behind the musical and the experience of performing at the festival. The conversation also covers the audience&apos;s response, the impact of the pandemic on the show&apos;s development, and the unique experience of the Edinburgh Fringe.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Takeaways&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Edinburgh Festival Fringe: The festival offers a diverse range of shows and a vibrant atmosphere, making it an exciting and overwhelming experience for performers and audiences.&lt;/li&gt;&lt;li&gt;Musical &apos;Penelope&apos;: The musical &apos;Penelope&apos; is deeply personal and emotionally impactful, resonating with audiences and receiving positive feedback at the festival.&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;ul&gt;&lt;li&gt;00:00 Introduction to Edinburgh Festival Fringe&lt;/li&gt;&lt;li&gt;00:57 Creating &apos;Penelope&apos; and Performing at the Festival&lt;/li&gt;&lt;li&gt;02:59 Inspiration and Development of &apos;Penelope&apos;&lt;/li&gt;&lt;li&gt;03:36 Exploring the Character of Penelope&lt;/li&gt;&lt;li&gt;06:01 Audience Response and Impact of the Pandemic&lt;/li&gt;&lt;li&gt;09:03 Theatrical Experience at Edinburgh Fringe&lt;/li&gt;&lt;li&gt;16:41 Collaboration and Artistic Process&lt;/li&gt;&lt;li&gt;21:50 Future Projects and Reflections&lt;/li&gt;&lt;li&gt;24:19 Recommendations and Conclusion&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;PENELOPE - Edinburgh Fringe&lt;/p&gt;&lt;p&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.edfringe.com/tickets/whats-on/penelope&quot; target=&quot;_blank&quot;&gt;https://www.edfringe.com/tickets/whats-on/penelope&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Follow us and our links here: &lt;/p&gt;&lt;p&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://bio.site/em3ry&quot; target=&quot;_blank&quot;&gt;https://bio.site/em3ry&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:29:28</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/logos/67aae693-5e1b-4d9d-8c64-59048a903d92.png"/><itunes:season>1</itunes:season><itunes:episode>7</itunes:episode><itunes:title>IN SERIES: Edinburgh - Penelope, Alex Bechtel</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[IN SERIES: Edinburgh - Here Comes Almost - Noah Seltzer]]></title><description><![CDATA[<p>Noah Seltzer discusses his production 'Here Comes: One Clown's Mission to Solve the Loneliness' and the creative process behind it. The conversation delves into the themes of loneliness, audience engagement, show dynamics, and future plans for the production.</p><p></p><p>Takeaways</p><ul><li>Exploring the theme of loneliness through performance</li><li>The importance of audience engagement and participation in live shows</li></ul><p></p><p>Chapters</p><ul><li>00:00 Introducing Here Comes: One Clown's Mission</li><li>02:46 Tackling Loneliness Through Performance</li><li>05:01 Crafting and Testing the Show</li><li>06:49 Audience Engagement and Participation</li><li>09:01 Performance Dynamics and Audience Response</li><li>12:00 Favorite Moments and Show Elements</li><li>15:41 Physical Challenges and Show Preparation</li><li>18:01 Future Plans for the Production</li></ul><p></p><p>FOR TICKETS: <a rel="noopener noreferrer nofollow" href="https://www.edfringe.com/tickets/whats-on/here-comes-almost" target="_blank">https://www.edfringe.com/tickets/whats-on/here-comes-almost</a></p><p><b>Follow us and our links here: </b></p><p><a rel="noopener noreferrer nofollow" href="https://bio.site/em3ry" target="_blank"><b>https://bio.site/em3ry</b></a></p>]]></description><guid isPermaLink="false">34c0dade-26a1-4630-b961-72fb3e9b6474</guid><dc:creator><![CDATA[Darnelle Radford]]></dc:creator><pubDate>Sat, 22 Aug 2026 08:22:02 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/7ac537da5c8af83fc044baa2cf2573575acb579150c9cfbc4a8e842cd09f6f9d/eyJlcGlzb2RlSWQiOiIzNGMwZGFkZS0yNmExLTQ2MzAtYjk2MS03MmZiM2U5YjY0NzQiLCJwb2RjYXN0SWQiOiI5ZjAxODkwZS01NTMxLTQzYjItYWI0My00YTU1NDg5M2U5ZTgiLCJhY2NvdW50SWQiOiI2MjA4MjljYzdlYWJmMjAwMGM2NjFlYTAiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmE4OTVhMzJkMzVmNDdlNzg0NzYzYWE0L2VtMy0tLXN0YXJyLXN0dWRpby0tLXJlcC1yYWRpby1zdHVkaW8tZS1jb21wb3Nlci0yMDI2LTgtMjJfXzEwLTEzLTM4Lm1wMyJ9.mp3" length="38203289" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/episodes/34c0dade-26a1-4630-b961-72fb3e9b6474/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;Noah Seltzer discusses his production &apos;Here Comes: One Clown&apos;s Mission to Solve the Loneliness&apos; and the creative process behind it. The conversation delves into the themes of loneliness, audience engagement, show dynamics, and future plans for the production.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Takeaways&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Exploring the theme of loneliness through performance&lt;/li&gt;&lt;li&gt;The importance of audience engagement and participation in live shows&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;ul&gt;&lt;li&gt;00:00 Introducing Here Comes: One Clown&apos;s Mission&lt;/li&gt;&lt;li&gt;02:46 Tackling Loneliness Through Performance&lt;/li&gt;&lt;li&gt;05:01 Crafting and Testing the Show&lt;/li&gt;&lt;li&gt;06:49 Audience Engagement and Participation&lt;/li&gt;&lt;li&gt;09:01 Performance Dynamics and Audience Response&lt;/li&gt;&lt;li&gt;12:00 Favorite Moments and Show Elements&lt;/li&gt;&lt;li&gt;15:41 Physical Challenges and Show Preparation&lt;/li&gt;&lt;li&gt;18:01 Future Plans for the Production&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;FOR TICKETS: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.edfringe.com/tickets/whats-on/here-comes-almost&quot; target=&quot;_blank&quot;&gt;https://www.edfringe.com/tickets/whats-on/here-comes-almost&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Follow us and our links here: &lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://bio.site/em3ry&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;https://bio.site/em3ry&lt;/b&gt;&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:19:54</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/logos/67aae693-5e1b-4d9d-8c64-59048a903d92.png"/><itunes:season>1</itunes:season><itunes:episode>6</itunes:episode><itunes:title>IN SERIES: Edinburgh - Here Comes Almost - Noah Seltzer</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[IN SERIES: Edinburgh - QFWFQ - Gregory Nussen]]></title><description><![CDATA[<p>The conversation covers the production title, the creative process, the themes of the show, and the audience response. It also delves into the topics of identity, activism, and the use of AI in art. Gregory Nussen shares insights into the development of the show and its impact on the audience.</p><p></p><p>Takeaways</p><ul><li>Creative Process</li><li>Identity and Activism</li></ul><p></p><p>Chapters</p><ul><li>00:00 Introduction to the Production</li><li>01:00 The Title and Its Meaning</li><li>02:30 The Creative Process</li><li>08:15 Themes of the Show</li><li>10:24 Identity and Activism</li><li>18:58 Audience Response</li></ul><p></p><p>FOR TICKETS: <a rel="noopener noreferrer nofollow" href="https://www.edfringe.com/tickets/whats-on/qfwfq" target="_blank">https://www.edfringe.com/tickets/whats-on/qfwfq</a><br /><br />INSTAGRAM: <a rel="noopener noreferrer nofollow" href="https://www.instagram.com/willandnoahcomedy/?hl=en" target="_blank">https://www.instagram.com/willandnoahcomedy/?hl=en</a></p>]]></description><guid isPermaLink="false">c46527ea-9b92-491a-8711-d02bf66753a3</guid><dc:creator><![CDATA[Darnelle Radford]]></dc:creator><pubDate>Fri, 21 Aug 2026 10:18:18 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/2641b658692c64746e9f81867cfe3a0f95d5acec544c9f981849de786a9dda4f/eyJlcGlzb2RlSWQiOiJjNDY1MjdlYS05YjkyLTQ5MWEtODcxMS1kMDJiZjY2NzUzYTMiLCJwb2RjYXN0SWQiOiI5ZjAxODkwZS01NTMxLTQzYjItYWI0My00YTU1NDg5M2U5ZTgiLCJhY2NvdW50SWQiOiI2MjA4MjljYzdlYWJmMjAwMGM2NjFlYTAiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmE4ODFiMDBkYWE4ODAzNWJmZjQyMjQyL2VtMy0tLXN0YXJyLXN0dWRpby0tLXJlcC1yYWRpby1zdHVkaW8tZS1jb21wb3Nlci0yMDI2LTgtMjFfXzExLTMxLTQ0Lm1wMyJ9.mp3" length="54980170" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/episodes/c46527ea-9b92-491a-8711-d02bf66753a3/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;The conversation covers the production title, the creative process, the themes of the show, and the audience response. It also delves into the topics of identity, activism, and the use of AI in art. Gregory Nussen shares insights into the development of the show and its impact on the audience.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Takeaways&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Creative Process&lt;/li&gt;&lt;li&gt;Identity and Activism&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;ul&gt;&lt;li&gt;00:00 Introduction to the Production&lt;/li&gt;&lt;li&gt;01:00 The Title and Its Meaning&lt;/li&gt;&lt;li&gt;02:30 The Creative Process&lt;/li&gt;&lt;li&gt;08:15 Themes of the Show&lt;/li&gt;&lt;li&gt;10:24 Identity and Activism&lt;/li&gt;&lt;li&gt;18:58 Audience Response&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;FOR TICKETS: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.edfringe.com/tickets/whats-on/qfwfq&quot; target=&quot;_blank&quot;&gt;https://www.edfringe.com/tickets/whats-on/qfwfq&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;INSTAGRAM: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.instagram.com/willandnoahcomedy/?hl=en&quot; target=&quot;_blank&quot;&gt;https://www.instagram.com/willandnoahcomedy/?hl=en&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:28:38</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/logos/67aae693-5e1b-4d9d-8c64-59048a903d92.png"/><itunes:season>1</itunes:season><itunes:episode>5</itunes:episode><itunes:title>IN SERIES: Edinburgh - QFWFQ - Gregory Nussen</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[IN SERIES: Edinburgh - Dinner Dinner Chicken Winner]]></title><description><![CDATA[<p>The conversation delves into the Edinburgh Festival, show preparation, sketch comedy, self-producing at the Fringe, building an hour-long show, crafting the show's themes, the value of awards and recognition, the audience experience, and future plans and projects.</p><p></p><p>Takeaways</p><ul><li>Self-producing at the Fringe</li><li>Crafting an hour-long show with thematic through-line</li></ul><p></p><p>Chapters</p><ul><li>00:00 Edinburgh Festival and Show Preparation</li><li>02:20 Getting Into Sketch Comedy</li><li>03:05 Self-Producing at the Fringe</li><li>05:18 Building an Hour-Long Show</li><li>07:02 Crafting the Show and Its Themes</li><li>08:15 The Value of Awards and Recognition</li><li>16:05 The Audience Experience</li><li>18:03 Future Plans and Projects</li></ul><p></p><p>FOR TICKETS: <a rel="noopener noreferrer nofollow" href="https://www.edfringe.com/tickets/whats-on/will-noah-dinner-dinner-chicken-winner" target="_blank">https://www.edfringe.com/tickets/whats-on/will-noah-dinner-dinner-chicken-winner</a><br /><br />INSTAGRAM: <a rel="noopener noreferrer nofollow" href="https://www.instagram.com/willandnoahcomedy/?hl=en" target="_blank">https://www.instagram.com/willandnoahcomedy/?hl=en</a></p>]]></description><guid isPermaLink="false">e13260f4-d5b4-40a5-a556-61e3b5f32153</guid><dc:creator><![CDATA[Darnelle Radford]]></dc:creator><pubDate>Fri, 21 Aug 2026 09:15:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/8e968161abe1fcc3b576c86423387e6f09bfcf7fda257c1f59e063ce7f65f845/eyJlcGlzb2RlSWQiOiJlMTMyNjBmNC1kNWI0LTQwYTUtYTU1Ni02MWUzYjVmMzIxNTMiLCJwb2RjYXN0SWQiOiI5ZjAxODkwZS01NTMxLTQzYjItYWI0My00YTU1NDg5M2U5ZTgiLCJhY2NvdW50SWQiOiI2MjA4MjljYzdlYWJmMjAwMGM2NjFlYTAiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmE4NmRkZDcwZDU1YjI0ZjBkYWJiNTc5L2VtMy0tLXN0YXJyLXN0dWRpby0tLXJlcC1yYWRpby1zdHVkaW8tZS1jb21wb3Nlci0yMDI2LTgtMjBfXzEyLTU4LTMxLm1wMyJ9.mp3" length="35856866" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/episodes/e13260f4-d5b4-40a5-a556-61e3b5f32153/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;The conversation delves into the Edinburgh Festival, show preparation, sketch comedy, self-producing at the Fringe, building an hour-long show, crafting the show&apos;s themes, the value of awards and recognition, the audience experience, and future plans and projects.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Takeaways&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Self-producing at the Fringe&lt;/li&gt;&lt;li&gt;Crafting an hour-long show with thematic through-line&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;ul&gt;&lt;li&gt;00:00 Edinburgh Festival and Show Preparation&lt;/li&gt;&lt;li&gt;02:20 Getting Into Sketch Comedy&lt;/li&gt;&lt;li&gt;03:05 Self-Producing at the Fringe&lt;/li&gt;&lt;li&gt;05:18 Building an Hour-Long Show&lt;/li&gt;&lt;li&gt;07:02 Crafting the Show and Its Themes&lt;/li&gt;&lt;li&gt;08:15 The Value of Awards and Recognition&lt;/li&gt;&lt;li&gt;16:05 The Audience Experience&lt;/li&gt;&lt;li&gt;18:03 Future Plans and Projects&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;FOR TICKETS: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.edfringe.com/tickets/whats-on/will-noah-dinner-dinner-chicken-winner&quot; target=&quot;_blank&quot;&gt;https://www.edfringe.com/tickets/whats-on/will-noah-dinner-dinner-chicken-winner&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;INSTAGRAM: &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.instagram.com/willandnoahcomedy/?hl=en&quot; target=&quot;_blank&quot;&gt;https://www.instagram.com/willandnoahcomedy/?hl=en&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:18:41</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/logos/67aae693-5e1b-4d9d-8c64-59048a903d92.png"/><itunes:season>1</itunes:season><itunes:episode>4</itunes:episode><itunes:title>IN SERIES: Edinburgh - Dinner Dinner Chicken Winner</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[IN SERIES: Edinburgh - The 40-Year Old Ballerino]]></title><description><![CDATA[<p>The conversation covers the return to the Edinburgh Festival Fringe, the challenges and rewards of performing at the festival, the process of adapting a play for international audiences, and the experience of promoting and performing at the Fringe. It also explores the support for the arts and the overall Fringe experience.</p><p></p><p>At 40 years old, Chris Davis seizes on ballet class as a way to replace all other addictions – drugs, alcohol, Modern Family and the toxic tropes of 90s John Cusack movies. With only a barre for support, Fringe favourite Chris Davis mixes dance and storytelling in a 50-minute comedy that shows you change is always possible, no matter what your age. 'The kind of innovative spirit that the Fringe was originally created to showcase' **** (List).</p><p></p><p>Takeaways</p><ul><li>Edinburgh Festival Fringe is a platform for international artists to showcase their work</li><li>The challenges and rewards of performing at the Edinburgh Festival Fringe</li></ul><p></p><p>Chapters</p><ul><li>00:00 Return to Edinburgh</li><li>01:03 The 40-Year-Old Ballerino</li><li>02:09 The Journey of the Play</li><li>03:00 Supporting the Arts</li><li>05:22 Adapting to International Audiences</li><li>14:57 Promoting and Performing at the Fringe</li><li>19:31 The Fringe Experience</li></ul><p></p><p><b>Follow us and our links here: </b></p><p><a rel="noopener noreferrer nofollow" href="https://bio.site/em3ry" target="_blank"><b>https://bio.site/em3ry</b></a></p>]]></description><guid isPermaLink="false">ed652c87-35fe-4926-aaa6-267768f134aa</guid><dc:creator><![CDATA[Darnelle Radford]]></dc:creator><pubDate>Thu, 13 Aug 2026 18:51:44 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/cdfb85f340b0cf008a388a428663fab547f5e53905ef74eb8267588d0948dc23/eyJlcGlzb2RlSWQiOiJlZDY1MmM4Ny0zNWZlLTQ5MjYtYWFhNi0yNjc3NjhmMTM0YWEiLCJwb2RjYXN0SWQiOiI5ZjAxODkwZS01NTMxLTQzYjItYWI0My00YTU1NDg5M2U5ZTgiLCJhY2NvdW50SWQiOiI2MjA4MjljYzdlYWJmMjAwMGM2NjFlYTAiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmE3ZTBhZjBmY2VjMGVmZmI5Mjk0ZTM1L2VtMy0tLXN0YXJyLXN0dWRpby0tLXJlcC1yYWRpby1zdHVkaW8tZS1jb21wb3Nlci0yMDI2LTgtMTNfXzIwLTIwLTMyLm1wMyJ9.mp3" length="43915119" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/episodes/ed652c87-35fe-4926-aaa6-267768f134aa/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;The conversation covers the return to the Edinburgh Festival Fringe, the challenges and rewards of performing at the festival, the process of adapting a play for international audiences, and the experience of promoting and performing at the Fringe. It also explores the support for the arts and the overall Fringe experience.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;At 40 years old, Chris Davis seizes on ballet class as a way to replace all other addictions – drugs, alcohol, Modern Family and the toxic tropes of 90s John Cusack movies. With only a barre for support, Fringe favourite Chris Davis mixes dance and storytelling in a 50-minute comedy that shows you change is always possible, no matter what your age. &apos;The kind of innovative spirit that the Fringe was originally created to showcase&apos; **** (List).&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Takeaways&lt;/p&gt;&lt;ul&gt;&lt;li&gt;Edinburgh Festival Fringe is a platform for international artists to showcase their work&lt;/li&gt;&lt;li&gt;The challenges and rewards of performing at the Edinburgh Festival Fringe&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Chapters&lt;/p&gt;&lt;ul&gt;&lt;li&gt;00:00 Return to Edinburgh&lt;/li&gt;&lt;li&gt;01:03 The 40-Year-Old Ballerino&lt;/li&gt;&lt;li&gt;02:09 The Journey of the Play&lt;/li&gt;&lt;li&gt;03:00 Supporting the Arts&lt;/li&gt;&lt;li&gt;05:22 Adapting to International Audiences&lt;/li&gt;&lt;li&gt;14:57 Promoting and Performing at the Fringe&lt;/li&gt;&lt;li&gt;19:31 The Fringe Experience&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Follow us and our links here: &lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://bio.site/em3ry&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;https://bio.site/em3ry&lt;/b&gt;&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:22:52</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/podcasts/9f01890e-5531-43b2-ab43-4a554893e9e8/logos/67aae693-5e1b-4d9d-8c64-59048a903d92.png"/><itunes:season>1</itunes:season><itunes:episode>1</itunes:episode><itunes:title>IN SERIES: Edinburgh - The 40-Year Old Ballerino</itunes:title><itunes:episodeType>full</itunes:episodeType></item></channel></rss>