<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:psc="http://podlove.org/simple-chapters" xmlns:podcast="https://podcastindex.org/namespace/1.0"><channel><title><![CDATA[Sound of Ages Podcast]]></title><description><![CDATA[<p>Sound of Ages is a professional vocal consort based in Utah. They specialize in performing music of all styles, genres and time periods, with a focus on the timeless fundamentals from medieval and renaissance times. </p><p><br /></p><p>Hosted by Founder and Artistic Director Kam Kavanaugh and Composer-in-Residence and Chief Strategist Andrew Maxfield. Discussions range from musical concepts, entrepreneurial strategy, live concert streams, interviews with fellow professionals in the industry, and essentially, all things choral music related.</p><p><br /></p><p>Previously known as "Early Music Monday," Kam has already interviewed a variety of choral rock stars from around the globe including Nigel Short, Eric Whitacre, Owain Park, Cecilia McDowall, Andrew Crane, Chris Gabbitas and many more. </p>]]></description><link>https://www.buzzsprout.com/1328833</link><generator>Riverside.fm (https://riverside.com)</generator><lastBuildDate>Tue, 09 Jun 2026 01:04:36 GMT</lastBuildDate><atom:link href="https://api.riverside.com/hosting/iP1p9cu7.rss" rel="self" type="application/rss+xml"/><author><![CDATA[Kameron Kavanaugh]]></author><pubDate>Mon, 18 May 2026 14:25:07 GMT</pubDate><copyright><![CDATA[2026 Kameron Kavanaugh]]></copyright><language><![CDATA[en]]></language><ttl>60</ttl><category><![CDATA[Music Commentary]]></category><itunes:author>Kameron Kavanaugh</itunes:author><itunes:summary>&lt;p&gt;Sound of Ages is a professional vocal consort based in Utah. They specialize in performing music of all styles, genres and time periods, with a focus on the timeless fundamentals from medieval and renaissance times. &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Hosted by Founder and Artistic Director Kam Kavanaugh and Composer-in-Residence and Chief Strategist Andrew Maxfield. Discussions range from musical concepts, entrepreneurial strategy, live concert streams, interviews with fellow professionals in the industry, and essentially, all things choral music related.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Previously known as &quot;Early Music Monday,&quot; Kam has already interviewed a variety of choral rock stars from around the globe including Nigel Short, Eric Whitacre, Owain Park, Cecilia McDowall, Andrew Crane, Chris Gabbitas and many more. &lt;/p&gt;</itunes:summary><itunes:type>episodic</itunes:type><itunes:owner><itunes:name>Kameron Kavanaugh</itunes:name><itunes:email>kameron.kavanaugh3@gmail.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:category text="Music"><itunes:category text="Music Commentary"/></itunes:category><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><item><title><![CDATA[Pre-Concert Special | Sound of Ages 2026 Season Finale]]></title><description><![CDATA[<p>Join Kam and Drew as they do a brief overview of some of the pieces, themes, and narratives that will be explored in Sound of Ages season retrospective concert. Repertoire to include William Byrd, John Tavener, Andrew Maxfield, Anton Bruckner, Claudio Monteverdi, and more. </p><p></p><p>#soundofages</p><p>soundofageschoir.com</p>]]></description><guid isPermaLink="false">3196ef90-4f04-4771-899a-f78c6693010b</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Wed, 27 May 2026 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/c61094093370504f05d4a8ae622ae9fedc0ebb6fcb758ad8fdce67aad3089e96/eyJlcGlzb2RlSWQiOiIzMTk2ZWY5MC00ZjA0LTQ3NzEtODk5YS1mNzhjNjY5MzAxMGIiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmExNjE2N2E3OTIyYjdkNDdmMWM0ZjA2L2thbWVyb24ta2F2YW5hdWdocy1zdHVkaW8tY29tcG9zZXItMjAyNi01LTI2X18yMy01NC0yLm1wMyJ9.mp3" length="67800650" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/episodes/3196ef90-4f04-4771-899a-f78c6693010b/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;Join Kam and Drew as they do a brief overview of some of the pieces, themes, and narratives that will be explored in Sound of Ages season retrospective concert. Repertoire to include William Byrd, John Tavener, Andrew Maxfield, Anton Bruckner, Claudio Monteverdi, and more. &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;#soundofages&lt;/p&gt;&lt;p&gt;soundofageschoir.com&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:35:19</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>Pre-Concert Special | Sound of Ages 2026 Season Finale</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[French vs German | The Blue Bird]]></title><description><![CDATA[<p><i>Wind, Water, Stone </i>is available now! Get it wherever you get your streams! </p><p></p><p>Today we dive into Drew's setting of <i>The Blue Bird</i>, a text by Mary Elizabeth Coleridge made famous in the choral world by 19th Century English composer Charles Villiers Stanford. Kam and Drew discuss the differences between the French and German schools of thought when it comes to composition, the importance of line, the use of harmonic colors, and much more! </p><p></p><p><a rel="noopener noreferrer nofollow" href="https://www.soundofageschoir.com/" target="_blank">soundofageschoir.com</a></p>]]></description><guid isPermaLink="false">73433b9d-f94f-4f3f-9e82-26f3e6408cd4</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 25 May 2026 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/59af3d89d0bae6072518f2035c7b768a6aa6fd16f557710d7a437b2e57e839fc/eyJlcGlzb2RlSWQiOiI3MzQzM2I5ZC1mOTRmLTRmM2YtOWU4Mi0yNmYzZTY0MDhjZDQiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmEwZjViZGM2ODQwNWNmMjY4MTYwNjI4L2thbWVyb24ta2F2YW5hdWdocy1zdHVkaW8tY29tcG9zZXItMjAyNi01LTIxX18yMS0yNC0xMS5tcDMifQ==.mp3" length="98545728" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/episodes/73433b9d-f94f-4f3f-9e82-26f3e6408cd4/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;&lt;i&gt;Wind, Water, Stone &lt;/i&gt;is available now! Get it wherever you get your streams! &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Today we dive into Drew&apos;s setting of &lt;i&gt;The Blue Bird&lt;/i&gt;, a text by Mary Elizabeth Coleridge made famous in the choral world by 19th Century English composer Charles Villiers Stanford. Kam and Drew discuss the differences between the French and German schools of thought when it comes to composition, the importance of line, the use of harmonic colors, and much more! &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.soundofageschoir.com/&quot; target=&quot;_blank&quot;&gt;soundofageschoir.com&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:51:20</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:season>1</itunes:season><itunes:episode>9</itunes:episode><itunes:title>French vs German | The Blue Bird</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Madrigalagrams | Invitation to Love]]></title><description><![CDATA[<p>Andrew Maxfield's setting of Paul Laurence Dunbar's famous text <i>Invitation to Love</i> serves as the subject of our next episode of deep dives into tracks from SOA's upcoming album <i>Wind, Water, Stone</i>. Hearkening to techniques from the renaissance madrigals, we get to feel and hear Drew's point of view of the text in song. </p><p></p><p><a rel="noopener noreferrer nofollow" href="http://soundofageschoir.com" target="_blank">soundofageschoir.com</a></p><p></p>]]></description><guid isPermaLink="false">bc3c9c98-b20c-4677-be6d-64e2ce067697</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 18 May 2026 22:00:27 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/ae2ac16692c7bbb00e00cd42c8d7833a8efb2c88925bf86daedf9d06b8e543ed/eyJlcGlzb2RlSWQiOiJiYzNjOWM5OC1iMjBjLTQ2NzctYmU2ZC02NGUyY2UwNjc2OTciLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmEwYjhhZjZmNWY1YjcwNmEzYmFkYTc0L2thbWVyb24ta2F2YW5hdWdocy1zdHVkaW8tY29tcG9zZXItMjAyNi01LTE4X18yMy01Ni02Lm1wMyJ9.mp3" length="125976389" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/episodes/bc3c9c98-b20c-4677-be6d-64e2ce067697/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;Andrew Maxfield&apos;s setting of Paul Laurence Dunbar&apos;s famous text &lt;i&gt;Invitation to Love&lt;/i&gt; serves as the subject of our next episode of deep dives into tracks from SOA&apos;s upcoming album &lt;i&gt;Wind, Water, Stone&lt;/i&gt;. Hearkening to techniques from the renaissance madrigals, we get to feel and hear Drew&apos;s point of view of the text in song. &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;http://soundofageschoir.com&quot; target=&quot;_blank&quot;&gt;soundofageschoir.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:05:37</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>Madrigalagrams | Invitation to Love</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Deep Dive Into Track 1: Wind, Water, Stone | Andrew Maxfield]]></title><description><![CDATA[<p>Join us as we discuss the title track of our upcoming album <em>Wind, Water, Stone</em> in depth. We discuss many of Drew's compositional methods such as word painting, counterpoint, genre-bending, and much more. </p><p><em>Wind, Water, Stone</em> the album is set to launch on May 22, 2026. </p><p><br /></p><p><a href="https://www.soundofageschoir.com/recordings" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/recordings</a></p>]]></description><guid isPermaLink="false">Buzzsprout-18959299</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 13 Apr 2026 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="31145210" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Join us as we discuss the title track of our upcoming album &lt;em&gt;Wind, Water, Stone&lt;/em&gt; in depth. We discuss many of Drew&apos;s compositional methods such as word painting, counterpoint, genre-bending, and much more. &lt;/p&gt;&lt;p&gt;&lt;em&gt;Wind, Water, Stone&lt;/em&gt; the album is set to launch on May 22, 2026. &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.soundofageschoir.com/recordings&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/recordings&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:43:10</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:season>1</itunes:season><itunes:episode>3</itunes:episode><itunes:title>Deep Dive Into Track 1: Wind, Water, Stone | Andrew Maxfield</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 70: Have a CRMSS-Y Christmas | Greg Skidmore]]></title><description><![CDATA[<p>Today we get to chat a bit about Renaissance Christmas music and the 2024 Canadian Renaissance Music Summer School, with the director Greg Skidmore. Greg sings in a number of professional chamber choir ensembles throughout the UK and elsewhere. <br /><br />The CRMSS fundariser, <a href="https://crmss.org/buy-a-bar/" rel="noopener noreferrer nofollow">"Buy a Bar"</a> can be found here. <br /><br />For <a href="https://crmss.org/apply/" rel="noopener noreferrer nofollow">CRMSS Registration</a> information, please visit their website. <br /><br />Featuring a performance of Thomas Tallis's 40-voice metet, <a href="https://crmss.org/pdf/SpemInAliumBuyABar.pdf" rel="noopener noreferrer nofollow"><em>Spem in Alium</em></a><em>, </em>performed by <a href="https://www.ifagiolini.com/" rel="noopener noreferrer nofollow">I Fagiolini</a>, found on <a href="https://www.youtube.com/watch?v=ot3Clb_l5VU" rel="noopener noreferrer nofollow">YouTube</a>. </p>]]></description><guid isPermaLink="false">Buzzsprout-14168793</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 18 Dec 2023 19:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="66692289" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we get to chat a bit about Renaissance Christmas music and the 2024 Canadian Renaissance Music Summer School, with the director Greg Skidmore. Greg sings in a number of professional chamber choir ensembles throughout the UK and elsewhere. &lt;br /&gt;&lt;br /&gt;The CRMSS fundariser, &lt;a href=&quot;https://crmss.org/buy-a-bar/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&quot;Buy a Bar&quot;&lt;/a&gt; can be found here. &lt;br /&gt;&lt;br /&gt;For &lt;a href=&quot;https://crmss.org/apply/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;CRMSS Registration&lt;/a&gt; information, please visit their website. &lt;br /&gt;&lt;br /&gt;Featuring a performance of Thomas Tallis&apos;s 40-voice metet, &lt;a href=&quot;https://crmss.org/pdf/SpemInAliumBuyABar.pdf&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;Spem in Alium&lt;/em&gt;&lt;/a&gt;&lt;em&gt;, &lt;/em&gt;performed by &lt;a href=&quot;https://www.ifagiolini.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;I Fagiolini&lt;/a&gt;, found on &lt;a href=&quot;https://www.youtube.com/watch?v=ot3Clb_l5VU&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;YouTube&lt;/a&gt;. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:32:35</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 70: Have a CRMSS-Y Christmas | Greg Skidmore</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 65: An 'Improversation' | Dr. Peter Schubert]]></title><description><![CDATA[<p>Today we get to have a fantastic 'Improversation' if you will, with Dr.  Peter Schubert. <br /><br />Peter Schubert came to Montreal from New York City, where he founded and directed Opera Uptown and The New Calliope Singers, a group renowned for its commitment to modern music during its fifteen-year career. The group presented over fifty premieres and released a critically acclaimed CD entitled "New Cantatas and Madrigals."<br /><br />Since 1991, he has conducted the highly respected Montreal-based group, The Orpheus Singers. Under his direction, the group has placed as a finalist several times the CBC Competition for Amateur Choruses, winning first prize in the chamber chorus category in 1996. The Orpheus Singers has presented premieres of several new Canadian works and participated in a CD of the musical compositions of Freidrich Nietzsche.<br /><br />In 1998, Peter Schubert founded VivaVoce, a professional vocal ensemble, to stimulate interest in choral chamber music ranging from the Renaissance to the day before yesterday. By presenting unique, interactive "commentated concerts" in schools and concert halls, VivaVoce delights and entertains it audiences of all ages, instilling in them a deeper understanding of their musical heritage.<br /><br />Schubert holds a Ph.D. in musicology from Columbia University, which gives him a rich base on which to draw for his commentated concerts. Currently an Associate Professor at the McGill University Faculty of Music, Schubert is the author of a groundbreaking and highly regarded textbook, Modal Counterpoint, Renaissance Style (Oxford University Press, 1999). With colleague Christoph Neidhoefer he also co-authored Baroque Counterpoint (Prentice-Hall, 2005).<br /><br />Peter Schubert studied conducting with Nadia Boulanger, Helmuth Rilling, Jacques-Louis Monod and David Gilbert and has been assistant to Gregg Smith and Agnes Grossman. He has published an edition of Renaissance Noels as well as his own innovative arrangements of five popular Christmas carols with C.F. Peters.<br /><br />Listen to Viva Voce's performance of Gombert's <a href="https://www.youtube.com/watch?v=-OeN-mU-Lds" rel="noopener noreferrer nofollow"><em>Domine, si tu es</em></a>.  <br /><br />Check out Dr. Schubert's <a href="https://www.youtube.com/@peterschubert9881" rel="noopener noreferrer nofollow">YouTube</a> channel to see recordings of ensembles he conducts, improvisation techniques, and more. <br /><br />Here is a link to the <a href="https://www.google.com/search?q=viadana+exsultate+justi+1925+sistine+chapel+choir&amp;oq=viadana+exsultate+justi+1925+sistine+chapel+choir&amp;aqs=chrome..69i57j69i60.9021391j0j15&amp;sourceid=chrome&amp;ie=UTF-8#fpstate=ive&amp;vld=cid:4e99bbdb,vid:JiauDE4kApM" rel="noopener noreferrer nofollow">Sistine Chapel</a> recording as referenced in the interview. <br /><br />Dr. Schubert's <a href="https://www.mcgill.ca/music/peter-schubert" rel="noopener noreferrer nofollow">page</a> on McGill University's faculty website. </p>]]></description><guid isPermaLink="false">Buzzsprout-13557309</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 11 Sep 2023 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/9efc2e5e0c2ae2834167c99a8f94650e1e8fc0f05baa7912b8e060a763e1a170/eyJlcGlzb2RlSWQiOiJjODllMTkwNS1jOTAxLTRlODEtODBlMi04YTEzOGY1NWI2OWEiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvYzg5ZTE5MDUtYzkwMS00ZTgxLTgwZTItOGExMzhmNTViNjlhLzEzNTU3MzA5LWVtbS02NS1hbi1pbXByb3ZlcnNhdGlvbi1kci1wZXRlci1zY2h1YmVydC5tcDMifQ==.mp3" length="51894707" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we get to have a fantastic &apos;Improversation&apos; if you will, with Dr.  Peter Schubert. &lt;br /&gt;&lt;br /&gt;Peter Schubert came to Montreal from New York City, where he founded and directed Opera Uptown and The New Calliope Singers, a group renowned for its commitment to modern music during its fifteen-year career. The group presented over fifty premieres and released a critically acclaimed CD entitled &quot;New Cantatas and Madrigals.&quot;&lt;br /&gt;&lt;br /&gt;Since 1991, he has conducted the highly respected Montreal-based group, The Orpheus Singers. Under his direction, the group has placed as a finalist several times the CBC Competition for Amateur Choruses, winning first prize in the chamber chorus category in 1996. The Orpheus Singers has presented premieres of several new Canadian works and participated in a CD of the musical compositions of Freidrich Nietzsche.&lt;br /&gt;&lt;br /&gt;In 1998, Peter Schubert founded VivaVoce, a professional vocal ensemble, to stimulate interest in choral chamber music ranging from the Renaissance to the day before yesterday. By presenting unique, interactive &quot;commentated concerts&quot; in schools and concert halls, VivaVoce delights and entertains it audiences of all ages, instilling in them a deeper understanding of their musical heritage.&lt;br /&gt;&lt;br /&gt;Schubert holds a Ph.D. in musicology from Columbia University, which gives him a rich base on which to draw for his commentated concerts. Currently an Associate Professor at the McGill University Faculty of Music, Schubert is the author of a groundbreaking and highly regarded textbook, Modal Counterpoint, Renaissance Style (Oxford University Press, 1999). With colleague Christoph Neidhoefer he also co-authored Baroque Counterpoint (Prentice-Hall, 2005).&lt;br /&gt;&lt;br /&gt;Peter Schubert studied conducting with Nadia Boulanger, Helmuth Rilling, Jacques-Louis Monod and David Gilbert and has been assistant to Gregg Smith and Agnes Grossman. He has published an edition of Renaissance Noels as well as his own innovative arrangements of five popular Christmas carols with C.F. Peters.&lt;br /&gt;&lt;br /&gt;Listen to Viva Voce&apos;s performance of Gombert&apos;s &lt;a href=&quot;https://www.youtube.com/watch?v=-OeN-mU-Lds&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;Domine, si tu es&lt;/em&gt;&lt;/a&gt;.  &lt;br /&gt;&lt;br /&gt;Check out Dr. Schubert&apos;s &lt;a href=&quot;https://www.youtube.com/@peterschubert9881&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;YouTube&lt;/a&gt; channel to see recordings of ensembles he conducts, improvisation techniques, and more. &lt;br /&gt;&lt;br /&gt;Here is a link to the &lt;a href=&quot;https://www.google.com/search?q=viadana+exsultate+justi+1925+sistine+chapel+choir&amp;amp;oq=viadana+exsultate+justi+1925+sistine+chapel+choir&amp;amp;aqs=chrome..69i57j69i60.9021391j0j15&amp;amp;sourceid=chrome&amp;amp;ie=UTF-8#fpstate=ive&amp;amp;vld=cid:4e99bbdb,vid:JiauDE4kApM&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Sistine Chapel&lt;/a&gt; recording as referenced in the interview. &lt;br /&gt;&lt;br /&gt;Dr. Schubert&apos;s &lt;a href=&quot;https://www.mcgill.ca/music/peter-schubert&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;page&lt;/a&gt; on McGill University&apos;s faculty website. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:12:02</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 65: An &apos;Improversation&apos; | Dr. Peter Schubert</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 62: Tenebrae - Passion and Precision | Nigel Short]]></title><description><![CDATA[<p>Today we get to chat with Nigel Short, Conductor and Artistic Director of Tenebrae Choir. We get to hear his journey as a singer, the genesis of Tenebrae choir, Nigel's approach to choral singing, his thoughts about renaissance music and more! <br /><br /><a href="https://www.tenebrae-choir.com/about/nigel-short" rel="noopener noreferrer nofollow">Nigel's Bio</a>:  <br />Award-winning conductor Nigel Short has earned widespread acclaim for his recording and live performance work with leading orchestras and ensembles across the world.</p><p>Tenebrae are special. Directed by Nigel Short, these were exemplary performances, lucid, and so commanding it seemed as if singing perfectly in tune was the most natural thing in the world.</p><p>– The Guardian</p><p> </p><p>A former member of renowned vocal ensemble The King’s Singers, in 2001 Nigel formed Tenebrae, a virtuosic choir that combines the passion of a cathedral choir with the precision of a chamber ensemble. Under his direction, Tenebrae has collaborated with internationally acclaimed orchestras and instrumentalists and now enjoys a reputation as one of the world’s finest vocal ensembles. Nigel has conducted the choir at some of the world’s most prestigious venues and festivals, including the BBC Proms, Wigmore Hall, Elbphilharmonie Hamburg, Rheingau Musik Festival and Sydney Festival.</p><p>“…the highly impressive Tenebrae directed by Nigel Short pull out all the vocal stops at the right moments.</p><p>– Gramophone Magazine</p><p> </p><p>To date, Nigel has conducted the majority of the UK’s leading orchestras, including the Academy of Ancient Music, Aurora Orchestra, BBC Symphony Orchestra, Britten Sinfonia, English Concert, London Philharmonic Orchestra, London Symphony Orchestra, Orchestra of the Age of Enlightenment and Royal Philharmonic Orchestra. Other orchestral recordings include Mozart’s Requiem with the Chamber Orchestra of Europe, and Nigel has also appeared as guest conductor with the BBC Singers, Leipzig’s MDR Rundfunkchor and the Danish National Vocal Ensemble.</p><p>Nigel Short’s superb musical sensitivity to phrasing and texture illuminates everything… the endless dovetailing of the musical lines, all within an overall architectural vision, is exquisitely sustained.</p><p>– BBC Music Magazine</p><p> </p><p>Nigel has vast recording experience having conducted for many of the world’s major labels including Decca Classics, Deutsche Grammophon, LSO Live and Signum, as well as having contributed to a number of high-profile film soundtracks. In 2018, he received a Grammy nomination in the category of ‘Best Choral Performance’ for Tenebrae’s album of parts songs from the British Isles, Music of the Spheres. As a Gramophone award-winning producer, Nigel works with many of the UK’s leading professional choirs and vocal ensembles including Alamire, Ex Cathedra, Gallicantus and The King’s Singers.</p><p>Tenebrae reveals itself as one of those exceptional choirs whose individual singers have been moulded into a single superbly sensitive and responsive musical instrument.</p><p>– The Telegraph</p><p>YouTube recording of Tenebrae performing Allegri's <a href="https://www.youtube.com/watch?v=H3v9unphfi0" rel="noopener noreferrer nofollow">Miserere</a> <br /><br />Visit: <br />Tenebrae Choir <a href="https://www.tenebrae-choir.com/" rel="noopener noreferrer nofollow">Website</a><br />Visit Sound of Ages <a href="https://www.youtube.com/@soundofageschoir2248" rel="noopener noreferrer nofollow">YouTube</a> and <a href="https://www.facebook.com/soundofageschoir/videos" rel="noopener noreferrer nofollow">Facebook</a><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-13391847</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 14 Aug 2023 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="50040861" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we get to chat with Nigel Short, Conductor and Artistic Director of Tenebrae Choir. We get to hear his journey as a singer, the genesis of Tenebrae choir, Nigel&apos;s approach to choral singing, his thoughts about renaissance music and more! &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.tenebrae-choir.com/about/nigel-short&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Nigel&apos;s Bio&lt;/a&gt;:  &lt;br /&gt;Award-winning conductor Nigel Short has earned widespread acclaim for his recording and live performance work with leading orchestras and ensembles across the world.&lt;/p&gt;&lt;p&gt;Tenebrae are special. Directed by Nigel Short, these were exemplary performances, lucid, and so commanding it seemed as if singing perfectly in tune was the most natural thing in the world.&lt;/p&gt;&lt;p&gt;– The Guardian&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;A former member of renowned vocal ensemble The King’s Singers, in 2001 Nigel formed Tenebrae, a virtuosic choir that combines the passion of a cathedral choir with the precision of a chamber ensemble. Under his direction, Tenebrae has collaborated with internationally acclaimed orchestras and instrumentalists and now enjoys a reputation as one of the world’s finest vocal ensembles. Nigel has conducted the choir at some of the world’s most prestigious venues and festivals, including the BBC Proms, Wigmore Hall, Elbphilharmonie Hamburg, Rheingau Musik Festival and Sydney Festival.&lt;/p&gt;&lt;p&gt;“…the highly impressive Tenebrae directed by Nigel Short pull out all the vocal stops at the right moments.&lt;/p&gt;&lt;p&gt;– Gramophone Magazine&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;To date, Nigel has conducted the majority of the UK’s leading orchestras, including the Academy of Ancient Music, Aurora Orchestra, BBC Symphony Orchestra, Britten Sinfonia, English Concert, London Philharmonic Orchestra, London Symphony Orchestra, Orchestra of the Age of Enlightenment and Royal Philharmonic Orchestra. Other orchestral recordings include Mozart’s Requiem with the Chamber Orchestra of Europe, and Nigel has also appeared as guest conductor with the BBC Singers, Leipzig’s MDR Rundfunkchor and the Danish National Vocal Ensemble.&lt;/p&gt;&lt;p&gt;Nigel Short’s superb musical sensitivity to phrasing and texture illuminates everything… the endless dovetailing of the musical lines, all within an overall architectural vision, is exquisitely sustained.&lt;/p&gt;&lt;p&gt;– BBC Music Magazine&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;Nigel has vast recording experience having conducted for many of the world’s major labels including Decca Classics, Deutsche Grammophon, LSO Live and Signum, as well as having contributed to a number of high-profile film soundtracks. In 2018, he received a Grammy nomination in the category of ‘Best Choral Performance’ for Tenebrae’s album of parts songs from the British Isles, Music of the Spheres. As a Gramophone award-winning producer, Nigel works with many of the UK’s leading professional choirs and vocal ensembles including Alamire, Ex Cathedra, Gallicantus and The King’s Singers.&lt;/p&gt;&lt;p&gt;Tenebrae reveals itself as one of those exceptional choirs whose individual singers have been moulded into a single superbly sensitive and responsive musical instrument.&lt;/p&gt;&lt;p&gt;– The Telegraph&lt;/p&gt;&lt;p&gt;YouTube recording of Tenebrae performing Allegri&apos;s &lt;a href=&quot;https://www.youtube.com/watch?v=H3v9unphfi0&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Miserere&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Visit: &lt;br /&gt;Tenebrae Choir &lt;a href=&quot;https://www.tenebrae-choir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Website&lt;/a&gt;&lt;br /&gt;Visit Sound of Ages &lt;a href=&quot;https://www.youtube.com/@soundofageschoir2248&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;YouTube&lt;/a&gt; and &lt;a href=&quot;https://www.facebook.com/soundofageschoir/videos&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Facebook&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:09:27</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 62: Tenebrae - Passion and Precision | Nigel Short</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 54: Co-host Introduction | Stephen Dugdale]]></title><description><![CDATA[<p>Today we sit down for an introduction interview with our new co-host, Stevie Dugdale.  <br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-10161608</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 14 Mar 2022 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="30510633" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we sit down for an introduction interview with our new co-host, Stevie Dugdale.  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:42:20</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 54: Co-host Introduction | Stephen Dugdale</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 32: The Renaissance of Oz | Palestrina]]></title><description><![CDATA[<p>I just want to go through and try to bridge the gap between early music and normal life. We're going to talk about a book called The Oz Principle, find out how the concept of line is incorporated and connect all the dots. <br /><br /><br />www.soundofageschoir.com<br /><br />The Oz Principle<br />https://www.amazon.com/Oz-Principle-Individual-Organizational-Accountability-ebook/dp/B0012M2IX2</p>]]></description><guid isPermaLink="false">Buzzsprout-8775167</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 28 Jun 2021 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/e9872bc111fbcb4cb52a7c599598c45633974c54eb9c77242df7ca4f19455892/eyJlcGlzb2RlSWQiOiI2ZjMwNmFmMS1hNzZlLTRkZDQtYWRmNS1iMTY0Njc3ZDRhMTEiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvNmYzMDZhZjEtYTc2ZS00ZGQ0LWFkZjUtYjE2NDY3N2Q0YTExLzg3NzUxNjctZW1tLTMyLXRoZS1yZW5haXNzYW5jZS1vZi1vei1wYWxlc3RyaW5hLm1wMyJ9.mp3" length="22026576" type="audio/mpeg"/><itunes:summary>&lt;p&gt;I just want to go through and try to bridge the gap between early music and normal life. We&apos;re going to talk about a book called The Oz Principle, find out how the concept of line is incorporated and connect all the dots. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;The Oz Principle&lt;br /&gt;https://www.amazon.com/Oz-Principle-Individual-Organizational-Accountability-ebook/dp/B0012M2IX2&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:30:33</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 32: The Renaissance of Oz | Palestrina</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 33: In the Marketplace | Paul Smith]]></title><description><![CDATA[<p>The music marketplace and what that even means. We are going to have a fantastic interview with Paul Smith, co-founder of Voces8. You don't want to miss today's episode of Early Music Monday. <br /><br />www.soundofageschoir.com<br /><br />www.voces8.com<br /><br />www.voces8.foundation<br /><br />Also be sure to check out more of Paul's work: <br /><br />www.voces8.foundation/paulsmith<br /><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8806469</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 05 Jul 2021 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/41eadd451fd3d6030faea18e5028ac2eedb853f6dbf72cd65c2bb95ab6864467/eyJlcGlzb2RlSWQiOiIzNTNmNGY0NS1hMDM4LTQwZDItOGNhMi04YjJjNTA5NDY3ZmIiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvMzUzZjRmNDUtYTAzOC00MGQyLThjYTItOGIyYzUwOTQ2N2ZiLzg4MDY0NjktZW1tLTMzLWluLXRoZS1tYXJrZXRwbGFjZS1wYXVsLXNtaXRoLm1wMyJ9.mp3" length="50916536" type="audio/mpeg"/><itunes:summary>&lt;p&gt;The music marketplace and what that even means. We are going to have a fantastic interview with Paul Smith, co-founder of Voces8. You don&apos;t want to miss today&apos;s episode of Early Music Monday. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;www.voces8.com&lt;br /&gt;&lt;br /&gt;www.voces8.foundation&lt;br /&gt;&lt;br /&gt;Also be sure to check out more of Paul&apos;s work: &lt;br /&gt;&lt;br /&gt;www.voces8.foundation/paulsmith&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:10:40</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 33: In the Marketplace | Paul Smith</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 18: Expanding the Scope, Stuart Wheeler, William Billings]]></title><description><![CDATA[<p>Today we're going to talk about some areas, genres, and sub-genres that I include in Early Music that will help us expand the scope and definition of what Early Music is, we'll have an interview with composer Stuart Wheeler, and our composer profile is on William Billings. <br /><br />soundofageschoir.com/podcast</p>]]></description><guid isPermaLink="false">Buzzsprout-8134195</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 15 Mar 2021 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="46524561" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we&apos;re going to talk about some areas, genres, and sub-genres that I include in Early Music that will help us expand the scope and definition of what Early Music is, we&apos;ll have an interview with composer Stuart Wheeler, and our composer profile is on William Billings. &lt;br /&gt;&lt;br /&gt;soundofageschoir.com/podcast&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:04:34</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 18: Expanding the Scope, Stuart Wheeler, William Billings</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 0: Trailer - Welcome to Early Music Monday!]]></title><description><![CDATA[<p>Announcing the release of Early Music Monday, a Sound of Ages podcast hosted by Kameron Kavanaugh.</p>]]></description><guid isPermaLink="false">Buzzsprout-5312617</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Sun, 06 Sep 2020 03:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/1d502d560ff1d477ec1071ef1faf7729d10bee77858d6f0109c8e56ce0aa96cf/eyJlcGlzb2RlSWQiOiJkNmIzODVlZi1mZWQ1LTQ1YWYtYjNjOS01ZWRhMjBiNzhmNGMiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvZDZiMzg1ZWYtZmVkNS00NWFmLWIzYzktNWVkYTIwYjc4ZjRjLzUzMTI2MTctZW1tLTAtdHJhaWxlci13ZWxjb21lLXRvLWVhcmx5LW11c2ljLW1vbmRheS5tcDMifQ==.mp3" length="1386456" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Announcing the release of Early Music Monday, a Sound of Ages podcast hosted by Kameron Kavanaugh.&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:01:53</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 0: Trailer - Welcome to Early Music Monday!</itunes:title><itunes:episodeType>trailer</itunes:episodeType></item><item><title><![CDATA[EMM 29: The Andrew Special | Whose Line Is It Anyway?]]></title><description><![CDATA[<p>On today's Andrew Special, we do a birds eye view of the concept of "Line". What makes a good line? What's the difference between line and melody? Why is line important? etc. We will do a follow up episode, a "Part II" if you will, where we will go more in depth and show specific examples. <br /><br />www.soundofageschoir.com<br /><br />www.andrewmaxfield.org<br /><br /><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8645291</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 07 Jun 2021 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="33420586" type="audio/mpeg"/><itunes:summary>&lt;p&gt;On today&apos;s Andrew Special, we do a birds eye view of the concept of &quot;Line&quot;. What makes a good line? What&apos;s the difference between line and melody? Why is line important? etc. We will do a follow up episode, a &quot;Part II&quot; if you will, where we will go more in depth and show specific examples. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;www.andrewmaxfield.org&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:46:22</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 29: The Andrew Special | Whose Line Is It Anyway?</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 39: We Remember | Chris Lowrey]]></title><description><![CDATA[<p>Today we will have a fantastic interview with Chris Lowrey, professional counter-tenor and Founding Artistic Director of Ensemble Altera. <br /><br />www.soundofageschoir.com<br /><br />https://www.christopherlowrey.com/<br /><br />www.ensemblealtera.com<br /><br />The Dying Soldier (Kameron called it the Fallen Soldier in the Podcast, but it's "The Dying Soldier")<br />https://www.youtube.com/watch?v=0fIJf3svTXw</p>]]></description><guid isPermaLink="false">Buzzsprout-9186161</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 13 Sep 2021 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/bcfe3363c51ef6c7767ef2553a176e44570fd7f2e8a652d4d512315a82b823c9/eyJlcGlzb2RlSWQiOiI0MjBlNzkzYy0xY2RjLTQ3MTAtOTg2OC01ZmJhNDZkN2I5MjQiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvNDIwZTc5M2MtMWNkYy00NzEwLTk4NjgtNWZiYTQ2ZDdiOTI0LzkxODYxNjEtZW1tLTM5LXdlLXJlbWVtYmVyLWNocmlzLWxvd3JleS5tcDMifQ==.mp3" length="43081851" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we will have a fantastic interview with Chris Lowrey, professional counter-tenor and Founding Artistic Director of Ensemble Altera. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;https://www.christopherlowrey.com/&lt;br /&gt;&lt;br /&gt;www.ensemblealtera.com&lt;br /&gt;&lt;br /&gt;The Dying Soldier (Kameron called it the Fallen Soldier in the Podcast, but it&apos;s &quot;The Dying Soldier&quot;)&lt;br /&gt;https://www.youtube.com/watch?v=0fIJf3svTXw&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:59:47</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 39: We Remember | Chris Lowrey</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 3: Finding the Right Tone, Dr. Andrew Crane, Thomas Morley]]></title><description><![CDATA[<p>Today we go over differing possibilities of tone when performing early music and/or historical music, a great interview with Dr. Andrew Crane, the Director of Choral Activities at Brigham Young University, and a composer profile on Thomas Morley. </p>]]></description><guid isPermaLink="false">Buzzsprout-5504083</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 02 Nov 2020 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="45270685" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we go over differing possibilities of tone when performing early music and/or historical music, a great interview with Dr. Andrew Crane, the Director of Choral Activities at Brigham Young University, and a composer profile on Thomas Morley. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:02:50</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 3: Finding the Right Tone, Dr. Andrew Crane, Thomas Morley</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 35: Blue Ocean Composers | Palestrina]]></title><description><![CDATA[<p>Unlock your creativity by creating boundaries (New or old). Palestrina, and countless other composers in Western Music History, created a Blue Ocean market with his very focused style and boundaries. <br /><br />www.soundofageschoir.com<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8961012</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 02 Aug 2021 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/b5cea2364c853c22673c14e997af47e88d32213f7c007a89e7103914a42f3112/eyJlcGlzb2RlSWQiOiI0OGMzYzg1NC1mZTY1LTRkOWItYmQ1YS0zOTY3N2EzOTg0MGEiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvNDhjM2M4NTQtZmU2NS00ZDliLWJkNWEtMzk2NzdhMzk4NDBhLzg5NjEwMTItZW1tLTM1LWJsdWUtb2NlYW4tY29tcG9zZXJzLXBhbGVzdHJpbmEubXAzIn0=.mp3" length="26887096" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Unlock your creativity by creating boundaries (New or old). Palestrina, and countless other composers in Western Music History, created a Blue Ocean market with his very focused style and boundaries. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:37:18</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 35: Blue Ocean Composers | Palestrina</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 38: Unlikely Partners: Salamone Rossi | Josh Habermann]]></title><description><![CDATA[<p>Today we're going to talk about the Italian Renaissance composer Salamone Rossi. We'll have a great interview with Josh Habermann, conductor of Santa Fe Desert Chorale and several other ensembles. <br /><br />www.soundofageschoir.com/podcast<br /><br />https://desertchorale.org/<br /><br />New York Baroque<br />www.nybaroque.org<br /><br />Elohim Hashiveinu<br />https://www.youtube.com/watch?v=hQQYDUTO7t8<br /><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-9109528</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 30 Aug 2021 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="46315022" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we&apos;re going to talk about the Italian Renaissance composer Salamone Rossi. We&apos;ll have a great interview with Josh Habermann, conductor of Santa Fe Desert Chorale and several other ensembles. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com/podcast&lt;br /&gt;&lt;br /&gt;https://desertchorale.org/&lt;br /&gt;&lt;br /&gt;New York Baroque&lt;br /&gt;www.nybaroque.org&lt;br /&gt;&lt;br /&gt;Elohim Hashiveinu&lt;br /&gt;https://www.youtube.com/watch?v=hQQYDUTO7t8&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:04:17</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 38: Unlikely Partners: Salamone Rossi | Josh Habermann</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 44: WTF (What's the Form) 2.0  | Andrew Maxfield]]></title><description><![CDATA[<p>We discuss "Touch Me Not", new Andrew Maxfield Commission for Sound of Ages project "Ascension". We take a closer look into some of the musical elements that hold the piece together. <br /><br />www.soundofageschoir.com<br /><br />www.andrewmaxfield.org <br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-9502486</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 08 Nov 2021 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="33179210" type="audio/mpeg"/><itunes:summary>&lt;p&gt;We discuss &quot;Touch Me Not&quot;, new Andrew Maxfield Commission for Sound of Ages project &quot;Ascension&quot;. We take a closer look into some of the musical elements that hold the piece together. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;www.andrewmaxfield.org &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:46:02</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 44: WTF (What&apos;s the Form) 2.0  | Andrew Maxfield</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 12: Authentic Experiences, Charles Anthony Silvestri, Gregorio Allegri]]></title><description><![CDATA[<p>How do you create authentic and organic historical experiences in the choral rehearsal, we'll have a discussion with Tony Silvestri, lyricist, poet, historian, and our composer profile is on Gregorio Allegri. </p>]]></description><guid isPermaLink="false">Buzzsprout-7282405</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 25 Jan 2021 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="52728657" type="audio/mpeg"/><itunes:summary>&lt;p&gt;How do you create authentic and organic historical experiences in the choral rehearsal, we&apos;ll have a discussion with Tony Silvestri, lyricist, poet, historian, and our composer profile is on Gregorio Allegri. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:13:11</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 12: Authentic Experiences, Charles Anthony Silvestri, Gregorio Allegri</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 56: Here Comes Treble | Dr. Erin Plisco]]></title><description><![CDATA[<p>Today we welcome back Dr. Erin Plisco to share a brief overview of the interest session she presented at the recent Southwestern ACDA conference, "Looking for Treble in Old and New Places: Historical Repertoire for Treble Voices."<br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/</a><br /><br />Here is a link to Erin's database of historical repertoire for treble voices: <br />Google folder including playlist:<br /><a href="https://drive.google.com/drive/folders/1-Spu6raIH6PIeRulBhgG0i6IPxnmyrVD?usp=sharing" rel="noopener noreferrer nofollow">https://drive.google.com/drive/folders/1-Spu6raIH6PIeRulBhgG0i6IPxnmyrVD?usp=sharing</a><br /><br />Database only link:<br /><a href="https://docs.google.com/spreadsheets/d/1FxNyl_Cwe8tEe_VPNMJFb-CenOfHLMG3OUsf18d523E/edit?usp=sharing" rel="noopener noreferrer nofollow">https://docs.google.com/spreadsheets/d/1FxNyl_Cwe8tEe_VPNMJFb-CenOfHLMG3OUsf18d523E/edit?usp=sharing</a><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-10331656</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 28 Mar 2022 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/dceb9247914c27a223f61cbc9764eeb4109acec5334a1fca1df3c511a656d903/eyJlcGlzb2RlSWQiOiI2ZTAwOWNiNy0wZGU1LTRiMDctOGY3My0zZDJkY2RkNzdiNzkiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvNmUwMDljYjctMGRlNS00YjA3LThmNzMtM2QyZGNkZDc3Yjc5LzEwMzMxNjU2LWVtbS01Ni1oZXJlLWNvbWVzLXRyZWJsZS1kci1lcmluLXBsaXNjby5tcDMifQ==.mp3" length="41088652" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we welcome back Dr. Erin Plisco to share a brief overview of the interest session she presented at the recent Southwestern ACDA conference, &quot;Looking for Treble in Old and New Places: Historical Repertoire for Treble Voices.&quot;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Here is a link to Erin&apos;s database of historical repertoire for treble voices: &lt;br /&gt;Google folder including playlist:&lt;br /&gt;&lt;a href=&quot;https://drive.google.com/drive/folders/1-Spu6raIH6PIeRulBhgG0i6IPxnmyrVD?usp=sharing&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://drive.google.com/drive/folders/1-Spu6raIH6PIeRulBhgG0i6IPxnmyrVD?usp=sharing&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Database only link:&lt;br /&gt;&lt;a href=&quot;https://docs.google.com/spreadsheets/d/1FxNyl_Cwe8tEe_VPNMJFb-CenOfHLMG3OUsf18d523E/edit?usp=sharing&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://docs.google.com/spreadsheets/d/1FxNyl_Cwe8tEe_VPNMJFb-CenOfHLMG3OUsf18d523E/edit?usp=sharing&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:57:01</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 56: Here Comes Treble | Dr. Erin Plisco</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 7: Tone 2.0, Dr. Jami Rhodes, Claudio Monteverdi]]></title><description><![CDATA[<p>Tone 2.0, an interview with Dr. Jami Rhodes from East Caroline University, and a composer profile on Claudio Monteverdi.<br /><br />https://www.soundofageschoir.com/blog</p>]]></description><guid isPermaLink="false">Buzzsprout-6029515</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 30 Nov 2020 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="58164529" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Tone 2.0, an interview with Dr. Jami Rhodes from East Caroline University, and a composer profile on Claudio Monteverdi.&lt;br /&gt;&lt;br /&gt;https://www.soundofageschoir.com/blog&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:20:44</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 7: Tone 2.0, Dr. Jami Rhodes, Claudio Monteverdi</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 2: Priorities, Kenny Wiser, John Dunstable]]></title><description><![CDATA[<p>Conductor priorities and finding your passion, an interview with Kenny Wiser, Conductor of Choirs at Provo High School, and a Composer Profile on John Dunstable. </p>]]></description><guid isPermaLink="false">Buzzsprout-5712223</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 26 Oct 2020 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/aece6426d445aacb4d84bb0bb478915936f75b18b8dd0697087b6375ab1abe26/eyJlcGlzb2RlSWQiOiI3OWRmNTc2Yy1iNTEzLTRlOTktYjQ3Ny02NTIzYzVmNDIzYmEiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvNzlkZjU3NmMtYjUxMy00ZTk5LWI0NzctNjUyM2M1ZjQyM2JhLzU3MTIyMjMtZW1tLTItcHJpb3JpdGllcy1rZW5ueS13aXNlci1qb2huLWR1bnN0YWJsZS5tcDMifQ==.mp3" length="36222673" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Conductor priorities and finding your passion, an interview with Kenny Wiser, Conductor of Choirs at Provo High School, and a Composer Profile on John Dunstable. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:50:16</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 2: Priorities, Kenny Wiser, John Dunstable</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 19: Songs of Praise Virtual Concert Preview]]></title><description><![CDATA[<p>A special episode going in depth into Sound of Ages' Virtual Concert "Songs of Praise" prepared for the 2021 National ACDA virtual conference. A closer look at the music on the program by Carlo Gesualdo, Cecilia McDowall, Thomas Tallis, and Ken Burton. <br /><br />www.soundofageschoir.com/events<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8187318</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 22 Mar 2021 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="11700591" type="audio/mpeg"/><itunes:summary>&lt;p&gt;A special episode going in depth into Sound of Ages&apos; Virtual Concert &quot;Songs of Praise&quot; prepared for the 2021 National ACDA virtual conference. A closer look at the music on the program by Carlo Gesualdo, Cecilia McDowall, Thomas Tallis, and Ken Burton. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com/events&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:16:12</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 19: Songs of Praise Virtual Concert Preview</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 13: Holy Music Batman! Dr. Erin Plisco, Antonio Vivaldi]]></title><description><![CDATA[<p>How do you do sqcred music in secular settings? We'll have a discussion with Dr. Erin Plisco from Missouri State University, and our composer profile is on Antonio Vivaldi. </p>]]></description><guid isPermaLink="false">Buzzsprout-7550221</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 01 Feb 2021 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="55830436" type="audio/mpeg"/><itunes:summary>&lt;p&gt;How do you do sqcred music in secular settings? We&apos;ll have a discussion with Dr. Erin Plisco from Missouri State University, and our composer profile is on Antonio Vivaldi. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:17:30</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 13: Holy Music Batman! Dr. Erin Plisco, Antonio Vivaldi</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 30: The Andrew Special | Whose Line Is It Anyway? (Part II)]]></title><description><![CDATA[<p>Some specific examples of "line" as examined in 3 pieces of music. You'll hear full pieces by:<br /><br />Manuel Cardoso<br />Carlo Gesualdo<br />Andrew Maxfield<br /><br />www.soundofageschoir.com/podcast<br /><br />Big special premiere performance of Andrew's piece, "The Singing Bowl". Look for the video coming soon but hear the first live recording here. <br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8677194</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 14 Jun 2021 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="50520672" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Some specific examples of &quot;line&quot; as examined in 3 pieces of music. You&apos;ll hear full pieces by:&lt;br /&gt;&lt;br /&gt;Manuel Cardoso&lt;br /&gt;Carlo Gesualdo&lt;br /&gt;Andrew Maxfield&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com/podcast&lt;br /&gt;&lt;br /&gt;Big special premiere performance of Andrew&apos;s piece, &quot;The Singing Bowl&quot;. Look for the video coming soon but hear the first live recording here. &lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:10:07</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 30: The Andrew Special | Whose Line Is It Anyway? (Part II)</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 36: The Sound of Ages Approach | Peter Philips]]></title><description><![CDATA[<p>Today we announce the launch of The Sound of Ages Approach, Sound of Ages' educational outreach program designed to help choral ensembles build musicianship through early music. We also discuss the life and music of British renaissance composer Peter Philips. <br /><br /><br />Audio courtesy of BYU Singers conducted by Dr. Andrew Crane: <br />https://www.youtube.com/watch?v=Mkvfe8SgpGo<br /><br />https://singers.byu.edu/<br /><br /><br />www.soundofageschoir.com<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8998757</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 09 Aug 2021 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="26910890" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we announce the launch of The Sound of Ages Approach, Sound of Ages&apos; educational outreach program designed to help choral ensembles build musicianship through early music. We also discuss the life and music of British renaissance composer Peter Philips. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Audio courtesy of BYU Singers conducted by Dr. Andrew Crane: &lt;br /&gt;https://www.youtube.com/watch?v=Mkvfe8SgpGo&lt;br /&gt;&lt;br /&gt;https://singers.byu.edu/&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:37:20</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 36: The Sound of Ages Approach | Peter Philips</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 8: Rehearsal:Performance Ratio, Christopher Gabbitas, Thomas Tomkins]]></title><description><![CDATA[<p>The ratio of rehearsal time to performance time, an interview with Christopher Gabbitas, former member of the King's Singers and conductor of Phoenix Chorale, and a composer profile on Thomas Tomkins. <br /><br />https://www.soundofageschoir.com/blog<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-6033634</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 07 Dec 2020 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="46398454" type="audio/mpeg"/><itunes:summary>&lt;p&gt;The ratio of rehearsal time to performance time, an interview with Christopher Gabbitas, former member of the King&apos;s Singers and conductor of Phoenix Chorale, and a composer profile on Thomas Tomkins. &lt;br /&gt;&lt;br /&gt;https://www.soundofageschoir.com/blog&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:04:24</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 8: Rehearsal:Performance Ratio, Christopher Gabbitas, Thomas Tomkins</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 5: Does (ensemble) Size Matter?, Markdavin Obenza, William Byrd]]></title><description><![CDATA[<p>Does ensemble size really matter? An interview with Markdavin Obenza, the conductor of The Byrd Ensemble, based out of Seattle, Washington, and a composer profile on William Byrd. </p>]]></description><guid isPermaLink="false">Buzzsprout-5703229</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 16 Nov 2020 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="46395726" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Does ensemble size really matter? An interview with Markdavin Obenza, the conductor of The Byrd Ensemble, based out of Seattle, Washington, and a composer profile on William Byrd. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:04:23</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 5: Does (ensemble) Size Matter?, Markdavin Obenza, William Byrd</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 4: Active vs. Passive Listening, Hannah McLaughlin, The Russian Masters]]></title><description><![CDATA[<p>Active listening versus passive listening and how to tell the difference, an interview with 20th Century avant-garde musicologist Hannah McLaughlin, and our composer profile is on the Russian Masters. </p>]]></description><guid isPermaLink="false">Buzzsprout-5512858</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 09 Nov 2020 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/d2b0b220bce41dd03c8fa40ad994f3f5b14e25eeef5d0a39eef6d7641d1d5454/eyJlcGlzb2RlSWQiOiJiZjg4NGJjNy00OGQ1LTQyOTQtODhjOC1jNzU3MzNiMDc2MmMiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvYmY4ODRiYzctNDhkNS00Mjk0LTg4YzgtYzc1NzMzYjA3NjJjLzU1MTI4NTgtZW1tLTQtYWN0aXZlLXZzLXBhc3NpdmUtbGlzdGVuaW5nLWhhbm5haC1tY2xhdWdobGluLXRoZS1ydXNzaWFuLW1hc3RlcnMubXAzIn0=.mp3" length="51870495" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Active listening versus passive listening and how to tell the difference, an interview with 20th Century avant-garde musicologist Hannah McLaughlin, and our composer profile is on the Russian Masters. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:12:00</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 4: Active vs. Passive Listening, Hannah McLaughlin, The Russian Masters</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 10: Intimidation, Dr. Carolann Buff, Guillaume Du Fay]]></title><description><![CDATA[<p>Trying not to be intimidated by early music and overcoming that intimidation, and interview with Dr. Carolann Buff, professor and Indiana University, and a composer profile on Guillaume Du Fay. <br /><br />https://www.soundofageschoir.com/blog<br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-6522025</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 04 Jan 2021 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="50970489" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Trying not to be intimidated by early music and overcoming that intimidation, and interview with Dr. Carolann Buff, professor and Indiana University, and a composer profile on Guillaume Du Fay. &lt;br /&gt;&lt;br /&gt;https://www.soundofageschoir.com/blog&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:10:45</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 10: Intimidation, Dr. Carolann Buff, Guillaume Du Fay</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 55: The Andrew Special | Concert Reviews | ACDA Western | Voces8]]></title><description><![CDATA[<p>On today's episode of the Andrew Special, Andrew Maxfield and our new cohost Stevie Dugdale give brief concert reviews of recent concerts they attended of ACDA Western Conference in California and Voces8 in Wichita, KS. <br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/</a><br /><br /><a href="https://andrewmaxfield.org/" rel="noopener noreferrer nofollow">https://andrewmaxfield.org/</a></p>]]></description><guid isPermaLink="false">Buzzsprout-10288600</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 21 Mar 2022 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/8259686a4406d0bceb2001d8d53e16842d8242391f9cf98380585157f3f5aea1/eyJlcGlzb2RlSWQiOiJjNzhhZDg2Mi02YmMxLTQ5YjAtYmFiZS0wNmU1ODhmMGExNTkiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvYzc4YWQ4NjItNmJjMS00OWIwLWJhYmUtMDZlNTg4ZjBhMTU5LzEwMjg4NjAwLWVtbS01NS10aGUtYW5kcmV3LXNwZWNpYWwtY29uY2VydC1yZXZpZXdzLWFjZGEtd2VzdGVybi12b2NlczgubXAzIn0=.mp3" length="30042668" type="audio/mpeg"/><itunes:summary>&lt;p&gt;On today&apos;s episode of the Andrew Special, Andrew Maxfield and our new cohost Stevie Dugdale give brief concert reviews of recent concerts they attended of ACDA Western Conference in California and Voces8 in Wichita, KS. &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://andrewmaxfield.org/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://andrewmaxfield.org/&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:41:41</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 55: The Andrew Special | Concert Reviews | ACDA Western | Voces8</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 43: Sound of Ages ACDA UT Performance | Ascension]]></title><description><![CDATA[<p>On today's episode, we listen to Sound of Ages ACDA Utah performance of their program, "Ascension", from October 23rd in Sandy, UT. Kameron gives a brief intro to each piece and then we get to listen to each piece in its entirety.<br /><br />www.soundofageschoir.com<br /><br />https://www.caravaggio-foundation.org/<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-9471187</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 01 Nov 2021 17:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="31878628" type="audio/mpeg"/><itunes:summary>&lt;p&gt;On today&apos;s episode, we listen to Sound of Ages ACDA Utah performance of their program, &quot;Ascension&quot;, from October 23rd in Sandy, UT. Kameron gives a brief intro to each piece and then we get to listen to each piece in its entirety.&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;https://www.caravaggio-foundation.org/&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:44:14</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 43: Sound of Ages ACDA UT Performance | Ascension</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 23: His Royal Bachness | Martha McLorinan]]></title><description><![CDATA[<p>The road to success is most likely to be kind of a messy one. So today we talk about, in episode #23, His Royal Bachness, we're going to have a special guest, professional singer Martha McLorinan from the UK, and our composer profile, obviously, on Johann Sebastian Bach.<br /><br />www.soundofageschoir.com/podcast <br /><br />www.marthamclorinan.com<br /><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8352877</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 19 Apr 2021 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/c8dab31a20519324966f526f9b95090603010b7543f53e1fae57a09b83b0e17c/eyJlcGlzb2RlSWQiOiJkMGVmOTk4NS01OGM2LTQ0MWMtYjFjMi1jOWYwZDU4NGUwMjQiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvZDBlZjk5ODUtNThjNi00NDFjLWIxYzItYzlmMGQ1ODRlMDI0LzgzNTI4NzctZW1tLTIzLWhpcy1yb3lhbC1iYWNobmVzcy1tYXJ0aGEtbWNsb3JpbmFuLm1wMyJ9.mp3" length="49902475" type="audio/mpeg"/><itunes:summary>&lt;p&gt;The road to success is most likely to be kind of a messy one. So today we talk about, in episode #23, His Royal Bachness, we&apos;re going to have a special guest, professional singer Martha McLorinan from the UK, and our composer profile, obviously, on Johann Sebastian Bach.&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com/podcast &lt;br /&gt;&lt;br /&gt;www.marthamclorinan.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:09:16</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 23: His Royal Bachness | Martha McLorinan</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 22: Esteban Salas & The Infinite Game | Guest: Ernesto Herrera]]></title><description><![CDATA[<p>Today we're going to be talking about The Infinite Game, we're going to have an interview with Ernesto Herrera  from Cuba, and our composer profile is on Esteban Salas. <br /><br /><br />Check out Ernesto's Facebook and Instagram. <br /><br />Here's a link to BYU Singers performance of his work: <br /><br />https://www.youtube.com/watch?v=IQxAf3fadB4<br /><br />www.soundofageschoir.com</p>]]></description><guid isPermaLink="false">Buzzsprout-8318454</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 12 Apr 2021 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/33de920908976a077760f6c19ed2915cdad9fd3d0f2521f6c90653c5a5da965a/eyJlcGlzb2RlSWQiOiJlMDFhN2E5ZC1hMWNkLTQ1YTAtOWIwNi00NWJlZjI2NGQ2YzAiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvZTAxYTdhOWQtYTFjZC00NWEwLTliMDYtNDViZWYyNjRkNmMwLzgzMTg0NTQtZW1tLTIyLWVzdGViYW4tc2FsYXMtdGhlLWluZmluaXRlLWdhbWUtZ3Vlc3QtZXJuZXN0by1oZXJyZXJhLm1wMyJ9.mp3" length="42894595" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we&apos;re going to be talking about The Infinite Game, we&apos;re going to have an interview with Ernesto Herrera  from Cuba, and our composer profile is on Esteban Salas. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Check out Ernesto&apos;s Facebook and Instagram. &lt;br /&gt;&lt;br /&gt;Here&apos;s a link to BYU Singers performance of his work: &lt;br /&gt;&lt;br /&gt;https://www.youtube.com/watch?v=IQxAf3fadB4&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:59:32</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 22: Esteban Salas &amp; The Infinite Game | Guest: Ernesto Herrera</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 20. The Andrew Special with Andrew Maxfield and Phillip Lasser]]></title><description><![CDATA[<p>Our first ever episode of The Andrew Special. Early Music Monday is joined by co-host Andrew Maxfield where we do a deep dive into the world of counterpoint with composer, theorist, and professor at Julliard School, Phillip Lasser. Prepare to have your mind blown.<br /><br />Visit Phillips website:<br /><br />www.philiplasser.com<br /><br />Check out other episodes of EMM and blogs with resources at: <br /><br />www.soundofageschoir.com<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8222757</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 29 Mar 2021 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="43848482" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Our first ever episode of The Andrew Special. Early Music Monday is joined by co-host Andrew Maxfield where we do a deep dive into the world of counterpoint with composer, theorist, and professor at Julliard School, Phillip Lasser. Prepare to have your mind blown.&lt;br /&gt;&lt;br /&gt;Visit Phillips website:&lt;br /&gt;&lt;br /&gt;www.philiplasser.com&lt;br /&gt;&lt;br /&gt;Check out other episodes of EMM and blogs with resources at: &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:00:51</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 20. The Andrew Special with Andrew Maxfield and Phillip Lasser</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 14: I am Lute, Braedon Hofmann, John Dowland]]></title><description><![CDATA[<p>Today we are talking about the Lute, not the Flute, the Lute, like the original guitar; And we're going to talk to Braedon Hoffman who is a professional Lute player, Lutenist, and our composer profile is on John Dowland, who wrote a lot of music for the Lute. It's all about the Lute, "I am Lute". <br /><br /><br /> https://www.soundofageschoir.com/podcasts<br /><br />https://www.youtube.com/channel/UCDfbgUkt_rL5XwdIpV5S74Q<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-7642642</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 08 Feb 2021 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="52413057" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we are talking about the Lute, not the Flute, the Lute, like the original guitar; And we&apos;re going to talk to Braedon Hoffman who is a professional Lute player, Lutenist, and our composer profile is on John Dowland, who wrote a lot of music for the Lute. It&apos;s all about the Lute, &quot;I am Lute&quot;. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt; https://www.soundofageschoir.com/podcasts&lt;br /&gt;&lt;br /&gt;https://www.youtube.com/channel/UCDfbgUkt_rL5XwdIpV5S74Q&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:12:45</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 14: I am Lute, Braedon Hofmann, John Dowland</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 47: Real Artists Don't Starve | Thomas Tallis]]></title><description><![CDATA[<p>The myth behind the starving artist can be crippling. We discuss some ways to change our paradigm from starving artists to thriving artists. Featuring Sound of Ages' National ACDA Performance of "Loquebantur" by Thomas Tallis. <br /><br />www.soundofageschoir.com</p>]]></description><guid isPermaLink="false">Buzzsprout-9859895</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 10 Jan 2022 15:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/48197856ea4797a8b87d9eea32fe33950d7a0d517696e3f5cf7b21d78e663d30/eyJlcGlzb2RlSWQiOiJmYzRlMzA1Mi01MzUxLTRiZWEtOWEzMS0zMGUwMGI4OTZlMTQiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvZmM0ZTMwNTItNTM1MS00YmVhLTlhMzEtMzBlMDBiODk2ZTE0Lzk4NTk4OTUtZW1tLTQ3LXJlYWwtYXJ0aXN0cy1kb24tdC1zdGFydmUtdGhvbWFzLXRhbGxpcy5tcDMifQ==.mp3" length="34506747" type="audio/mpeg"/><itunes:summary>&lt;p&gt;The myth behind the starving artist can be crippling. We discuss some ways to change our paradigm from starving artists to thriving artists. Featuring Sound of Ages&apos; National ACDA Performance of &quot;Loquebantur&quot; by Thomas Tallis. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:47:53</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 47: Real Artists Don&apos;t Starve | Thomas Tallis</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Welcome to the Sound of Ages Podcast | Stations of the Cross Premiere | with Andrew Maxfield]]></title><description><![CDATA[<p>Welcome to the podcast formerly known as Early Music Monday. We've rebranded to The Sound of Ages Podcast where, we keep many of the similarities to Early Music Monday, but expand the scope to include projects, music, discussions related to the group and random musings from Kam &amp; Drew. </p><p>On this special episode launch, Kam &amp; Drew sit down and discuss Sound of Ages' premiere of Drew's newest large scale work <em>Stations of the Cross, </em>on March 27th at the BYU Museum of Art and March 28th at St. John's Episcopal Church in Logan, UT. </p><p><a href="https://www.soundofageschoir.com/stations-of-the-cross" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/stations-of-the-cross</a></p><p><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-18895928</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 23 Mar 2026 20:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="75116252" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Welcome to the podcast formerly known as Early Music Monday. We&apos;ve rebranded to The Sound of Ages Podcast where, we keep many of the similarities to Early Music Monday, but expand the scope to include projects, music, discussions related to the group and random musings from Kam &amp;amp; Drew. &lt;/p&gt;&lt;p&gt;On this special episode launch, Kam &amp;amp; Drew sit down and discuss Sound of Ages&apos; premiere of Drew&apos;s newest large scale work &lt;em&gt;Stations of the Cross, &lt;/em&gt;on March 27th at the BYU Museum of Art and March 28th at St. John&apos;s Episcopal Church in Logan, UT. &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.soundofageschoir.com/stations-of-the-cross&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/stations-of-the-cross&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:44:14</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:season>1</itunes:season><itunes:episode>1</itunes:episode><itunes:title>Welcome to the Sound of Ages Podcast | Stations of the Cross Premiere | with Andrew Maxfield</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 28: John Merbecke the Heretic | Simon Whitely]]></title><description><![CDATA[<p>Today we're going to talk a little bit about St. George's Chapel and Windsor by talking about the composers John Merbecke and, fast-forward to today, Simon Whitely, who is a lay clerk there and leader of the group, "The Queen's Six", who you might know from their recent performance at Prince Phillip's funeral and Meghan Markle and Prince Harry's wedding. All kinds of Royal stuff going on today. <br /><br /><br />www.thequeenssix.co.uk<br /><br />www.soundofageschoir.com/podcast<br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8525227</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 24 May 2021 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="54234630" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we&apos;re going to talk a little bit about St. George&apos;s Chapel and Windsor by talking about the composers John Merbecke and, fast-forward to today, Simon Whitely, who is a lay clerk there and leader of the group, &quot;The Queen&apos;s Six&quot;, who you might know from their recent performance at Prince Phillip&apos;s funeral and Meghan Markle and Prince Harry&apos;s wedding. All kinds of Royal stuff going on today. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;www.thequeenssix.co.uk&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com/podcast&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:15:17</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 28: John Merbecke the Heretic | Simon Whitely</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 51: Love's Keen Sting: The Italian Madrigal | Cipriano de Rore]]></title><description><![CDATA[<p>The Italian Madrigal is the sound of love songs from the 16th Century. We look a little into the origins of the Madrigal as a genre and into Cipriano de Rore's life and style. <br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/</a><br /><br /><a href="https://www.youtube.com/watch?v=Nd5K2AQvOsg" rel="noopener noreferrer nofollow">https://www.youtube.com/watch?v=Nd5K2AQvOsg</a><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-10073167</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 14 Feb 2022 17:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="20982724" type="audio/mpeg"/><itunes:summary>&lt;p&gt;The Italian Madrigal is the sound of love songs from the 16th Century. We look a little into the origins of the Madrigal as a genre and into Cipriano de Rore&apos;s life and style. &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=Nd5K2AQvOsg&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.youtube.com/watch?v=Nd5K2AQvOsg&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:29:06</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 51: Love&apos;s Keen Sting: The Italian Madrigal | Cipriano de Rore</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 6: Practicality, Scott Metcalfe, Johannes Ockeghem]]></title><description><![CDATA[<p>A discussion on historical practicality and historical accuracy, an interview with Scott Metcalfe the director of Blue Heron Renaissance Choir, and a composer profile on Johannes Ockeghem.<br /><br />https://www.soundofageschoir.com/blog<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-6024511</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 23 Nov 2020 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="56310747" type="audio/mpeg"/><itunes:summary>&lt;p&gt;A discussion on historical practicality and historical accuracy, an interview with Scott Metcalfe the director of Blue Heron Renaissance Choir, and a composer profile on Johannes Ockeghem.&lt;br /&gt;&lt;br /&gt;https://www.soundofageschoir.com/blog&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:18:10</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 6: Practicality, Scott Metcalfe, Johannes Ockeghem</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 49: This Marriage: Music and Poetry (Pt. 1) | Eric Whitacre & Tony Silvestri]]></title><description><![CDATA[<p>We get to sit down with one of choral music's great composer/poet duo's, Eric Whitacre and Tony Silvestri to discuss a few of their most popular collaborations: Lux Arumque, Leonardo Dreams of His Flying Machine, Sainte-Chapelle, and Sacred Veil. We discuss text, meaning, musical elements, and this marriage of old and new to create something novel and great. <br /><br /><a href="http://soundofageschoir.com" rel="noopener noreferrer nofollow">http://soundofageschoir.com</a><br /><br /><a href="https://ericwhitacre.com/" rel="noopener noreferrer nofollow">https://ericwhitacre.com/</a><br /><br /><a href="https://www.charlesanthonysilvestri.com/" rel="noopener noreferrer nofollow">https://www.charlesanthonysilvestri.com/</a><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-9972566</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 31 Jan 2022 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="39765572" type="audio/mpeg"/><itunes:summary>&lt;p&gt;We get to sit down with one of choral music&apos;s great composer/poet duo&apos;s, Eric Whitacre and Tony Silvestri to discuss a few of their most popular collaborations: Lux Arumque, Leonardo Dreams of His Flying Machine, Sainte-Chapelle, and Sacred Veil. We discuss text, meaning, musical elements, and this marriage of old and new to create something novel and great. &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://soundofageschoir.com&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;http://soundofageschoir.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://ericwhitacre.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://ericwhitacre.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.charlesanthonysilvestri.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.charlesanthonysilvestri.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:55:11</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 49: This Marriage: Music and Poetry (Pt. 1) | Eric Whitacre &amp; Tony Silvestri</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 16: Avant-garde, Courtney Minor, Nicola Vicentino]]></title><description><![CDATA[<p>Today we're going to discuss the avant-garde philosophy, we're going to have a discussion with Courtney Minor, a professional singer based out of California, and our composer profile is on Nicola Vicentino. </p>]]></description><guid isPermaLink="false">Buzzsprout-8032270</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 01 Mar 2021 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="59475532" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we&apos;re going to discuss the avant-garde philosophy, we&apos;re going to have a discussion with Courtney Minor, a professional singer based out of California, and our composer profile is on Nicola Vicentino. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:22:33</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 16: Avant-garde, Courtney Minor, Nicola Vicentino</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 60: The Andrew Special | Sing Actually: The Ultimate Choral RomCom]]></title><description><![CDATA[<p>Frequent guest and newly appointed Composer in Residence for Sound of Ages, Andrew Maxfield shares his insights and perspectives on Sound of Ages' newest narrative concert "Sing Actually: The Ultimate Choral RomCom." They also discuss entrepreneurial practices that can be applied to the choral art and classical music more broadly. <br /><br />Visit Andrew's <a href="https://andrewmaxfield.org/" rel="noopener noreferrer nofollow">website</a> for information on upcoming projects and compositions. <br /><br />Sound of Ages website is currently under construction, but will be up soon. Hear their work on <a href="https://www.youtube.com/@soundofageschoir2248" rel="noopener noreferrer nofollow">YouTube</a>. </p>]]></description><guid isPermaLink="false">Buzzsprout-13320687</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 31 Jul 2023 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="37110806" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Frequent guest and newly appointed Composer in Residence for Sound of Ages, Andrew Maxfield shares his insights and perspectives on Sound of Ages&apos; newest narrative concert &quot;Sing Actually: The Ultimate Choral RomCom.&quot; They also discuss entrepreneurial practices that can be applied to the choral art and classical music more broadly. &lt;br /&gt;&lt;br /&gt;Visit Andrew&apos;s &lt;a href=&quot;https://andrewmaxfield.org/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;website&lt;/a&gt; for information on upcoming projects and compositions. &lt;br /&gt;&lt;br /&gt;Sound of Ages website is currently under construction, but will be up soon. Hear their work on &lt;a href=&quot;https://www.youtube.com/@soundofageschoir2248&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;YouTube&lt;/a&gt;. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:51:30</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 60: The Andrew Special | Sing Actually: The Ultimate Choral RomCom</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 27: The False Relations of Thomas Tallis | Cecilia McDowall]]></title><description><![CDATA[<p>Today we're going to be talking about "The False Relation", a harmonic phenomenon of the Renaissance and relate that to Thomas Tallis and his life, and a little bit to our life today. Then we're going to have a great interview with British composer Cecilia McDowall. <br /><br />https://ceciliamcdowall.co.uk/<br /><br />www.soundofageschoir.com/podcast<br /><br />For Sound of Ages recordings of Cecilia's pieces, check out our website<br /><br />www.soundofageschoir.com<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8518405</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 17 May 2021 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/8e599e4ba2d1249db652a251f5c076299fa592178ff9c7e95be73b8a2ce4bb9b/eyJlcGlzb2RlSWQiOiJmZGIzZTFlYy1kY2Y0LTQ5N2MtYTgwYS03ZjM5MjNhODA1YTciLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvZmRiM2UxZWMtZGNmNC00OTdjLWE4MGEtN2YzOTIzYTgwNWE3Lzg1MTg0MDUtZW1tLTI3LXRoZS1mYWxzZS1yZWxhdGlvbnMtb2YtdGhvbWFzLXRhbGxpcy1jZWNpbGlhLW1jZG93YWxsLm1wMyJ9.mp3" length="55182589" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we&apos;re going to be talking about &quot;The False Relation&quot;, a harmonic phenomenon of the Renaissance and relate that to Thomas Tallis and his life, and a little bit to our life today. Then we&apos;re going to have a great interview with British composer Cecilia McDowall. &lt;br /&gt;&lt;br /&gt;https://ceciliamcdowall.co.uk/&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com/podcast&lt;br /&gt;&lt;br /&gt;For Sound of Ages recordings of Cecilia&apos;s pieces, check out our website&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:16:36</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 27: The False Relations of Thomas Tallis | Cecilia McDowall</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 11: Everyone Sing Melody, Owain Park, Don Carlo Gesualdo]]></title><description><![CDATA[<p>The importance of thinking horizontally and melodically in choral music, an interview with Owain Park, founder and artistic director of Gesualdo Six, composer, and professional singer, and a composer profile on Don Carlo Gesualdo. <br /><br /><a href="https://www.soundofageschoir.com/blog" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/blog</a><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-6543172</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 11 Jan 2021 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/b65e656a5ec10a419b7b9c4706b04eee105395497c784785310f9a27f3ba7a7b/eyJlcGlzb2RlSWQiOiIxNmFjYmQ1Yi1jMGYxLTRlZmEtYWY0Zi01ODc0M2JlOWY3ZWIiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvMTZhY2JkNWItYzBmMS00ZWZhLWFmNGYtNTg3NDNiZTlmN2ViLzY1NDMxNzItZW1tLTExLWV2ZXJ5b25lLXNpbmctbWVsb2R5LW93YWluLXBhcmstZG9uLWNhcmxvLWdlc3VhbGRvLm1wMyJ9.mp3" length="39954554" type="audio/mpeg"/><itunes:summary>&lt;p&gt;The importance of thinking horizontally and melodically in choral music, an interview with Owain Park, founder and artistic director of Gesualdo Six, composer, and professional singer, and a composer profile on Don Carlo Gesualdo. &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/blog&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/blog&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:55:27</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 11: Everyone Sing Melody, Owain Park, Don Carlo Gesualdo</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 25: Sound of Ages LIVE Concert | Songs of Meditation]]></title><description><![CDATA[<p>This is a pre-concert discussion where we go in depth into the Songs of Meditation program, Sound of Ages first live concert in over a year. We take a look into the nature of meditation and how the program reflects those concepts. The program features a world premiere of a piece by Andrew Maxfield and music from Hildegard, Arvo Pärt, Guillaume Du Fay, John Tavener, Tomás Luis de Victoria, and Jonathan Dove. <br /><br />Audio clips played in this episode were taken directly from YouTube and links to those can be found below: <br /><br />Hildegard - https://www.youtube.com/watch?v=C9K9PfjRjxM<br />Pärt - https://www.youtube.com/watch?v=1qml9uO0GLg<br />Du Fay - https://www.youtube.com/watch?v=w7QZsWvw040<br />Tavener - https://www.youtube.com/watch?v=sFqBolM5Dko<br />Victoria - https://www.youtube.com/watch?v=IbEzm4zCraI<br />Dove - https://www.youtube.com/watch?v=TujRgMJ3sd0<br /><br />www.soundofageschoir.com/events</p>]]></description><guid isPermaLink="false">Buzzsprout-8449379</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 03 May 2021 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="42369514" type="audio/mpeg"/><itunes:summary>&lt;p&gt;This is a pre-concert discussion where we go in depth into the Songs of Meditation program, Sound of Ages first live concert in over a year. We take a look into the nature of meditation and how the program reflects those concepts. The program features a world premiere of a piece by Andrew Maxfield and music from Hildegard, Arvo Pärt, Guillaume Du Fay, John Tavener, Tomás Luis de Victoria, and Jonathan Dove. &lt;br /&gt;&lt;br /&gt;Audio clips played in this episode were taken directly from YouTube and links to those can be found below: &lt;br /&gt;&lt;br /&gt;Hildegard - https://www.youtube.com/watch?v=C9K9PfjRjxM&lt;br /&gt;Pärt - https://www.youtube.com/watch?v=1qml9uO0GLg&lt;br /&gt;Du Fay - https://www.youtube.com/watch?v=w7QZsWvw040&lt;br /&gt;Tavener - https://www.youtube.com/watch?v=sFqBolM5Dko&lt;br /&gt;Victoria - https://www.youtube.com/watch?v=IbEzm4zCraI&lt;br /&gt;Dove - https://www.youtube.com/watch?v=TujRgMJ3sd0&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com/events&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:58:48</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 25: Sound of Ages LIVE Concert | Songs of Meditation</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 15: The Economy of Sound, Greg Skidmore, Orlando di Lasso]]></title><description><![CDATA[<p>Today we get deep and philosophical talking about the economy of sound...less is more, we'll have an interview with Greg Skidmore; professional singer and conductor, and our composer profile is on Orlando di Lasso, or is it de Lassus? <br /><br /><br />www.soundofageschoir.com<br /><br /><br />The Canadian Renaissance Music Summer School<br />www.crmss.org<br /><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-7985848</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 22 Feb 2021 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="58206891" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we get deep and philosophical talking about the economy of sound...less is more, we&apos;ll have an interview with Greg Skidmore; professional singer and conductor, and our composer profile is on Orlando di Lasso, or is it de Lassus? &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The Canadian Renaissance Music Summer School&lt;br /&gt;www.crmss.org&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:20:48</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 15: The Economy of Sound, Greg Skidmore, Orlando di Lasso</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 68: Fresh Sound, Old Music | Dr. Jesse Rodin]]></title><description><![CDATA[<p>Today we get an exclusive look into the upcoming album of Josquin's music with Dr. Jesse Rodin, a professor at Stanford University and Artistic Director/Conductor of <a href="https://cutcircle.org/" rel="noopener noreferrer nofollow">Cut Circle. </a>This album is the group's first installment of what will be a series of albums on Josquin's music. Dr. Rodin's research on Josquin has lead to some significant discoveries/conclusions regarding attribution of work and the "Josquin canon". <br /><br />You can follow Cut Circle on social media: <br /><a href="https://www.facebook.com/cutcircle" rel="noopener noreferrer nofollow">Facebook</a><br /><a href="https://www.instagram.com/cutcircle/" rel="noopener noreferrer nofollow">Instagram</a><br /><a href="https://www.youtube.com/channel/UCcFkJsHqShHfcN_Z0RiGEAg" rel="noopener noreferrer nofollow">Youtube</a><br /><br />Purchase their new album here on November 3, 2023: <br /><a href="https://www.musiwall.uliege.be/?s=Josquin&amp;post_type=product" rel="noopener noreferrer nofollow">Musique en Wallonie</a><br /><br />Stream album on <a href="https://music.apple.com/us/album/josquin-i-motets-chansons/1707168430" rel="noopener noreferrer nofollow">Apple Music</a> and <a href="https://open.spotify.com/album/11fVo7L4UpAZaWr1e2A71k?si=cyNP4_eBTcyWl4E7_HBC8Q" rel="noopener noreferrer nofollow">Spotify </a>on November 3, 2023<br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">#soundofageschoir</a></p>]]></description><guid isPermaLink="false">Buzzsprout-13832281</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Tue, 24 Oct 2023 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="46284865" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we get an exclusive look into the upcoming album of Josquin&apos;s music with Dr. Jesse Rodin, a professor at Stanford University and Artistic Director/Conductor of &lt;a href=&quot;https://cutcircle.org/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Cut Circle. &lt;/a&gt;This album is the group&apos;s first installment of what will be a series of albums on Josquin&apos;s music. Dr. Rodin&apos;s research on Josquin has lead to some significant discoveries/conclusions regarding attribution of work and the &quot;Josquin canon&quot;. &lt;br /&gt;&lt;br /&gt;You can follow Cut Circle on social media: &lt;br /&gt;&lt;a href=&quot;https://www.facebook.com/cutcircle&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Facebook&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.instagram.com/cutcircle/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Instagram&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.youtube.com/channel/UCcFkJsHqShHfcN_Z0RiGEAg&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Youtube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Purchase their new album here on November 3, 2023: &lt;br /&gt;&lt;a href=&quot;https://www.musiwall.uliege.be/?s=Josquin&amp;amp;post_type=product&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Musique en Wallonie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Stream album on &lt;a href=&quot;https://music.apple.com/us/album/josquin-i-motets-chansons/1707168430&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Apple Music&lt;/a&gt; and &lt;a href=&quot;https://open.spotify.com/album/11fVo7L4UpAZaWr1e2A71k?si=cyNP4_eBTcyWl4E7_HBC8Q&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Spotify &lt;/a&gt;on November 3, 2023&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#soundofageschoir&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:04:14</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 68: Fresh Sound, Old Music | Dr. Jesse Rodin</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 37: The Andrew Special | WTF? (What's the Form)]]></title><description><![CDATA[<p>We talk a little bit about the concept of form and what hold music together. We use Tomás Luis de Victoria's piece "Amicus Meus" to discuss the broader concept of form. <br /><br />www.soundofageschoir.com/podcast<br /><br />www.andrewmaxfield.org<br /><br />(Video of Amicus Meus performed by Sound of Ages)<br />https://www.youtube.com/watch?v=OXejGOJRQ3I&amp;t=6s<br /><br />Link to the score: <br />https://www.cpdl.org/wiki/images/1/1c/Amicus_meus_osculi_Victoria.pdf</p>]]></description><guid isPermaLink="false">Buzzsprout-9072669</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 23 Aug 2021 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="53095037" type="audio/mpeg"/><itunes:summary>&lt;p&gt;We talk a little bit about the concept of form and what hold music together. We use Tomás Luis de Victoria&apos;s piece &quot;Amicus Meus&quot; to discuss the broader concept of form. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com/podcast&lt;br /&gt;&lt;br /&gt;www.andrewmaxfield.org&lt;br /&gt;&lt;br /&gt;(Video of Amicus Meus performed by Sound of Ages)&lt;br /&gt;https://www.youtube.com/watch?v=OXejGOJRQ3I&amp;amp;t=6s&lt;br /&gt;&lt;br /&gt;Link to the score: &lt;br /&gt;https://www.cpdl.org/wiki/images/1/1c/Amicus_meus_osculi_Victoria.pdf&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:13:42</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 37: The Andrew Special | WTF? (What&apos;s the Form)</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 42: The Choralosopher | Chris Munce]]></title><description><![CDATA[<p>Today we get the opportunity to sit down with The Choralosopher himself, Chris Munce. We'll talk to him about early music, his professional choir, his high school students. It's cool to hear him on the other side of the mic. <br /><br />www.soundofageschoir.com<br /><br />https://kantoreikc.com/<br /><br />https://choralosophy.com/<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-9387618</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 18 Oct 2021 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/56db39fd77c56f5696b3e24e80696c6bbfe819846e5bae4fb386a270e575e331/eyJlcGlzb2RlSWQiOiI0NzFhZDI4NC1iY2EzLTQ1NTItYmJlYS0xMTBjNzgwMGYxNjYiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvNDcxYWQyODQtYmNhMy00NTUyLWJiZWEtMTEwYzc4MDBmMTY2LzkzODc2MTgtZW1tLTQyLXRoZS1jaG9yYWxvc29waGVyLWNocmlzLW11bmNlLm1wMyJ9.mp3" length="42117450" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we get the opportunity to sit down with The Choralosopher himself, Chris Munce. We&apos;ll talk to him about early music, his professional choir, his high school students. It&apos;s cool to hear him on the other side of the mic. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;https://kantoreikc.com/&lt;br /&gt;&lt;br /&gt;https://choralosophy.com/&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:58:27</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 42: The Choralosopher | Chris Munce</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 63: Tenebrae - Passion and Precision Pt. II: Path of Miracles | Nigel Short]]></title><description><![CDATA[<p>Today we get a follow up conversation with Nigel Short where he walks us through Joby Talbot's <em>Path of Miracles</em>. The conversation is interspersed with audio clips from each movement. <br /><br />Watch Tenebrae perform <a href="https://www.youtube.com/watch?v=A7SA1dP-nVM" rel="noopener noreferrer nofollow">Path of Miracles</a> live from La Basilique de Saint-Denis in France. <br /><br />Tenebrae's album of Path of Miracles can be found on their <a href="https://www.tenebrae-choir.com/shop" rel="noopener noreferrer nofollow">website</a>, Apple Music, Spotify, and wherever music is streamed. <br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-13443454</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 21 Aug 2023 16:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="70806690" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we get a follow up conversation with Nigel Short where he walks us through Joby Talbot&apos;s &lt;em&gt;Path of Miracles&lt;/em&gt;. The conversation is interspersed with audio clips from each movement. &lt;br /&gt;&lt;br /&gt;Watch Tenebrae perform &lt;a href=&quot;https://www.youtube.com/watch?v=A7SA1dP-nVM&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Path of Miracles&lt;/a&gt; live from La Basilique de Saint-Denis in France. &lt;br /&gt;&lt;br /&gt;Tenebrae&apos;s album of Path of Miracles can be found on their &lt;a href=&quot;https://www.tenebrae-choir.com/shop&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;website&lt;/a&gt;, Apple Music, Spotify, and wherever music is streamed. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:38:18</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 63: Tenebrae - Passion and Precision Pt. II: Path of Miracles | Nigel Short</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 17: The Choreography of Sound, Andrew Maxfield, Tomás Luis de Victoria]]></title><description><![CDATA[<p>Our discussion today goes back to the basics of counterpoint and the choreography of sound, we'll have an interview with composer Andrew Maxfield, and our composer profile is on Tomás Luis de Victoria.<br /><br />soundofageschoir.com<br /><br />andrewmaxfield.org<br /><br /><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8068295</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 08 Mar 2021 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="48288792" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Our discussion today goes back to the basics of counterpoint and the choreography of sound, we&apos;ll have an interview with composer Andrew Maxfield, and our composer profile is on Tomás Luis de Victoria.&lt;br /&gt;&lt;br /&gt;soundofageschoir.com&lt;br /&gt;&lt;br /&gt;andrewmaxfield.org&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:07:01</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 17: The Choreography of Sound, Andrew Maxfield, Tomás Luis de Victoria</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 34: Timeless or Trendy? | Robert White]]></title><description><![CDATA[<p>Today, we passionately discuss the difference between music that is timeless vs. music that is trendy. We also discuss a few facts about British Renaissance composer Robert White and listen to Sound of Ages performing his piece "Christe qui lux es et dies III". <br /><br />We appreciate your feedback. We would appreciate your help improving the show. To give your feedback, follow the link to this Google form: https://forms.gle/UgMtZJFYWoZXEPX67<br /><br />Visit our website to see all content and news.<br />www.soundofageschoir.com<br /><br />Be sure to check out our new video release of "This Singing Bowl" by Andrew Maxfield.<br />Get the sheet music for FREE until July 31st: <a href="https://andrewmaxfield.org/the-singing-bowl?fbclid=IwAR2AYpRTdYIQedHYN8vc4qLlo5nsxsro3sU3DHv3KLZSivx2IoKh2HDkqIE" rel="noopener noreferrer nofollow">https://andrewmaxfield.org/the-singing-bowl</a><br /><br />Follow and subscribe to  Sound of Ages on Facebook, Instagram, and Youtube. </p>]]></description><guid isPermaLink="false">Buzzsprout-8878884</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 19 Jul 2021 17:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/473e3b13f014e6d17e0763267ee40b047b3c26bcd46a22c270e89d1b1e547f30/eyJlcGlzb2RlSWQiOiIwMGM4YjRmMi05NWYxLTQ4MTAtYmY3ZS1kM2U2YjRlZTUwODAiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvMDBjOGI0ZjItOTVmMS00ODEwLWJmN2UtZDNlNmI0ZWU1MDgwLzg4Nzg4ODQtZW1tLTM0LXRpbWVsZXNzLW9yLXRyZW5keS1yb2JlcnQtd2hpdGUubXAzIn0=.mp3" length="27871031" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today, we passionately discuss the difference between music that is timeless vs. music that is trendy. We also discuss a few facts about British Renaissance composer Robert White and listen to Sound of Ages performing his piece &quot;Christe qui lux es et dies III&quot;. &lt;br /&gt;&lt;br /&gt;We appreciate your feedback. We would appreciate your help improving the show. To give your feedback, follow the link to this Google form: https://forms.gle/UgMtZJFYWoZXEPX67&lt;br /&gt;&lt;br /&gt;Visit our website to see all content and news.&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;Be sure to check out our new video release of &quot;This Singing Bowl&quot; by Andrew Maxfield.&lt;br /&gt;Get the sheet music for FREE until July 31st: &lt;a href=&quot;https://andrewmaxfield.org/the-singing-bowl?fbclid=IwAR2AYpRTdYIQedHYN8vc4qLlo5nsxsro3sU3DHv3KLZSivx2IoKh2HDkqIE&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://andrewmaxfield.org/the-singing-bowl&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Follow and subscribe to  Sound of Ages on Facebook, Instagram, and Youtube. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:38:40</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 34: Timeless or Trendy? | Robert White</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 21: George F. Handel and Grit | Guest: Professor Darrell Babidge]]></title><description><![CDATA[<p>Our newly formatted episodes begins with our composer profile on George F. Handel and the concept of "grit", we then have an interview with the newly appointed head of the voice department at Julliard School, Professor Darrell Babidge. </p>]]></description><guid isPermaLink="false">Buzzsprout-8247338</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 05 Apr 2021 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="44769773" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Our newly formatted episodes begins with our composer profile on George F. Handel and the concept of &quot;grit&quot;, we then have an interview with the newly appointed head of the voice department at Julliard School, Professor Darrell Babidge. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:02:08</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 21: George F. Handel and Grit | Guest: Professor Darrell Babidge</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 57: Well, Well, Well...How the Turntables... | Kameron Kavanaugh]]></title><description><![CDATA[<p>On today's episode of Early Music Monday, Stevie turns the tables and interviews Kameron. Great insights into what makes Kameron tick and more background into how he became the early music nerd that he is today. <br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/</a><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-10374932</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 04 Apr 2022 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="51318775" type="audio/mpeg"/><itunes:summary>&lt;p&gt;On today&apos;s episode of Early Music Monday, Stevie turns the tables and interviews Kameron. Great insights into what makes Kameron tick and more background into how he became the early music nerd that he is today. &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:11:14</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 57: Well, Well, Well...How the Turntables... | Kameron Kavanaugh</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 50: This Marriage: Music and Poetry (Pt. 2) | Eric Whitacre & Tony Silvestri]]></title><description><![CDATA[<p>Part 2 of our sit down with Eric Whitacre and Tony Silvestri. We take a closer look into their work "Sainte-Chapelle" and "The Sacred Veil". A few golden nuggets regarding the works that have never been shared before.  <br /><br />Recording Credits:<br />Sainte-Chapelle (The Tallis Scholars) <br /><a href="https://www.hyperion-records.co.uk/dc.asp?dc=D_CDGIM802" rel="noopener noreferrer nofollow">https://www.hyperion-records.co.uk/dc.asp?dc=D_CDGIM802</a><br /><br />Be on the look out for upcoming works mentioned in the show by Eric and Tony: <br /><a href="https://ericwhitacre.com/" rel="noopener noreferrer nofollow">https://ericwhitacre.com/</a><br /><a href="https://www.charlesanthonysilvestri.com/" rel="noopener noreferrer nofollow">https://www.charlesanthonysilvestri.com/</a><br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/</a><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-10017371</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 07 Feb 2022 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="51402809" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Part 2 of our sit down with Eric Whitacre and Tony Silvestri. We take a closer look into their work &quot;Sainte-Chapelle&quot; and &quot;The Sacred Veil&quot;. A few golden nuggets regarding the works that have never been shared before.  &lt;br /&gt;&lt;br /&gt;Recording Credits:&lt;br /&gt;Sainte-Chapelle (The Tallis Scholars) &lt;br /&gt;&lt;a href=&quot;https://www.hyperion-records.co.uk/dc.asp?dc=D_CDGIM802&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.hyperion-records.co.uk/dc.asp?dc=D_CDGIM802&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Be on the look out for upcoming works mentioned in the show by Eric and Tony: &lt;br /&gt;&lt;a href=&quot;https://ericwhitacre.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://ericwhitacre.com/&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.charlesanthonysilvestri.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.charlesanthonysilvestri.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:11:21</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 50: This Marriage: Music and Poetry (Pt. 2) | Eric Whitacre &amp; Tony Silvestri</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 31: The Princess of Ferrara | Laurie Stras]]></title><description><![CDATA[<p>Today we're going to take a trip over to Italy and explore the music of 16th century Ferrara, which is one of the musical hotspots of the renaissance. Our guest, Laurie Stras, noted and renown musicologist will give us some background on some specific female composers that she's done groundbreaking research on. Some pretty incredible stuff. <br /><br />www.soundofageschoir.com<br /><br />Articles and Books by Laurie Stras: <br /><br />Sisters Doing it Themselves:<br />https://www.theguardian.com/music/musicblog/2017/mar/10/radical-motets-from-16th-century-nunnery-musica-secreta-lucrezia-borgia<br /><br />Her book, "Women and Music in Sixteenth Century Ferrara"<br />https://www.amazon.com/Sixteenth-Century-Ferrara-Perspectives-History-Criticism/dp/1107154073<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8729136</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 21 Jun 2021 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/96b35dcc13543bd268b63b395e5f1088aef2cf965e3dc5eb57469b248c78805f/eyJlcGlzb2RlSWQiOiJhNGNkOGQxYS02MDFiLTRmNmUtYjY4MS0xOGM5N2ZkMjdlOTYiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvYTRjZDhkMWEtNjAxYi00ZjZlLWI2ODEtMThjOTdmZDI3ZTk2Lzg3MjkxMzYtZW1tLTMxLXRoZS1wcmluY2Vzcy1vZi1mZXJyYXJhLWxhdXJpZS1zdHJhcy5tcDMifQ==.mp3" length="47874643" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we&apos;re going to take a trip over to Italy and explore the music of 16th century Ferrara, which is one of the musical hotspots of the renaissance. Our guest, Laurie Stras, noted and renown musicologist will give us some background on some specific female composers that she&apos;s done groundbreaking research on. Some pretty incredible stuff. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;Articles and Books by Laurie Stras: &lt;br /&gt;&lt;br /&gt;Sisters Doing it Themselves:&lt;br /&gt;https://www.theguardian.com/music/musicblog/2017/mar/10/radical-motets-from-16th-century-nunnery-musica-secreta-lucrezia-borgia&lt;br /&gt;&lt;br /&gt;Her book, &quot;Women and Music in Sixteenth Century Ferrara&quot;&lt;br /&gt;https://www.amazon.com/Sixteenth-Century-Ferrara-Perspectives-History-Criticism/dp/1107154073&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:06:27</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 31: The Princess of Ferrara | Laurie Stras</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 52: If I Were a Chorister | Helen Ashby]]></title><description><![CDATA[<p>Today we get to have a fantastic conversation with British Soprano Helen Ashby who sings in several ensembles including Stile Antico, fantastic early music ensemble. She is also the singing instructor for the boy choristers at Westminster Abby. <br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/</a><br /><br /><a href="https://www.stileantico.co.uk/" rel="noopener noreferrer nofollow">https://www.stileantico.co.uk/</a><br /><br />Woefully Arrayed<br /><a href="https://www.youtube.com/watch?v=LDGwwkqXXV0" rel="noopener noreferrer nofollow">https://www.youtube.com/watch?v=LDGwwkqXXV0</a><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-10147524</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 28 Feb 2022 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/598018b201bbdeacf1d9f7ac6c0ea6e702cd11cb860cef7b72c7d603fae78290/eyJlcGlzb2RlSWQiOiI2NmYyMDQxZS03ZjcyLTQyOTctOWEyNi1jM2VlZWM2Mzc2OTAiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvNjZmMjA0MWUtN2Y3Mi00Mjk3LTlhMjYtYzNlZWVjNjM3NjkwLzEwMTQ3NTI0LWVtbS01Mi1pZi1pLXdlcmUtYS1jaG9yaXN0ZXItaGVsZW4tYXNoYnkubXAzIn0=.mp3" length="43161938" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we get to have a fantastic conversation with British Soprano Helen Ashby who sings in several ensembles including Stile Antico, fantastic early music ensemble. She is also the singing instructor for the boy choristers at Westminster Abby. &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.stileantico.co.uk/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.stileantico.co.uk/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Woefully Arrayed&lt;br /&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=LDGwwkqXXV0&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.youtube.com/watch?v=LDGwwkqXXV0&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:59:54</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 52: If I Were a Chorister | Helen Ashby</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 61: The Andrew Special Part II | Poor Richard's Madrigal]]></title><description><![CDATA[<p>Today we talk through Andrew's newest piece commissioned by Sound of Ages for their Sing Actually narrative concert: <em>Poor Richard's Madrigal</em>. This piece pays homage to Thomas Morley's <em>Now Is the Month of Maying. </em>We discuss comedy, madrigals,  and much more. Check out the live performance of<a href="https://www.youtube.com/watch?v=gnJv2SCTPuY" rel="noopener noreferrer nofollow"><em>Poor Richard's Madrigal</em></a> on YouTube. <em> <br /><br /></em>You can find the King's Singers performance of <a href="https://www.youtube.com/watch?v=LJ7VirCScp0" rel="noopener noreferrer nofollow">Now Is the Month of Maying</a> video on YouTube as well. <br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-13349059</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 07 Aug 2023 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="36954726" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we talk through Andrew&apos;s newest piece commissioned by Sound of Ages for their Sing Actually narrative concert: &lt;em&gt;Poor Richard&apos;s Madrigal&lt;/em&gt;. This piece pays homage to Thomas Morley&apos;s &lt;em&gt;Now Is the Month of Maying. &lt;/em&gt;We discuss comedy, madrigals,  and much more. Check out the live performance of&lt;a href=&quot;https://www.youtube.com/watch?v=gnJv2SCTPuY&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;Poor Richard&apos;s Madrigal&lt;/em&gt;&lt;/a&gt; on YouTube. &lt;em&gt; &lt;br /&gt;&lt;br /&gt;&lt;/em&gt;You can find the King&apos;s Singers performance of &lt;a href=&quot;https://www.youtube.com/watch?v=LJ7VirCScp0&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Now Is the Month of Maying&lt;/a&gt; video on YouTube as well. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:51:17</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 61: The Andrew Special Part II | Poor Richard&apos;s Madrigal</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 67: EXCLUSIVE I Fagiolini Album Pre-Release Interview | Robert Hollingworth & Greg Skidmore]]></title><description><![CDATA[<p>A great pleasure to have I Fagiolini Director Robert Hollingworth along with Baritone Greg Skidmore for an exclusive interview about I Fagiolini's upcoming album "Missa Tu Es Petrus", featuring the previously unrecorded work of the same title by 17th Century Italian Composer Orazio Benevoli. Go download on your favorite streaming service on <b>October 6, 2023</b> (or the album is available for <a href="https://www.chandos.net/products/catalogue/CO%206201" rel="noopener noreferrer nofollow">purchase</a>.  <br /><br />You can stay up to date on all things I Fagiolini on their <a href="https://www.ifagiolini.com/" rel="noopener noreferrer nofollow">website</a> and social media pages. <br /><a href="https://www.facebook.com/ifagiolini" rel="noopener noreferrer nofollow">Facebook</a><br /><a href="https://www.instagram.com/i_fagiolini/" rel="noopener noreferrer nofollow">Instagram</a><br /><a href="https://www.youtube.com/@IFagiolini" rel="noopener noreferrer nofollow">YouTube</a><br /><br />For more information about the MA program at University of York, click <a href="https://www.york.ac.uk/study/postgraduate-taught/courses/ma-music-solo-voice-ensemble-singing/" rel="noopener noreferrer nofollow">here.</a> <br /><br />For more information about <a href="https://www.youtube.com/playlist?list=PLsdmpGkkaBlCmyiEyHtUjBAEIjbb4bVXp" rel="noopener noreferrer nofollow">#SingtheScore,</a> follow the link to watch on YouTube. <br /><br />See what Greg is up to with his Canadian Renaissance Music Summer School (Which we will be having an episode about coming up)<a href="https://crmss.org/" rel="noopener noreferrer nofollow"> here.</a> <br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">www.soundofageschoir.com</a><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-13658593</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 25 Sep 2023 20:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="59868889" type="audio/mpeg"/><itunes:summary>&lt;p&gt;A great pleasure to have I Fagiolini Director Robert Hollingworth along with Baritone Greg Skidmore for an exclusive interview about I Fagiolini&apos;s upcoming album &quot;Missa Tu Es Petrus&quot;, featuring the previously unrecorded work of the same title by 17th Century Italian Composer Orazio Benevoli. Go download on your favorite streaming service on &lt;b&gt;October 6, 2023&lt;/b&gt; (or the album is available for &lt;a href=&quot;https://www.chandos.net/products/catalogue/CO%206201&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;purchase&lt;/a&gt;.  &lt;br /&gt;&lt;br /&gt;You can stay up to date on all things I Fagiolini on their &lt;a href=&quot;https://www.ifagiolini.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;website&lt;/a&gt; and social media pages. &lt;br /&gt;&lt;a href=&quot;https://www.facebook.com/ifagiolini&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Facebook&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.instagram.com/i_fagiolini/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Instagram&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.youtube.com/@IFagiolini&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;YouTube&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;For more information about the MA program at University of York, click &lt;a href=&quot;https://www.york.ac.uk/study/postgraduate-taught/courses/ma-music-solo-voice-ensemble-singing/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;here.&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;For more information about &lt;a href=&quot;https://www.youtube.com/playlist?list=PLsdmpGkkaBlCmyiEyHtUjBAEIjbb4bVXp&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;#SingtheScore,&lt;/a&gt; follow the link to watch on YouTube. &lt;br /&gt;&lt;br /&gt;See what Greg is up to with his Canadian Renaissance Music Summer School (Which we will be having an episode about coming up)&lt;a href=&quot;https://crmss.org/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt; here.&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;www.soundofageschoir.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:23:06</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 67: EXCLUSIVE I Fagiolini Album Pre-Release Interview | Robert Hollingworth &amp; Greg Skidmore</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 66. Concert Preview | SOA Autumnal Equinox Evensong]]></title><description><![CDATA[<p>On today's episode, we walk through the concert program for Sound of Ages upcoming Evensong concert. As part of their Evensong concert series, the Autumnal Equinox Evensong theme is opposites and gratitude. There are only a few tickets left so don't miss out, get your<a href="https://andrewmaxfield.org/collections/a-frame-concerts/products/9-23-23-evensong-ii-the-a-frame-required-ticket-donation" rel="noopener noreferrer nofollow"> tickets here.</a> <br /><br />Dr. Andrew Huberman podcast episode about <a href="https://www.youtube.com/watch?v=KVjfFN89qvQ" rel="noopener noreferrer nofollow">gratitude.</a><br /><br />Tenebrae performing Part I of <a href="https://www.youtube.com/watch?v=xP_w9HZwbm4" rel="noopener noreferrer nofollow"><em>Ne Irascaris, Domine</em></a> by William Byrd. <br />Tenebrae's website. Check out all their recordings <a href="https://www.tenebrae-choir.com/" rel="noopener noreferrer nofollow">here</a>. <br />Sansara's live recording of Hubert Parry's <a href="https://www.youtube.com/watch?v=EeCDckVNWIA" rel="noopener noreferrer nofollow"><em>I Know My Soul Hath Power</em></a>. <br />The Tallis Scholars performing Part II of <a href="https://www.youtube.com/watch?v=9FtDNZKbnco" rel="noopener noreferrer nofollow"><em>Ne Irascaris, Domine</em></a>. <br /><br />Here is a link to the Byrd score found on <a href="https://www.cpdl.org/wiki/images/c/ca/Ne_irascaris_Domine_complete_Byrd.pdf" rel="noopener noreferrer nofollow">cpdl.org</a>.<br /><br />Check out all of Sound of Ages' upcoming events by visiting our <a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">website</a>. </p>]]></description><guid isPermaLink="false">Buzzsprout-13602336</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 18 Sep 2023 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="29586672" type="audio/mpeg"/><itunes:summary>&lt;p&gt;On today&apos;s episode, we walk through the concert program for Sound of Ages upcoming Evensong concert. As part of their Evensong concert series, the Autumnal Equinox Evensong theme is opposites and gratitude. There are only a few tickets left so don&apos;t miss out, get your&lt;a href=&quot;https://andrewmaxfield.org/collections/a-frame-concerts/products/9-23-23-evensong-ii-the-a-frame-required-ticket-donation&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt; tickets here.&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Dr. Andrew Huberman podcast episode about &lt;a href=&quot;https://www.youtube.com/watch?v=KVjfFN89qvQ&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;gratitude.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Tenebrae performing Part I of &lt;a href=&quot;https://www.youtube.com/watch?v=xP_w9HZwbm4&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;Ne Irascaris, Domine&lt;/em&gt;&lt;/a&gt; by William Byrd. &lt;br /&gt;Tenebrae&apos;s website. Check out all their recordings &lt;a href=&quot;https://www.tenebrae-choir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;here&lt;/a&gt;. &lt;br /&gt;Sansara&apos;s live recording of Hubert Parry&apos;s &lt;a href=&quot;https://www.youtube.com/watch?v=EeCDckVNWIA&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;I Know My Soul Hath Power&lt;/em&gt;&lt;/a&gt;. &lt;br /&gt;The Tallis Scholars performing Part II of &lt;a href=&quot;https://www.youtube.com/watch?v=9FtDNZKbnco&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;Ne Irascaris, Domine&lt;/em&gt;&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Here is a link to the Byrd score found on &lt;a href=&quot;https://www.cpdl.org/wiki/images/c/ca/Ne_irascaris_Domine_complete_Byrd.pdf&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;cpdl.org&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Check out all of Sound of Ages&apos; upcoming events by visiting our &lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;website&lt;/a&gt;. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:41:03</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 66. Concert Preview | SOA Autumnal Equinox Evensong</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 46: Madrigal GOAT Marenzio | Hannah Ely]]></title><description><![CDATA[<p>Today we look at the life and music of Luca Marenzio, the great Italian madrigalist and have a fantastic interview with Hannah Ely, founding Artistic Director and Soprano in Fieri Consort. <br /><br />Click here to learn more about Fieri's upcoming project donate to their Crowdfunder: <br /><a href="https://www.crowdfunder.co.uk/thedestinedknot" rel="noopener noreferrer nofollow">https://www.crowdfunder.co.uk/thedestinedknot</a><br /><br />(For a video preview of the project, check out the trailer) <br /><a href="https://www.youtube.com/watch?v=H-EtxqcZaNY" rel="noopener noreferrer nofollow">https://www.youtube.com/watch?v=H-EtxqcZaNY</a><br /><br />For recordings and other general information about Fieri, visit their website: <br /><a href="https://www.fiericonsort.co.uk/" rel="noopener noreferrer nofollow">https://www.fiericonsort.co.uk/</a><br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/</a><br /><br />Here are additional links to Marenzio videos performed by Fieri: <br /><br /><a href="https://mail.google.com/mail/u/0/?ogbl#inbox/QgrcJHrnxTPfMwQghLpPCzvSxkvHFrXfpqG?projector=1" rel="noopener noreferrer nofollow">Deh poi ch'era ne fati</a><br /><a href="https://www.youtube.com/watch?v=nrhY_2IaV9E" rel="noopener noreferrer nofollow">Lecture Recital</a></p>]]></description><guid isPermaLink="false">Buzzsprout-9592708</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 22 Nov 2021 15:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/796c0f02cced4a0e1955362b472ca565fbbdc37faeb83e9d9600228cdd43939c/eyJlcGlzb2RlSWQiOiIxNjYxZmIyZi0xYTMyLTQ1ZjMtYWU4NS05MzQzYjA3OTU3YzYiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvMTY2MWZiMmYtMWEzMi00NWYzLWFlODUtOTM0M2IwNzk1N2M2Lzk1OTI3MDgtZW1tLTQ2LW1hZHJpZ2FsLWdvYXQtbWFyZW56aW8taGFubmFoLWVseS5tcDMifQ==.mp3" length="44412634" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we look at the life and music of Luca Marenzio, the great Italian madrigalist and have a fantastic interview with Hannah Ely, founding Artistic Director and Soprano in Fieri Consort. &lt;br /&gt;&lt;br /&gt;Click here to learn more about Fieri&apos;s upcoming project donate to their Crowdfunder: &lt;br /&gt;&lt;a href=&quot;https://www.crowdfunder.co.uk/thedestinedknot&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.crowdfunder.co.uk/thedestinedknot&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;(For a video preview of the project, check out the trailer) &lt;br /&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=H-EtxqcZaNY&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.youtube.com/watch?v=H-EtxqcZaNY&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;For recordings and other general information about Fieri, visit their website: &lt;br /&gt;&lt;a href=&quot;https://www.fiericonsort.co.uk/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.fiericonsort.co.uk/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Here are additional links to Marenzio videos performed by Fieri: &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://mail.google.com/mail/u/0/?ogbl#inbox/QgrcJHrnxTPfMwQghLpPCzvSxkvHFrXfpqG?projector=1&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Deh poi ch&apos;era ne fati&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=nrhY_2IaV9E&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Lecture Recital&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:01:38</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 46: Madrigal GOAT Marenzio | Hannah Ely</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 69: EXCLUSIVE Pre-Album Interview | Markdavin Obenza]]></title><description><![CDATA[<p>We get an exclusive sneak peak at some tracks on the upcoming album <em>Penitence &amp; Lamentations</em> by the <a href="https://www.byrdensemble.com/" rel="noopener noreferrer nofollow">Byrd Ensemble</a>, conducted by Markdavin Obenza. We sit down with Markdavin and have a conversation about several of the tracks on the upcoming record, which comes out Friday, November 3, 2023, including a new commission by <a href="https://nicomuhly.com/" rel="noopener noreferrer nofollow">Nico Muhly</a>. <br /><br />Follow the Byrd Ensemble on: <br /><a href="https://www.facebook.com/byrdensemble" rel="noopener noreferrer nofollow">Facebook</a><br /><a href="https://www.instagram.com/byrdensemble/" rel="noopener noreferrer nofollow">Instagram</a><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-13876396</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 30 Oct 2023 22:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="34182771" type="audio/mpeg"/><itunes:summary>&lt;p&gt;We get an exclusive sneak peak at some tracks on the upcoming album &lt;em&gt;Penitence &amp;amp; Lamentations&lt;/em&gt; by the &lt;a href=&quot;https://www.byrdensemble.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Byrd Ensemble&lt;/a&gt;, conducted by Markdavin Obenza. We sit down with Markdavin and have a conversation about several of the tracks on the upcoming record, which comes out Friday, November 3, 2023, including a new commission by &lt;a href=&quot;https://nicomuhly.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Nico Muhly&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Follow the Byrd Ensemble on: &lt;br /&gt;&lt;a href=&quot;https://www.facebook.com/byrdensemble&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Facebook&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.instagram.com/byrdensemble/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Instagram&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:47:26</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 69: EXCLUSIVE Pre-Album Interview | Markdavin Obenza</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 59: Resurrexit podcasti | David Simmons Wood]]></title><description><![CDATA[<p>Welcome back to Early Music Monday! We return to the podcast waves by interviewing Dr. David Wood, program director for Early Music America and Director of Early Music ensembles at K-State University in Manhattan, Kansas. <br /><br />Link to his article in Early Music America: <br /><a href="https://www.earlymusicamerica.org/web-articles/canto-toward-a-rebirth-of-renaissance-choral-repertoire/?fbclid=IwAR0U4mZPV-Wof2JIfMo-Ct7ca8F7NE5DHjR_rMN0QDvUk7UUXHxAp9vxEbg" rel="noopener noreferrer nofollow">"Canto: Toward a Rebirth of Renaissance Choral Repertoire"</a><br /><br />The Gesualdo Six's performance of <a href="https://www.youtube.com/watch?v=Pdv9vmGo4EE" rel="noopener noreferrer nofollow">'Sicut Cervus'</a><br />The Gesualdo Six <a href="https://www.thegesualdosix.co.uk/" rel="noopener noreferrer nofollow">Website</a><br /><br />Sound of Ages<a href="https://www.youtube.com/@soundofageschoir2248" rel="noopener noreferrer nofollow"> YouTube</a><br />Sound of Ages new website is currently under construction and will available soon! <br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-13228769</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 17 Jul 2023 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/f1cb41db21f7e0c41e105a3b489bb120afa788247cb990a034cdbd087aa413fd/eyJlcGlzb2RlSWQiOiIyYTM3ZTMzNy1mZTk5LTQzNDctYmQ5Ny1hODhkN2FiY2Y5MTIiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvMmEzN2UzMzctZmU5OS00MzQ3LWJkOTctYTg4ZDdhYmNmOTEyLzEzMjI4NzY5LWVtbS01OS1yZXN1cnJleGl0LXBvZGNhc3RpLWRhdmlkLXNpbW1vbnMtd29vZC5tcDMifQ==.mp3" length="52698702" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Welcome back to Early Music Monday! We return to the podcast waves by interviewing Dr. David Wood, program director for Early Music America and Director of Early Music ensembles at K-State University in Manhattan, Kansas. &lt;br /&gt;&lt;br /&gt;Link to his article in Early Music America: &lt;br /&gt;&lt;a href=&quot;https://www.earlymusicamerica.org/web-articles/canto-toward-a-rebirth-of-renaissance-choral-repertoire/?fbclid=IwAR0U4mZPV-Wof2JIfMo-Ct7ca8F7NE5DHjR_rMN0QDvUk7UUXHxAp9vxEbg&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&quot;Canto: Toward a Rebirth of Renaissance Choral Repertoire&quot;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Gesualdo Six&apos;s performance of &lt;a href=&quot;https://www.youtube.com/watch?v=Pdv9vmGo4EE&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&apos;Sicut Cervus&apos;&lt;/a&gt;&lt;br /&gt;The Gesualdo Six &lt;a href=&quot;https://www.thegesualdosix.co.uk/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Website&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Sound of Ages&lt;a href=&quot;https://www.youtube.com/@soundofageschoir2248&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt; YouTube&lt;/a&gt;&lt;br /&gt;Sound of Ages new website is currently under construction and will available soon! &lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:13:09</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 59: Resurrexit podcasti | David Simmons Wood</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 48: Do You Even Music Bro? | How to Speak "Music"]]></title><description><![CDATA[<p>Today we take a deep dive into "Amicus Meus" by Tomás Luis de Victoria and have a discussion about how to even talk about music using Jan LaRue's Guidelines for Stylistic Analysis. That sounds like the most boring thing ever, but it's actually an incredible way to look deeper at how music acts and what gives it its drive. <br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/</a><br /><a href="https://www.soundofageschoir.com/support" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/support</a><br /><br />A link to the score for "Amicus Meus":<br /><a href="https://www.cpdl.org/wiki/images/1/1c/Amicus_meus_osculi_Victoria.pdf" rel="noopener noreferrer nofollow">https://www.cpdl.org/wiki/images/1/1c/Amicus_meus_osculi_Victoria.pdf</a><br /><br />Jan LaRue's <em>Guidelines for Style Analysis:<br /></em><a href="https://www.amazon.com/Jan-LaRue-Guidelines-Style-Analysis/dp/0899901565" rel="noopener noreferrer nofollow">https://www.amazon.com/Jan-LaRue-Guidelines-Style-Analysis/dp/0899901565</a><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-9932649</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 24 Jan 2022 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="47730414" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we take a deep dive into &quot;Amicus Meus&quot; by Tomás Luis de Victoria and have a discussion about how to even talk about music using Jan LaRue&apos;s Guidelines for Stylistic Analysis. That sounds like the most boring thing ever, but it&apos;s actually an incredible way to look deeper at how music acts and what gives it its drive. &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/&lt;/a&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/support&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/support&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A link to the score for &quot;Amicus Meus&quot;:&lt;br /&gt;&lt;a href=&quot;https://www.cpdl.org/wiki/images/1/1c/Amicus_meus_osculi_Victoria.pdf&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.cpdl.org/wiki/images/1/1c/Amicus_meus_osculi_Victoria.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Jan LaRue&apos;s &lt;em&gt;Guidelines for Style Analysis:&lt;br /&gt;&lt;/em&gt;&lt;a href=&quot;https://www.amazon.com/Jan-LaRue-Guidelines-Style-Analysis/dp/0899901565&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.amazon.com/Jan-LaRue-Guidelines-Style-Analysis/dp/0899901565&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:06:15</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 48: Do You Even Music Bro? | How to Speak &quot;Music&quot;</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 40: The Anatomy of Creativity | Michael John Trotta]]></title><description><![CDATA[<p>Today we're going to have a conversation with Michael John Trotta about compositions, about early music, about something that he has coined "the anatomy of creativity".<br /><br /><a href="http://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">www.soundofageschoir.com</a><br /><br /><a href="https://www.mjtrotta.com/" rel="noopener noreferrer nofollow">www.mjtrotta.com</a><br /><br />JW Behind the Music Podcast<br /><a href="https://www.youtube.com/watch?v=MRU0B1F1FDA" rel="noopener noreferrer nofollow">https://www.youtube.com/watch?v=MRU0B1F1FDA</a><br /><br />Recordings<br /><a href="https://www.youtube.com/watch?v=Oyy6cQ6mIyE" rel="noopener noreferrer nofollow">Ubi Caritas – Michael John Trotta – Tenebrae conducted by Nigel Short</a><br /><br /><a href="https://www.youtube.com/watch?v=JI5ETddqqNY" rel="noopener noreferrer nofollow">O Magnum Mysterium – Michael John Trotta – Tenebrae conducted by Nigel Short</a><br /><br />Link to "The Anatomy of Creativity"<br /><a href="https://drive.google.com/file/d/1BxnOiCmCImcyu2H3_A4MuHCcA7iPq3fW/view?usp=sharing" rel="noopener noreferrer nofollow">https://drive.google.com/file/d/1BxnOiCmCImcyu2H3_A4MuHCcA7iPq3fW/view?usp=sharing</a><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-9218828</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 20 Sep 2021 12:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="43711026" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we&apos;re going to have a conversation with Michael John Trotta about compositions, about early music, about something that he has coined &quot;the anatomy of creativity&quot;.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;www.soundofageschoir.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.mjtrotta.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;www.mjtrotta.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;JW Behind the Music Podcast&lt;br /&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=MRU0B1F1FDA&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.youtube.com/watch?v=MRU0B1F1FDA&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Recordings&lt;br /&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=Oyy6cQ6mIyE&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;Ubi Caritas – Michael John Trotta – Tenebrae conducted by Nigel Short&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=JI5ETddqqNY&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;O Magnum Mysterium – Michael John Trotta – Tenebrae conducted by Nigel Short&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Link to &quot;The Anatomy of Creativity&quot;&lt;br /&gt;&lt;a href=&quot;https://drive.google.com/file/d/1BxnOiCmCImcyu2H3_A4MuHCcA7iPq3fW/view?usp=sharing&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://drive.google.com/file/d/1BxnOiCmCImcyu2H3_A4MuHCcA7iPq3fW/view?usp=sharing&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:00:40</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 40: The Anatomy of Creativity | Michael John Trotta</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 53: Josquin the Rock Star | Dr. Jesse Rodin]]></title><description><![CDATA[<p>Today we get to have an amazing conversation with Dr. Jesse Rodin, professor at Stanford University, Josquin Scholar, conductor/performer, and the founding Artistic Director of Cut Circle.<br /><br />Cut Circle -<a href="https://cutcircle.org/" rel="noopener noreferrer nofollow"> https://cutcircle.org/</a><br /><br />Sounds of the Renaissance Video: <a href="https://cutcircle.org/videos/sounds-of-renaissance-florence/" rel="noopener noreferrer nofollow"><br />https://cutcircle.org/videos/sounds-of-renaissance-florence/</a><br /><br />Josquin's Rome: Book by Dr. Rodin<br /><a href="https://global.oup.com/academic/product/josquins-rome-9780199844302?cc=us&amp;lang=en&amp;" rel="noopener noreferrer nofollow">https://global.oup.com/academic/product/josquins-rome-9780199844302?cc=us&amp;lang=en&amp;</a><br /><br />Youtube Videos:<br />Nymphes des bois - <a href="https://www.youtube.com/watch?v=vSXqOq_DZ9I" rel="noopener noreferrer nofollow">https://www.youtube.com/watch?v=vSXqOq_DZ9I</a><br /><br />Missa la sol fa re mi - <a href="https://www.youtube.com/watch?v=GtAqa0zoyhM" rel="noopener noreferrer nofollow">https://www.youtube.com/watch?v=GtAqa0zoyhM</a><br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/</a></p>]]></description><guid isPermaLink="false">Buzzsprout-10159729</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 07 Mar 2022 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="49554481" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we get to have an amazing conversation with Dr. Jesse Rodin, professor at Stanford University, Josquin Scholar, conductor/performer, and the founding Artistic Director of Cut Circle.&lt;br /&gt;&lt;br /&gt;Cut Circle -&lt;a href=&quot;https://cutcircle.org/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt; https://cutcircle.org/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Sounds of the Renaissance Video: &lt;a href=&quot;https://cutcircle.org/videos/sounds-of-renaissance-florence/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;br /&gt;https://cutcircle.org/videos/sounds-of-renaissance-florence/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Josquin&apos;s Rome: Book by Dr. Rodin&lt;br /&gt;&lt;a href=&quot;https://global.oup.com/academic/product/josquins-rome-9780199844302?cc=us&amp;amp;lang=en&amp;amp;&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://global.oup.com/academic/product/josquins-rome-9780199844302?cc=us&amp;amp;lang=en&amp;amp;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Youtube Videos:&lt;br /&gt;Nymphes des bois - &lt;a href=&quot;https://www.youtube.com/watch?v=vSXqOq_DZ9I&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.youtube.com/watch?v=vSXqOq_DZ9I&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Missa la sol fa re mi - &lt;a href=&quot;https://www.youtube.com/watch?v=GtAqa0zoyhM&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.youtube.com/watch?v=GtAqa0zoyhM&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:08:47</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 53: Josquin the Rock Star | Dr. Jesse Rodin</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 26: Concert Day | We Begin with Hildegard]]></title><description><![CDATA[<p>Today we will have a short composer profile (to be extended in a later episode) on Hildegard von Bingen to set up tonight's Sound of Ages concert, "Songs of Meditation". <br /><br />Check out the live stream: <br /><a href="https://youtu.be/upR03BS2F_Q?fbclid=IwAR2LOOXbEv7cZ7LZpbfceOc3ulToOIFtSBGP-mDN7zRjwvfXTtRN9SyEDEc" rel="noopener noreferrer nofollow">https://youtu.be/upR03BS2F_Q</a><br /><br />Concert Program can be found:<br /><a href="https://spark.adobe.com/page/dBcpLxoH6ATuh/?fbclid=IwAR0Sj6845hdhwgIS0NgWcVUZf5ENt2Nr8siqWHlWb48wH8SQi8XNi0rudAY" rel="noopener noreferrer nofollow">https://spark.adobe.com/page/dBcpLxoH6ATuh/</a><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8494968</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 10 May 2021 21:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/c447d0f4e5484628c990e5f60c428c4c1f3af0ad0b2d16c1345e2d64fd2ba50f/eyJlcGlzb2RlSWQiOiI3OTk0ODViYS0wNzdjLTRlZWItODcwOC1kMzU0ZTQ4NjAxNmUiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvNzk5NDg1YmEtMDc3Yy00ZWViLTg3MDgtZDM1NGU0ODYwMTZlLzg0OTQ5NjgtZW1tLTI2LWNvbmNlcnQtZGF5LXdlLWJlZ2luLXdpdGgtaGlsZGVnYXJkLm1wMyJ9.mp3" length="8382514" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we will have a short composer profile (to be extended in a later episode) on Hildegard von Bingen to set up tonight&apos;s Sound of Ages concert, &quot;Songs of Meditation&quot;. &lt;br /&gt;&lt;br /&gt;Check out the live stream: &lt;br /&gt;&lt;a href=&quot;https://youtu.be/upR03BS2F_Q?fbclid=IwAR2LOOXbEv7cZ7LZpbfceOc3ulToOIFtSBGP-mDN7zRjwvfXTtRN9SyEDEc&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://youtu.be/upR03BS2F_Q&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Concert Program can be found:&lt;br /&gt;&lt;a href=&quot;https://spark.adobe.com/page/dBcpLxoH6ATuh/?fbclid=IwAR0Sj6845hdhwgIS0NgWcVUZf5ENt2Nr8siqWHlWb48wH8SQi8XNi0rudAY&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://spark.adobe.com/page/dBcpLxoH6ATuh/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:11:36</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 26: Concert Day | We Begin with Hildegard</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 58: TENET Vocal Artists | Jolle Greenleaf]]></title><description><![CDATA[<p>Today we sit down with Jolle Greenleaf, Artistic Director of Tenet Vocal Artists based out of New York City.  We discuss conductor roles, the power of early music, and get a glimpse in some of Jolle's composer preferences. <br /><br />Be sure to follow TENET's virtual tour to the UK: <br /><a href=" https://tenet.nyc/uk-2022" rel="noopener noreferrer nofollow">https://tenet.nyc/uk-2022</a><br /><br /><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/</a></p>]]></description><guid isPermaLink="false">Buzzsprout-10417354</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 11 Apr 2022 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/cabee2fa8bb3694948d5dda6a44c66e0e5d35043dbd4a0b5b37b26f591302b7f/eyJlcGlzb2RlSWQiOiI4MWUzOTJlMy0xMGZhLTRjZTQtOWI2MS00NjQ0NmIxM2NjNWMiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvODFlMzkyZTMtMTBmYS00Y2U0LTliNjEtNDY0NDZiMTNjYzVjLzEwNDE3MzU0LWVtbS01OC10ZW5ldC12b2NhbC1hcnRpc3RzLWpvbGxlLWdyZWVubGVhZi5tcDMifQ==.mp3" length="37830455" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we sit down with Jolle Greenleaf, Artistic Director of Tenet Vocal Artists based out of New York City.  We discuss conductor roles, the power of early music, and get a glimpse in some of Jolle&apos;s composer preferences. &lt;br /&gt;&lt;br /&gt;Be sure to follow TENET&apos;s virtual tour to the UK: &lt;br /&gt;&lt;a href=&quot; https://tenet.nyc/uk-2022&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://tenet.nyc/uk-2022&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:52:30</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 58: TENET Vocal Artists | Jolle Greenleaf</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 45: The Art of Impossible | High Achievement in Early Music]]></title><description><![CDATA[<p>If you have ever thought that you are not creative or that "making it big" is impossible, today's episode is for you. There are two false choices taught in the world. It's either "Go live your dream" or "don't pursue your dream, do something practical". I seek to find the middle of ";pursue your dream, but it's going to be insanely hard and require grit and creativity". Making Early Music a career would not fall in the category of stable, smart, or lucrative, but that doesn't mean it's impossible. It might just look a little different than your initial expectations. <br /><br />www.soundofageschoir.com<br /><br />Here is a link to the book: <br /><br />https://www.amazon.com/s?k=the+art+of+impossible&amp;gclid=Cj0KCQiA4b2MBhD2ARIsAIrcB-SWBkTla1syL1mt1k4jW453qgqMEcbFmAq3B38ezDkkWCc0Qo16820aAudxEALw_wcB&amp;hvadid=241900559643&amp;hvdev=c&amp;hvlocphy=9029857&amp;hvnetw=g&amp;hvqmt=e&amp;hvrand=8942532955597067818&amp;hvtargid=kwd-92832955290&amp;hydadcr=22561_10346245&amp;tag=googhydr-20&amp;ref=pd_sl_1b6wtt3tq0_e<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-9542561</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 15 Nov 2021 15:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="28536137" type="audio/mpeg"/><itunes:summary>&lt;p&gt;If you have ever thought that you are not creative or that &quot;making it big&quot; is impossible, today&apos;s episode is for you. There are two false choices taught in the world. It&apos;s either &quot;Go live your dream&quot; or &quot;don&apos;t pursue your dream, do something practical&quot;. I seek to find the middle of &quot;;pursue your dream, but it&apos;s going to be insanely hard and require grit and creativity&quot;. Making Early Music a career would not fall in the category of stable, smart, or lucrative, but that doesn&apos;t mean it&apos;s impossible. It might just look a little different than your initial expectations. &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;Here is a link to the book: &lt;br /&gt;&lt;br /&gt;https://www.amazon.com/s?k=the+art+of+impossible&amp;amp;gclid=Cj0KCQiA4b2MBhD2ARIsAIrcB-SWBkTla1syL1mt1k4jW453qgqMEcbFmAq3B38ezDkkWCc0Qo16820aAudxEALw_wcB&amp;amp;hvadid=241900559643&amp;amp;hvdev=c&amp;amp;hvlocphy=9029857&amp;amp;hvnetw=g&amp;amp;hvqmt=e&amp;amp;hvrand=8942532955597067818&amp;amp;hvtargid=kwd-92832955290&amp;amp;hydadcr=22561_10346245&amp;amp;tag=googhydr-20&amp;amp;ref=pd_sl_1b6wtt3tq0_e&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:39:34</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/episodes/92001852-fabf-41fa-888d-7e1bf1a7a527/jp4mej4mdk90gmvjyvtg7dxwqbbt.jpg"/><itunes:title>EMM 45: The Art of Impossible | High Achievement in Early Music</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 64: Your Brain On What? | Professor Megan Long]]></title><description><![CDATA[<p>Today we get to have a fantastic conversation with Professor Megan Long of Oberlin College &amp; Conservatory. <br /><br />Megan Kaes Long studies European song traditions of the 16th and 17th centuries and the theoretical discourses that describe them. Her book, <a href="https://global.oup.com/academic/product/hearing-homophony-9780190851903?cc=us&amp;lang=en&amp;" rel="noopener noreferrer nofollow"><em>Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century</em></a>, was published by Oxford University Press in 2020 and won the Society for Music Theory's Wallace Berry Award in 2021.</p><p>Long’s articles have appeared in Music <em>Theory Spectrum</em>, the <em>Journal of Music Theory</em>, <em>Music Theory Online</em>, and <em>Open Access Musicology</em> and her research has been supported by grants from the American Council of Learned Societies and the National Endowment for the Humanities. Her 2018 article, “Cadential Syntax and Tonal Expectation in Late Sixteenth-Century Homophony” won the Society for Music Theory’s Emerging Scholar Award.</p><p>Long is the editor of <a href="http://www.smt-v.org/" rel="noopener noreferrer nofollow"><em>SMT-V</em></a>, the Society for Music Theory’s peer-reviewed video-journal. Long is also a mezzo-soprano who specializes in music of the Renaissance and Baroque eras.</p><p>Long's work was honored with Oberlin College &amp; Conservatory's Excellence in Teaching Award for the 2021-22 academic year.<br /><br />Check out the articles mentioned in the show by following the links below: <br /><br /><a href="https://historyofmusictheory.wordpress.com/2022/08/26/this-is-your-brain-on-hexachordal-solmization/" rel="noopener noreferrer nofollow"><em>Your Brain On Hexichordal Solmization</em></a><em> <br /> <br /></em><a href="https://academic.oup.com/mts/advance-article/doi/10.1093/mts/mtad010/7225393?utm_source=authortollfreelink&amp;utm_campaign=mts&amp;utm_medium=email&amp;guestAccessKey=9d78a33b-8763-47f5-a336-d38f3b503e5c" rel="noopener noreferrer nofollow"><em>Hexachordal Solmization and Syllable-Invariant Counterpoint in the Vocal Music of William Byrd</em></a></p><p>Rebecca Cypess's article on "thin notation": <a href="https://www.earlymusicamerica.org/web-articles/translation-and-the-ideas-of-early-music/" rel="noopener noreferrer nofollow">https://www.earlymusicamerica.org/web-articles/translation-and-the-ideas-of-early-music/</a> <br /><br />Recording of William Byrd's <a href="https://www.youtube.com/watch?v=Jyn0eLCsMmA" rel="noopener noreferrer nofollow"><em>Come Woeful Orpheus</em></a> by The Sixteen found on YouTube. </p>]]></description><guid isPermaLink="false">Buzzsprout-13474425</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Tue, 29 Aug 2023 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="51012561" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we get to have a fantastic conversation with Professor Megan Long of Oberlin College &amp;amp; Conservatory. &lt;br /&gt;&lt;br /&gt;Megan Kaes Long studies European song traditions of the 16th and 17th centuries and the theoretical discourses that describe them. Her book, &lt;a href=&quot;https://global.oup.com/academic/product/hearing-homophony-9780190851903?cc=us&amp;amp;lang=en&amp;amp;&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century&lt;/em&gt;&lt;/a&gt;, was published by Oxford University Press in 2020 and won the Society for Music Theory&apos;s Wallace Berry Award in 2021.&lt;/p&gt;&lt;p&gt;Long’s articles have appeared in Music &lt;em&gt;Theory Spectrum&lt;/em&gt;, the &lt;em&gt;Journal of Music Theory&lt;/em&gt;, &lt;em&gt;Music Theory Online&lt;/em&gt;, and &lt;em&gt;Open Access Musicology&lt;/em&gt; and her research has been supported by grants from the American Council of Learned Societies and the National Endowment for the Humanities. Her 2018 article, “Cadential Syntax and Tonal Expectation in Late Sixteenth-Century Homophony” won the Society for Music Theory’s Emerging Scholar Award.&lt;/p&gt;&lt;p&gt;Long is the editor of &lt;a href=&quot;http://www.smt-v.org/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;SMT-V&lt;/em&gt;&lt;/a&gt;, the Society for Music Theory’s peer-reviewed video-journal. Long is also a mezzo-soprano who specializes in music of the Renaissance and Baroque eras.&lt;/p&gt;&lt;p&gt;Long&apos;s work was honored with Oberlin College &amp;amp; Conservatory&apos;s Excellence in Teaching Award for the 2021-22 academic year.&lt;br /&gt;&lt;br /&gt;Check out the articles mentioned in the show by following the links below: &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://historyofmusictheory.wordpress.com/2022/08/26/this-is-your-brain-on-hexachordal-solmization/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;Your Brain On Hexichordal Solmization&lt;/em&gt;&lt;/a&gt;&lt;em&gt; &lt;br /&gt; &lt;br /&gt;&lt;/em&gt;&lt;a href=&quot;https://academic.oup.com/mts/advance-article/doi/10.1093/mts/mtad010/7225393?utm_source=authortollfreelink&amp;amp;utm_campaign=mts&amp;amp;utm_medium=email&amp;amp;guestAccessKey=9d78a33b-8763-47f5-a336-d38f3b503e5c&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;Hexachordal Solmization and Syllable-Invariant Counterpoint in the Vocal Music of William Byrd&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Rebecca Cypess&apos;s article on &quot;thin notation&quot;: &lt;a href=&quot;https://www.earlymusicamerica.org/web-articles/translation-and-the-ideas-of-early-music/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.earlymusicamerica.org/web-articles/translation-and-the-ideas-of-early-music/&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Recording of William Byrd&apos;s &lt;a href=&quot;https://www.youtube.com/watch?v=Jyn0eLCsMmA&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;em&gt;Come Woeful Orpheus&lt;/em&gt;&lt;/a&gt; by The Sixteen found on YouTube. &lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:10:48</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 64: Your Brain On What? | Professor Megan Long</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 24: The Andrew Special | They Used All the Notes]]></title><description><![CDATA[<p>How do you say something new when everything's been said. On this months edition of the Andrew Special, we dive into "waves of saturation" and how humans tend to create something new when it seems as though there's nothing left to say. <br /><br />https://andrewmaxfield.org<br /><br />www.soundofageschoir.com<br /><br />Audio Credit: 30 second clip of Spem in Alium by Thomas Tallis (Performed by The Tallis Scholars)<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-8406092</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 26 Apr 2021 13:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="41478626" type="audio/mpeg"/><itunes:summary>&lt;p&gt;How do you say something new when everything&apos;s been said. On this months edition of the Andrew Special, we dive into &quot;waves of saturation&quot; and how humans tend to create something new when it seems as though there&apos;s nothing left to say. &lt;br /&gt;&lt;br /&gt;https://andrewmaxfield.org&lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com&lt;br /&gt;&lt;br /&gt;Audio Credit: 30 second clip of Spem in Alium by Thomas Tallis (Performed by The Tallis Scholars)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:57:34</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 24: The Andrew Special | They Used All the Notes</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 9: Dividing the Sexes, Suzi Digby, Single-Sex Repertoire]]></title><description><![CDATA[<p>Today we examine some research on the battle of the sexes; arguments for dividing choirs by sex in adolescent singing, I have an interview with Suzi Digby, the conductor of the ORA Singers, based out of London, and we'll take a look at some Renaissance music written for single-sex ensembles. <br /><br /><a href="https://www.soundofageschoir.com/blog" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/blog</a><br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-6465304</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 14 Dec 2020 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="49590515" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we examine some research on the battle of the sexes; arguments for dividing choirs by sex in adolescent singing, I have an interview with Suzi Digby, the conductor of the ORA Singers, based out of London, and we&apos;ll take a look at some Renaissance music written for single-sex ensembles. &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/blog&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/blog&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:08:50</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 9: Dividing the Sexes, Suzi Digby, Single-Sex Repertoire</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 41: The Triumphs of Oriana | Michael East]]></title><description><![CDATA[<p>Today we talk about the Triumphs of Oriana, a collection of Madrigals, a little bit about Michael East, who nobody's heard of, and if you haven't heard of the Triumphs of Oriana, have you been living under a stupid rock? <br /><br />www.soundofageschoir.com/podcast<br /><br />Check out the video of the performance:<br />https://youtu.be/yRSW1j0yWh4<br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-9307240</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 04 Oct 2021 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/77c320096a1ff5c7c79e3daac25c58cb7eb852070bc1dc01cc473a9d91861e10/eyJlcGlzb2RlSWQiOiJkYmY5NmNhYi0zM2M5LTQ2YmYtOWRiNi1iNDI1MjBhYzVhYWIiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvZGJmOTZjYWItMzNjOS00NmJmLTlkYjYtYjQyNTIwYWM1YWFiLzkzMDcyNDAtZW1tLTQxLXRoZS10cml1bXBocy1vZi1vcmlhbmEtbWljaGFlbC1lYXN0Lm1wMyJ9.mp3" length="18006651" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we talk about the Triumphs of Oriana, a collection of Madrigals, a little bit about Michael East, who nobody&apos;s heard of, and if you haven&apos;t heard of the Triumphs of Oriana, have you been living under a stupid rock? &lt;br /&gt;&lt;br /&gt;www.soundofageschoir.com/podcast&lt;br /&gt;&lt;br /&gt;Check out the video of the performance:&lt;br /&gt;https://youtu.be/yRSW1j0yWh4&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:24:58</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:title>EMM 41: The Triumphs of Oriana | Michael East</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[EMM 1: My Story, Palestrina]]></title><description><![CDATA[<p>My career path into choral music is a little bit unusual and it explains a lot about why historical music is something I'm so passionate about and a Composer Profile on perhaps the most iconic composer of the Renaissance: Giovanni Pierluigi da Palestrina. <br /><br /><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-5345677</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Tue, 08 Sep 2020 14:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/b2a837ed5fe463c8c01a3db154d1c21dce4eb12bfd11d8a835b3e0f31f265bc1/eyJlcGlzb2RlSWQiOiI3ZDk3NDFjMy00YjZlLTRjM2UtYTc3OC0wMzNiYzI1MDQyNzAiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvN2Q5NzQxYzMtNGI2ZS00YzNlLWE3NzgtMDMzYmMyNTA0MjcwLzUzNDU2NzctZW1tLTEtbXktc3RvcnktcGFsZXN0cmluYS5tcDMifQ==.mp3" length="23819515" type="audio/mpeg"/><itunes:summary>&lt;p&gt;My career path into choral music is a little bit unusual and it explains a lot about why historical music is something I&apos;m so passionate about and a Composer Profile on perhaps the most iconic composer of the Renaissance: Giovanni Pierluigi da Palestrina. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:33:02</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:episode>1</itunes:episode><itunes:title>EMM 1: My Story, Palestrina</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Wind, Water, Stone Album Introduction]]></title><description><![CDATA[<p>Sound of Ages next album, <em>Wind, Water, Stone</em> will be released on May 22, 2026. The album is a collection of individual works by composer in residence Andrew Maxfield. Join us for the introduction to the album as we talk over the bit picture, the project genesis, stylistic approach, etc.</p><p>The album will be released by Navona records on all major streaming platforms on May 22, 2026. </p><p><a href="https://www.soundofageschoir.com/recordings" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/recordings</a></p><p><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-18958329</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 06 Apr 2026 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/814b411b5120c205948ec7d983a0b4675ed7bd6385e7c6f0170957f27d9ab0a9/eyJlcGlzb2RlSWQiOiI3NmU1ZmM0OS0zYzI0LTQzOWUtYTc5Ny04YjQ1NTVmYzFhZmIiLCJwb2RjYXN0SWQiOiI1MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAiLCJhY2NvdW50SWQiOiI2NGYwY2I4MzA4ODgzOWM2OTZkNDM0NzUiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy81MGM2OGRlZi1lYzdjLTRkNGYtYTdiYi04NTAyYjcyNjk3NTAvZXBpc29kZXMvNzZlNWZjNDktM2MyNC00MzllLWE3OTctOGI0NTU1ZmMxYWZiLzE4OTU4MzI5LXdpbmQtd2F0ZXItc3RvbmUtYWxidW0taW50cm9kdWN0aW9uLm1wMyJ9.mp3" length="19355267" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Sound of Ages next album, &lt;em&gt;Wind, Water, Stone&lt;/em&gt; will be released on May 22, 2026. The album is a collection of individual works by composer in residence Andrew Maxfield. Join us for the introduction to the album as we talk over the bit picture, the project genesis, stylistic approach, etc.&lt;/p&gt;&lt;p&gt;The album will be released by Navona records on all major streaming platforms on May 22, 2026. &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.soundofageschoir.com/recordings&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/recordings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:26:47</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:season>1</itunes:season><itunes:episode>2</itunes:episode><itunes:title>Wind, Water, Stone Album Introduction</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Dumpster Candy or Brilliant Simplicity? | The Lord of Glory Is My Light]]></title><description><![CDATA[<p>Writing "simple" music can be rather complex and requires a lot of thought, craft, and discipline. The Lord of Glory Is My Light represents Andrew Maxfield's disciple and commitment to craft. This piece is the next track that will appear on Sound of Ages upcoming album Wind, Water, Stone, release date May 22, 2026. <br /><br /></p><p>Watch the <a href="https://youtu.be/3GTbXA-DjDk" rel="noopener noreferrer nofollow">video</a> version!</p><p>#soundofages</p><p><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">soundofageschoir.com</a></p>]]></description><guid isPermaLink="false">Buzzsprout-19145981</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 11 May 2026 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="35922819" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Writing &quot;simple&quot; music can be rather complex and requires a lot of thought, craft, and discipline. The Lord of Glory Is My Light represents Andrew Maxfield&apos;s disciple and commitment to craft. This piece is the next track that will appear on Sound of Ages upcoming album Wind, Water, Stone, release date May 22, 2026. &lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Watch the &lt;a href=&quot;https://youtu.be/3GTbXA-DjDk&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;video&lt;/a&gt; version!&lt;/p&gt;&lt;p&gt;#soundofages&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;soundofageschoir.com&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:49:48</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:season>1</itunes:season><itunes:episode>7</itunes:episode><itunes:title>Dumpster Candy or Brilliant Simplicity? | The Lord of Glory Is My Light</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Jazz in Utah Better Than Our Basketball... | Nunc dimittis]]></title><description><![CDATA[<p>In this episode, we dig into Drew's matrix of analysis that provides a framework for to categorizing and analyzing music in unconventional, but extremely useful ways. We use this framework to dissect his setting of the <em>Nunc dimittis</em>, a supremely jazzy composition that explores the boundaries between "song" and "composition," (however you define those terms). Watch the video version <a href="https://youtu.be/GLUF_8EveY4" rel="noopener noreferrer nofollow"><b>here.</b></a> </p><p><br /></p><p>Reserve your seat at the Sound of Ages Season Retrospective Concert on May 29th by visiting <a href="https://www.soundofageschoir.com/events" rel="noopener noreferrer nofollow">soundofageschoir.com/events</a></p>]]></description><guid isPermaLink="false">Buzzsprout-19100120</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 04 May 2026 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="44297127" type="audio/mpeg"/><itunes:summary>&lt;p&gt;In this episode, we dig into Drew&apos;s matrix of analysis that provides a framework for to categorizing and analyzing music in unconventional, but extremely useful ways. We use this framework to dissect his setting of the &lt;em&gt;Nunc dimittis&lt;/em&gt;, a supremely jazzy composition that explores the boundaries between &quot;song&quot; and &quot;composition,&quot; (however you define those terms). Watch the video version &lt;a href=&quot;https://youtu.be/GLUF_8EveY4&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;&lt;b&gt;here.&lt;/b&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;Reserve your seat at the Sound of Ages Season Retrospective Concert on May 29th by visiting &lt;a href=&quot;https://www.soundofageschoir.com/events&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;soundofageschoir.com/events&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:01:26</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:season>1</itunes:season><itunes:episode>6</itunes:episode><itunes:title>Jazz in Utah Better Than Our Basketball... | Nunc dimittis</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Loop Pedal Canons | A Deep Dive Into Andrew Maxfield's Magnificat]]></title><description><![CDATA[<p>When evensong canticles, vocal consort singing, electric guitar, and loop pedal canons combine, you get Andrew Maxfield's setting of the <em>Magnificat</em>, a track being released on SOA's upcoming album <em>Wind, Water, Stone</em> on May 22, 2026 by #novonarecords. <br /><br /><a href="https://www.soundofageschoir.com/wind-water-stone" rel="noopener noreferrer nofollow">https://www.soundofageschoir.com/wind-water-stone</a></p><p>Watch the video version <a href="https://youtu.be/hPLMIVVI-0M" rel="noopener noreferrer nofollow">here!</a></p>]]></description><guid isPermaLink="false">Buzzsprout-19091382</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Tue, 28 Apr 2026 17:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="72305318" type="audio/mpeg"/><itunes:summary>&lt;p&gt;When evensong canticles, vocal consort singing, electric guitar, and loop pedal canons combine, you get Andrew Maxfield&apos;s setting of the &lt;em&gt;Magnificat&lt;/em&gt;, a track being released on SOA&apos;s upcoming album &lt;em&gt;Wind, Water, Stone&lt;/em&gt; on May 22, 2026 by #novonarecords. &lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;https://www.soundofageschoir.com/wind-water-stone&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;https://www.soundofageschoir.com/wind-water-stone&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Watch the video version &lt;a href=&quot;https://youtu.be/hPLMIVVI-0M&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;here!&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>01:40:20</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:season>1</itunes:season><itunes:episode>5</itunes:episode><itunes:title>Loop Pedal Canons | A Deep Dive Into Andrew Maxfield&apos;s Magnificat</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Ancient & Modern Collide | O Oriens  | With Andrew Maxfield]]></title><description><![CDATA[<p>Today we take a deep dive into track 2 of Sound of Ages upcoming album <em>Wind, Water, Stone: O Oriens</em>. This ancient chant melody is masterfully woven into contemporary textures and harmonies by composer in residence Andrew Maxfield. We discuss elements of the piece, philosophical approaches, specific passages, and calling back to ancient techniques. </p><p><a href="https://www.soundofageschoir.com/" rel="noopener noreferrer nofollow">soundofageschoir.com</a></p><p><br /></p>]]></description><guid isPermaLink="false">Buzzsprout-18985100</guid><dc:creator><![CDATA[Kameron Kavanaugh]]></dc:creator><pubDate>Mon, 20 Apr 2026 11:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-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.mp3" length="36941257" type="audio/mpeg"/><itunes:summary>&lt;p&gt;Today we take a deep dive into track 2 of Sound of Ages upcoming album &lt;em&gt;Wind, Water, Stone: O Oriens&lt;/em&gt;. This ancient chant melody is masterfully woven into contemporary textures and harmonies by composer in residence Andrew Maxfield. We discuss elements of the piece, philosophical approaches, specific passages, and calling back to ancient techniques. &lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.soundofageschoir.com/&quot; rel=&quot;noopener noreferrer nofollow&quot;&gt;soundofageschoir.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:51:13</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/50c68def-ec7c-4d4f-a7bb-8502b7269750/6sap3r7u4gv3h4san9egriy504lo.jpg"/><itunes:season>1</itunes:season><itunes:episode>4</itunes:episode><itunes:title>Ancient &amp; Modern Collide | O Oriens  | With Andrew Maxfield</itunes:title><itunes:episodeType>full</itunes:episodeType></item></channel></rss>