<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:psc="http://podlove.org/simple-chapters" xmlns:podcast="https://podcastindex.org/namespace/1.0"><channel><title><![CDATA[The Collector's Corner]]></title><description><![CDATA[Have you ever looked at an artwork and wondered, "Could I own something like that?" Welcome to "The Collector's Corner" – your insider guide to the elusive world of art collecting.

Every two weeks, Antonia Piersanti - an art lover and aspiring collector - sits down with passionate collectors from all walks of life to learn about their love for art, their approach to collecting, and their advice for those starting out. 

Whether you’re an expert or new to the art world, subscribe and follow to discover the personal journeys behind collecting, and get inspired to start building your own collection with confidence.]]></description><link>https://riverside.com</link><generator>Riverside.fm (https://riverside.com)</generator><lastBuildDate>Tue, 28 Jul 2026 16:06:50 GMT</lastBuildDate><atom:link href="https://api.riverside.com/hosting/HkA6RhBN.rss" rel="self" type="application/rss+xml"/><author><![CDATA[Antonia Piersanti]]></author><pubDate>Wed, 08 Jul 2026 09:36:48 GMT</pubDate><copyright><![CDATA[2026 Antonia Piersanti]]></copyright><language><![CDATA[en]]></language><ttl>60</ttl><category><![CDATA[Arts]]></category><category><![CDATA[Education]]></category><itunes:author>Antonia Piersanti</itunes:author><itunes:summary>Have you ever looked at an artwork and wondered, &quot;Could I own something like that?&quot; Welcome to &quot;The Collector&apos;s Corner&quot; – your insider guide to the elusive world of art collecting.

Every two weeks, Antonia Piersanti - an art lover and aspiring collector - sits down with passionate collectors from all walks of life to learn about their love for art, their approach to collecting, and their advice for those starting out. 

Whether you’re an expert or new to the art world, subscribe and follow to discover the personal journeys behind collecting, and get inspired to start building your own collection with confidence.</itunes:summary><itunes:type>serial</itunes:type><itunes:owner><itunes:name>Antonia Piersanti</itunes:name><itunes:email>antonia.piersanti@gmail.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:category text="Arts"/><itunes:category text="Education"/><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/d708aafe-10c0-435f-924c-b33e8894521a.jpg"/><item><title><![CDATA[Building a Museum-Grade Collection Without an Art Advisor with Jorg Rozier]]></title><description><![CDATA[<p>When <a rel="noopener noreferrer nofollow" href="https://www.instagram.com/jorgrozier/" target="_blank">Jorg Rozier</a> first reached out to tell me he had found a method that systematically allowed him to identify how an artist's trajectory was evolving within the art canon, I was obviously intrigued. He'd decided to put his model (yes, as in Excel model) into a book so that more collectors could use it. That book is The Canon Index, and that's how today's interview came about.</p><p></p><p>Jorg's collection, in his own words, is built around one idea: a fight. The model he developed to build it is grounded in a peer-reviewed study published in Science in 2018, accessible to anyone, for free. But when I read his book, I was disconcerted. The contrast between the elusiveness most people perceive from the art market and the analytical lens this research provides felt like finding out about something I shouldn't know. And Jorg chose to apply it systematically to achieve his dream: building, within his means, a museum-grade collection.</p><p></p><p>In our conversation we talk about how the model works, why auction might be the single best place for new collectors to buy, and why despite all of this, good art advisors will never be out of a job.</p><p></p><p><i>Note</i>: the Fraiberger et al. paper referenced in this episode was published in Science in 2018, not 2016 as stated during the conversation.</p><p></p><p>Artist references:</p><ul><li><a rel="noopener noreferrer nofollow" href="https://genetics.bwh.harvard.edu/courses/Biophysics205/Papers/All_papers/Fraiberger_2018.pdf" target="_blank">Fraiberger et al. — Quantifying Reputation and Success in Art</a></li><li><a rel="noopener noreferrer nofollow" href="https://www.kunstmuseum.nl/en/exhibitions/anton-heyboer" target="_blank">Anton Heyboer</a></li><li><a rel="noopener noreferrer nofollow" href="https://www.whitecube.com/artists/sergej-jensen" target="_blank">Sergej Jensen</a></li><li><a rel="noopener noreferrer nofollow" href="https://spruethmagers.com/artists/david-ostrowski/" target="_blank">David Ostrowski</a></li><li><a rel="noopener noreferrer nofollow" href="https://www.davidzwirner.com/artists/josh-smith" target="_blank">Josh Smith</a></li><li><a rel="noopener noreferrer nofollow" href="https://www.saatchigallery.com/artist/barnaby_furnas" target="_blank">Barnaby Furnas  </a></li><li><a rel="noopener noreferrer nofollow" href="https://spruethmagers.com/artists/pamela-rosenkranz/" target="_blank">Pamela Rosenkranz</a></li><li><a rel="noopener noreferrer nofollow" href="https://gagosian.com/artists/richard-serra/" target="_blank">Richard Serra</a></li><li><a rel="noopener noreferrer nofollow" href="https://www.hauserwirth.com/artists/2837-takesada-matsutani/" target="_blank">Takesda Matsutani</a></li><li><a rel="noopener noreferrer nofollow" href="https://www.davidzwirner.com/artists/marcel-dzama" target="_blank">Marcel Dzama</a></li><li><a rel="noopener noreferrer nofollow" href="https://www.maxhetzler.com/artists/kaws" target="_blank">Kaws</a></li><li><a rel="noopener noreferrer nofollow" href="https://www.alecmonopoly.com/" target="_blank">Alec Monopoly</a></li><li><a rel="noopener noreferrer nofollow" href="https://josephklibansky.com/artworks" target="_blank">Joseph Klibansky</a></li><li><a rel="noopener noreferrer nofollow" href="https://www.retna.com/" target="_blank">Retna</a></li><li><a rel="noopener noreferrer nofollow" href="https://spruethmagers.com/artists/anne-imhof/" target="_blank">Daniel Arsham</a></li><li><a rel="noopener noreferrer nofollow" href="https://spruethmagers.com/artists/anne-imhof/" target="_blank">Anne Imhof</a></li><li><a rel="noopener noreferrer nofollow" href="https://www.christies.com/auction/the-rosa-de-la-cruz-collection-evening-sale-23579-nyr" target="_blank">Rosa de la Cruz Collection</a></li></ul>]]></description><guid isPermaLink="false">189ea558-3531-4524-9414-e179c70543af</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 15 Jul 2026 05:30:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/eacb7dbe0d5ea3edaa5725e256a7e59d242529cebb520908c0fd5aaea9d623ee/eyJlcGlzb2RlSWQiOiIxODllYTU1OC0zNTMxLTQ1MjQtOTQxNC1lMTc5YzcwNTQzYWYiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvY2xpcHMvNmE0ZTM5OTJkNWFlNzEyOWI0MjM5MTZlL2FudG9uaWEtcGllcnNhbnRpcy1zdHVkaW8tY29tcG9zZXItMjAyNi03LThfXzEzLTUwLTQxLm1wMyJ9.mp3" length="89903168" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/189ea558-3531-4524-9414-e179c70543af/transcripts.txt" type="text/plain"/><itunes:summary>&lt;p&gt;When &lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.instagram.com/jorgrozier/&quot; target=&quot;_blank&quot;&gt;Jorg Rozier&lt;/a&gt; first reached out to tell me he had found a method that systematically allowed him to identify how an artist&apos;s trajectory was evolving within the art canon, I was obviously intrigued. He&apos;d decided to put his model (yes, as in Excel model) into a book so that more collectors could use it. That book is The Canon Index, and that&apos;s how today&apos;s interview came about.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Jorg&apos;s collection, in his own words, is built around one idea: a fight. The model he developed to build it is grounded in a peer-reviewed study published in Science in 2018, accessible to anyone, for free. But when I read his book, I was disconcerted. The contrast between the elusiveness most people perceive from the art market and the analytical lens this research provides felt like finding out about something I shouldn&apos;t know. And Jorg chose to apply it systematically to achieve his dream: building, within his means, a museum-grade collection.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;In our conversation we talk about how the model works, why auction might be the single best place for new collectors to buy, and why despite all of this, good art advisors will never be out of a job.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;Note&lt;/i&gt;: the Fraiberger et al. paper referenced in this episode was published in Science in 2018, not 2016 as stated during the conversation.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Artist references:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://genetics.bwh.harvard.edu/courses/Biophysics205/Papers/All_papers/Fraiberger_2018.pdf&quot; target=&quot;_blank&quot;&gt;Fraiberger et al. — Quantifying Reputation and Success in Art&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.kunstmuseum.nl/en/exhibitions/anton-heyboer&quot; target=&quot;_blank&quot;&gt;Anton Heyboer&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.whitecube.com/artists/sergej-jensen&quot; target=&quot;_blank&quot;&gt;Sergej Jensen&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://spruethmagers.com/artists/david-ostrowski/&quot; target=&quot;_blank&quot;&gt;David Ostrowski&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.davidzwirner.com/artists/josh-smith&quot; target=&quot;_blank&quot;&gt;Josh Smith&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.saatchigallery.com/artist/barnaby_furnas&quot; target=&quot;_blank&quot;&gt;Barnaby Furnas  &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://spruethmagers.com/artists/pamela-rosenkranz/&quot; target=&quot;_blank&quot;&gt;Pamela Rosenkranz&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://gagosian.com/artists/richard-serra/&quot; target=&quot;_blank&quot;&gt;Richard Serra&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.hauserwirth.com/artists/2837-takesada-matsutani/&quot; target=&quot;_blank&quot;&gt;Takesda Matsutani&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.davidzwirner.com/artists/marcel-dzama&quot; target=&quot;_blank&quot;&gt;Marcel Dzama&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.maxhetzler.com/artists/kaws&quot; target=&quot;_blank&quot;&gt;Kaws&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.alecmonopoly.com/&quot; target=&quot;_blank&quot;&gt;Alec Monopoly&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://josephklibansky.com/artworks&quot; target=&quot;_blank&quot;&gt;Joseph Klibansky&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.retna.com/&quot; target=&quot;_blank&quot;&gt;Retna&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://spruethmagers.com/artists/anne-imhof/&quot; target=&quot;_blank&quot;&gt;Daniel Arsham&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://spruethmagers.com/artists/anne-imhof/&quot; target=&quot;_blank&quot;&gt;Anne Imhof&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel=&quot;noopener noreferrer nofollow&quot; href=&quot;https://www.christies.com/auction/the-rosa-de-la-cruz-collection-evening-sale-23579-nyr&quot; target=&quot;_blank&quot;&gt;Rosa de la Cruz Collection&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;</itunes:summary><itunes:explicit>no</itunes:explicit><itunes:duration>00:46:49</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/189ea558-3531-4524-9414-e179c70543af/images/7e1871e2-7f62-4d88-9040-63ac75b231e2.png"/><itunes:season>1</itunes:season><itunes:title>Building a Museum-Grade Collection Without an Art Advisor with Jorg Rozier</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Why collecting art is like playing tennis with Tobias Gombert]]></title><description><![CDATA[<p>Today I am speaking with Tobias Gombert at his Berlin home, where he keeps part of his art collection.</p><p>Tobias doesn't come from a collecting family, but he started developing his taste at a young age, growing up in Basel at the time where Art Basel started internationalising. Tobias quickly understood the importance of surrounding himself with mentors who taught him how to look at art and guided him through the art world. The inspiration and knowledge he gathered gave him the confidence to launch on his own collecting journey.</p><p>Tobias is a perfect example of the new generation of young collectors that are taking centre stage today. He has developed tight relationships with artists, galleries and institutions he values, and has a clear opinion on what it will take for today’s art world players to remain relevant in a shifting art market.</p><p>My conversation with Tobias was fascinating and I hope you enjoy it as much as I did!</p><p>Artists and art references Tobias mentions:</p><ul><li><a href="fondationbeyeler.ch" rel="noopener noreferrer nofollow" target="_blank">Foundation Beyeler</a></li><li><a href="https://galerieneu.net/artist/kai+althoff" rel="noopener noreferrer nofollow" target="_blank">Kai Althoff</a></li><li><a href="https://christianawe.com/" rel="noopener noreferrer nofollow" target="_blank">Christian Awe</a></li><li><a href="https://de.wikipedia.org/wiki/Sam_Keller" rel="noopener noreferrer nofollow" target="_blank">Sam Keller</a>, former director of Art Basel</li><li><a href="https://en.wikipedia.org/wiki/Man_Ray" rel="noopener noreferrer nofollow" target="_blank">ManRay</a></li><li><a href="https://staedelschule.de/en" rel="noopener noreferrer nofollow" target="_blank">Staedelschule</a></li><li><a href="https://en.wikipedia.org/wiki/Informalism" rel="noopener noreferrer nofollow" target="_blank">Art Informel</a></li><li><a href="https://www.instagram.com/anne_imhof/" rel="noopener noreferrer nofollow" target="_blank">Anne Imhof</a></li><li><a href="https://www.smb.museum/museen-einrichtungen/neue-nationalgalerie/home/" rel="noopener noreferrer nofollow" target="_blank">Neue Nationalgalerie Berlin</a></li><li><a href="https://www.smb.museum/en/museums-institutions/hamburger-bahnhof/home/" rel="noopener noreferrer nofollow" target="_blank">Hamburger Bahnhof Berlin</a></li><li><a href="https://www.kw-berlin.de/en/" rel="noopener noreferrer nofollow" target="_blank">KW Institute for Contemporary Art Berlin</a></li><li><a href="https://hausamwaldsee.de/" rel="noopener noreferrer nofollow" target="_blank">Haus am Waldsee Berlin</a></li><li><a href="https://www.simon-lehner.com/" rel="noopener noreferrer nofollow" target="_blank">Simon Lehner</a></li><li><a href="https://www.instagram.com/wilhelmschuermann" rel="noopener noreferrer nofollow" target="_blank">Wilhelm Schuermann</a></li></ul><p></p><p></p><p>***</p><p>Would love to hear your thoughts &amp; feedback!</p><p>On social media <a href="collectors_corner_" rel="noopener noreferrer nofollow" target="_blank">⁠⁠@collectors_corner_⁠⁠</a>or via email on the website <a href="https://www.thecollectorscornerpodcast.com/" rel="noopener noreferrer nofollow" target="_blank">⁠⁠thecollectorscornerpodcast.com/⁠</a></p>]]></description><guid isPermaLink="false">6d441b8a-9405-46c7-a1f4-8532341f8f54</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 01 Oct 2025 05:04:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/9c4d2c5d65ea69e2939b565a6d4258c50e8505097363eaabd07692aaa5c67524/eyJlcGlzb2RlSWQiOiI4MDE1MGZmOC05NTQzLTQ3MjItYmU4NS02MTRjZGU1OTQ4NjMiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvODAxNTBmZjgtOTU0My00NzIyLWJlODUtNjE0Y2RlNTk0ODYzLzZkNDQxYjhhLTk0MDUtNDZjNy1hMWY0LTg1MzIzNDFmOGY1NC5tcDMifQ==.mp3" length="46343193" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/80150ff8-9543-4722-be85-614cde594863/6d441b8a-9405-46c7-a1f4-8532341f8f54.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Today I am speaking with Tobias Gombert at his Berlin home, where he keeps part of his art collection.&lt;/p&gt;&lt;p&gt;Tobias doesn&apos;t come from a collecting family, but he started developing his taste at a young age, growing up in Basel at the time where Art Basel started internationalising. Tobias quickly understood the importance of surrounding himself with mentors who taught him how to look at art and guided him through the art world. The inspiration and knowledge he gathered gave him the confidence to launch on his own collecting journey.&lt;/p&gt;&lt;p&gt;Tobias is a perfect example of the new generation of young collectors that are taking centre stage today. He has developed tight relationships with artists, galleries and institutions he values, and has a clear opinion on what it will take for today’s art world players to remain relevant in a shifting art market.&lt;/p&gt;&lt;p&gt;My conversation with Tobias was fascinating and I hope you enjoy it as much as I did!&lt;/p&gt;&lt;p&gt;Artists and art references Tobias mentions:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;fondationbeyeler.ch&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Foundation Beyeler&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://galerieneu.net/artist/kai+althoff&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Kai Althoff&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://christianawe.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Christian Awe&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://de.wikipedia.org/wiki/Sam_Keller&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Sam Keller&lt;/a&gt;, former director of Art Basel&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Man_Ray&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;ManRay&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://staedelschule.de/en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Staedelschule&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Informalism&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Art Informel&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/anne_imhof/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Anne Imhof&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.smb.museum/museen-einrichtungen/neue-nationalgalerie/home/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Neue Nationalgalerie Berlin&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.smb.museum/en/museums-institutions/hamburger-bahnhof/home/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Hamburger Bahnhof Berlin&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.kw-berlin.de/en/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;KW Institute for Contemporary Art Berlin&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://hausamwaldsee.de/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Haus am Waldsee Berlin&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.simon-lehner.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Simon Lehner&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/wilhelmschuermann&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Wilhelm Schuermann&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;***&lt;/p&gt;&lt;p&gt;Would love to hear your thoughts &amp;amp; feedback!&lt;/p&gt;&lt;p&gt;On social media &lt;a href=&quot;collectors_corner_&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠@collectors_corner_⁠⁠&lt;/a&gt;or via email on the website &lt;a href=&quot;https://www.thecollectorscornerpodcast.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠thecollectorscornerpodcast.com/⁠&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:48:16</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/80150ff8-9543-4722-be85-614cde594863/6d441b8a-9405-46c7-a1f4-8532341f8f54.jpg"/><itunes:title>Why collecting art is like playing tennis with Tobias Gombert</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[The Art of Trusting Someone Else's Eye with Régis Decour & Yana Kotina]]></title><description><![CDATA[<p><span>I’ve always been intrigued by art advisors. Who are they, what do they do, why and how does one become one and what is their role in the ecosystem? I’ve encountered multiple and they all seem to define their work in a very unique way. So in an attempt to get my questions answered I decided to do a joint interview, an art collector and their advisor.</span></p><p><span>Back in Paris I sat down with Régis Decour - an entrepreneur with no formal art background who started collecting at age 19 - and Yana Kotina (</span><a href="https://www.instagram.com/kartadvisory/" rel="noopener noreferrer nofollow" target="_blank">@kartadvisory</a><span>), his art advisor, who works across contemporary and modern art with both new and seasoned collectors. </span></p><p><span>Régis and Yana’s friendship evolved into a professional collaboration, built on 6 years of talking about art, visiting studios and exchanging on artists and which opened doors to new markets, new geographies, new mediums that Régis wouldn't encounter on his own.</span></p><p><span>This episode is about what it actually looks like to work with an advisor for Régis and Yana of course but also more broadly: how the dynamic works in practice and how it can wildly differ, how independence is maintained, and how you get paid. </span></p><p><span>So I’ll stop here and leave you to enjoy my conversation with Regis Decour and Yana Kotina </span></p><p>References from the episode:</p><ul><li><a href="https://derouillon.com/artists/shuo-hao" rel="noopener noreferrer nofollow" target="_blank">Shuo Hao</a><span> </span></li><li><a href="https://www.instagram.com/leonardbeaubourg/" rel="noopener noreferrer nofollow" target="_blank">Leonard Bourgois Beaulieu</a></li><li><a href="https://www.nika-projects.com/artists/alexander-ugay" rel="noopener noreferrer nofollow" target="_blank">Alexander Ugay</a></li><li><a href="https://poush.fr/fr" rel="noopener noreferrer nofollow" target="_blank">Poush</a></li><li><a href="https://www.instagram.com/thomasdevaux/" rel="noopener noreferrer nofollow" target="_blank">Thomas Devaux</a></li><li><a href="https://charlesrivacollection.com/artists/336-reena-spaulings/" rel="noopener noreferrer nofollow" target="_blank">Reena Spaulings</a></li><li><a href="https://www.paris-b.com/fr/artiste/francois-malingrey/" rel="noopener noreferrer nofollow" target="_blank">François Malingrey </a></li><li><a href="https://www.paris-b.com/" rel="noopener noreferrer nofollow" target="_blank">Paris B Gallery</a><span> </span></li><li><a href="https://www.instagram.com/philippe_ramette/" rel="noopener noreferrer nofollow" target="_blank">Philippe Ramette </a></li><li><a href="https://sayanbaigaliyev.com/ABOUT" rel="noopener noreferrer nofollow" target="_blank">Sayan Baigaliyev</a></li><li><a href="https://www.michaelwerner.com/artists/peter-doig" rel="noopener noreferrer nofollow" target="_blank">Peter Doig</a></li><li><a href="https://galeriepact.com/artists/nipon-jean/" rel="noopener noreferrer nofollow" target="_blank">Jean Nipon</a></li><li><a href="https://www.sothebys.com/en/series/collection-of-jean-terry-de-gunzburg-design-masters" rel="noopener noreferrer nofollow" target="_blank">Jean and Terry de Gunzburg</a></li></ul><p></p><p>Follow the podcast to see the guests' collections at <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">⁠@collectors_corner_⁠</a> !</p>]]></description><guid isPermaLink="false">3859bdef-ba59-4b62-9beb-a7ddcf19da04</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 22 Apr 2026 05:01:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/7c6658ee4593f5f333bb04afb785b19cb0487629f6d1eedb4d9e40ec7530a8b9/eyJlcGlzb2RlSWQiOiJjMWIzZGI0MC04OTdkLTQ1MDgtYWNjOC0zYjI3NTk0ZDgyYzUiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvYzFiM2RiNDAtODk3ZC00NTA4LWFjYzgtM2IyNzU5NGQ4MmM1LzM4NTliZGVmLWJhNTktNGI2Mi05YmViLWE3ZGRjZjE5ZGEwNC5tcDMifQ==.mp3" length="53235620" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/c1b3db40-897d-4508-acc8-3b27594d82c5/3859bdef-ba59-4b62-9beb-a7ddcf19da04.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;&lt;span&gt;I’ve always been intrigued by art advisors. Who are they, what do they do, why and how does one become one and what is their role in the ecosystem? I’ve encountered multiple and they all seem to define their work in a very unique way. So in an attempt to get my questions answered I decided to do a joint interview, an art collector and their advisor.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Back in Paris I sat down with Régis Decour - an entrepreneur with no formal art background who started collecting at age 19 - and Yana Kotina (&lt;/span&gt;&lt;a href=&quot;https://www.instagram.com/kartadvisory/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@kartadvisory&lt;/a&gt;&lt;span&gt;), his art advisor, who works across contemporary and modern art with both new and seasoned collectors. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Régis and Yana’s friendship evolved into a professional collaboration, built on 6 years of talking about art, visiting studios and exchanging on artists and which opened doors to new markets, new geographies, new mediums that Régis wouldn&apos;t encounter on his own.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;This episode is about what it actually looks like to work with an advisor for Régis and Yana of course but also more broadly: how the dynamic works in practice and how it can wildly differ, how independence is maintained, and how you get paid. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;So I’ll stop here and leave you to enjoy my conversation with Regis Decour and Yana Kotina &lt;/span&gt;&lt;/p&gt;&lt;p&gt;References from the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://derouillon.com/artists/shuo-hao&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Shuo Hao&lt;/a&gt;&lt;span&gt; &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/leonardbeaubourg/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Leonard Bourgois Beaulieu&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.nika-projects.com/artists/alexander-ugay&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Alexander Ugay&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://poush.fr/fr&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Poush&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/thomasdevaux/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Thomas Devaux&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://charlesrivacollection.com/artists/336-reena-spaulings/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Reena Spaulings&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.paris-b.com/fr/artiste/francois-malingrey/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;François Malingrey &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.paris-b.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Paris B Gallery&lt;/a&gt;&lt;span&gt; &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/philippe_ramette/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Philippe Ramette &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://sayanbaigaliyev.com/ABOUT&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Sayan Baigaliyev&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.michaelwerner.com/artists/peter-doig&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Peter Doig&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://galeriepact.com/artists/nipon-jean/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jean Nipon&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.sothebys.com/en/series/collection-of-jean-terry-de-gunzburg-design-masters&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jean and Terry de Gunzburg&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Follow the podcast to see the guests&apos; collections at &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠@collectors_corner_⁠&lt;/a&gt; !&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:55:27</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/c1b3db40-897d-4508-acc8-3b27594d82c5/3859bdef-ba59-4b62-9beb-a7ddcf19da04.jpg"/><itunes:title>The Art of Trusting Someone Else&apos;s Eye with Régis Decour &amp; Yana Kotina</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[How Rachel Verghis Made Art Her Business]]></title><description><![CDATA[<p>Today I am very happy to have Rachel Verghis on the podcast - one of the first guests I had on my radar when the idea of the podcast started coming to fruition, and I’m grateful she opened up so generously about her story and her passion for bringing art to as many people as possible.</p><p>Based in London, Rachel is a former investment banker who found her calling in art and collecting. Without any formal art education, her journey began after taking a sabbatical to volunteer at a Sydney gallery followed by a brief stint at Sotheby's. Today, Rachel balances her time between running her gin company, MarGin, being a solo mum, managing her personal investments, contributing to renowned art institutions, while also driving several artistic initiatives.</p><p>I am not sure how she does it all but it was very inspiring to talk about all this with her and I hope you enjoy our conversation!</p><p>Artists and references mentioned:</p><ul><li><a href="http://sherman-scaf.org.au/" rel="noopener noreferrer nofollow" target="_blank">Gene Sherman </a></li><li><a href="https://carolinerothwell.com/" rel="noopener noreferrer nofollow" target="_blank">Caroline Rothwell</a> </li><li><a href="https://www.instagram.com/aiww/" rel="noopener noreferrer nofollow" target="_blank">Ai Weiwei </a></li><li><a href="https://www.hauserwirth.com/artists/george-rouy/" rel="noopener noreferrer nofollow" target="_blank">George Rouy</a> </li><li><a href="https://hannahbarry.com/" rel="noopener noreferrer nofollow" target="_blank">Hannah Barry Gallery </a></li><li><a href="https://gnypgallery.com/artists/patrick-goddard" rel="noopener noreferrer nofollow" target="_blank">Patrick Goddard </a></li><li><a href="https://docent-art.com/" rel="noopener noreferrer nofollow" target="_blank">Docent</a> </li><li><a href="https://gertrude.com/" rel="noopener noreferrer nofollow" target="_blank">Gertrude</a> </li><li><a href=" https://nataliajanula.com/" rel="noopener noreferrer nofollow" target="_blank">Natalia Janula</a></li><li><a href="https://avantarte.com/" rel="noopener noreferrer nofollow" target="_blank">Avant Arte </a></li><li><a href="https://www.teamlab.art/" rel="noopener noreferrer nofollow" target="_blank">TeamLab Collective</a> </li><li><a href="https://www.hauserwirth.com/artists/23390-mika-rottenberg/" rel="noopener noreferrer nofollow" target="_blank">Mikka Rottenberg</a> </li><li><a href="https://www.tate.org.uk/whats-on" rel="noopener noreferrer nofollow" target="_blank">Tate Modern</a> </li><li><a href="https://www.southbankcentre.co.uk/venues/hayward-gallery/" rel="noopener noreferrer nofollow" target="_blank">Hayward Gallery</a> </li><li><a href="https://www.serpentinegalleries.org/" rel="noopener noreferrer nofollow" target="_blank">Serpentine Galleries</a> </li><li><a href="https://www.modernart.net/en/artists/linder" rel="noopener noreferrer nofollow" target="_blank">Linder Sterling </a></li><li><a href="https://www.thelevettletter.com/christian-levett" rel="noopener noreferrer nofollow" target="_blank">Christian Levett </a></li><li><a href="https://www.instagram.com/rachael__thomas/#" rel="noopener noreferrer nofollow" target="_blank">Rachel Thomas </a>, Chief Curator at the Hayward Gallery</li><li><a href=" https://www.artbasel.com/stories/modern-patrons-maria-sukkar-london-lebanese" rel="noopener noreferrer nofollow" target="_blank">Maria Sukkar</a></li><li><a href="https://en.wikipedia.org/wiki/Ralph_Rugoff" rel="noopener noreferrer nofollow" target="_blank">Ralph Rugoff </a></li><li><a href="https://www.awita.london/" rel="noopener noreferrer nofollow" target="_blank">AWITA (Associate of Women in the Arts) </a></li><li><a href="https://www.bonhams.com/" rel="noopener noreferrer nofollow" target="_blank">Bonhams</a> </li><li><a href="https://famm.com/fr-fr" rel="noopener noreferrer nofollow" target="_blank">Famm</a>, Christian Levett's museum in Mougins </li><li><a href="https://chateau-la-coste.com/fr/art-architecture/art-et-architecture.html" rel="noopener noreferrer nofollow" target="_blank">Chateau La Coste </a></li><li><a href="https://www.bloombergconnects.org/" rel="noopener noreferrer nofollow" target="_blank">Bloomberg Connects </a></li><li><a href="https://arcone.com.au/vanila-neto-artist-profile" rel="noopener noreferrer nofollow" target="_blank">Vanila Netto </a></li><li><a href="https://www.whitecube.com/artists/rachel-kneebone" rel="noopener noreferrer nofollow" target="_blank">Rachel Kneebone </a></li><li><a href="https://www.galeriekreo.com/designer/guillaume-bardet/" rel="noopener noreferrer nofollow" target="_blank">Guillaume Bardet </a></li><li><a href="https://www.victoria-miro.com/artists/186-celia-paul/" rel="noopener noreferrer nofollow" target="_blank">Celia Paul </a></li><li><a href="https://www.victoria-miro.com/artists/19-chantal-joffe/" rel="noopener noreferrer nofollow" target="_blank">Chantal Joffe </a></li><li><a href="https://www.elisabettacipriani.com/giampaolo-babetto-art-jewellery/" rel="noopener noreferrer nofollow" target="_blank">Giampaolo Babetto</a> </li><li><a href="https://michaelreid.com.au/artist/petrina-hicks/" rel="noopener noreferrer nofollow" target="_blank">Petrina Hicks </a></li></ul>]]></description><guid isPermaLink="false">d6ef5c4c-108c-4e71-bd70-41a70dde2c77</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 26 Nov 2025 06:02:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/86ccbcf656335e860afc0e7b8dfbd51b98dce14bc4d01b06695e60379dbf55c9/eyJlcGlzb2RlSWQiOiJlYmU2MTFjNC03N2UyLTQxN2MtYTZlZi0wMTFiYWI0MDNmYzIiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvZWJlNjExYzQtNzdlMi00MTdjLWE2ZWYtMDExYmFiNDAzZmMyL2Q2ZWY1YzRjLTEwOGMtNGU3MS1iZDcwLTQxYTcwZGRlMmM3Ny5tcDMifQ==.mp3" length="59701501" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/ebe611c4-77e2-417c-a6ef-011bab403fc2/d6ef5c4c-108c-4e71-bd70-41a70dde2c77.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Today I am very happy to have Rachel Verghis on the podcast - one of the first guests I had on my radar when the idea of the podcast started coming to fruition, and I’m grateful she opened up so generously about her story and her passion for bringing art to as many people as possible.&lt;/p&gt;&lt;p&gt;Based in London, Rachel is a former investment banker who found her calling in art and collecting. Without any formal art education, her journey began after taking a sabbatical to volunteer at a Sydney gallery followed by a brief stint at Sotheby&apos;s. Today, Rachel balances her time between running her gin company, MarGin, being a solo mum, managing her personal investments, contributing to renowned art institutions, while also driving several artistic initiatives.&lt;/p&gt;&lt;p&gt;I am not sure how she does it all but it was very inspiring to talk about all this with her and I hope you enjoy our conversation!&lt;/p&gt;&lt;p&gt;Artists and references mentioned:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;http://sherman-scaf.org.au/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Gene Sherman &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://carolinerothwell.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Caroline Rothwell&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/aiww/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Ai Weiwei &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.hauserwirth.com/artists/george-rouy/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;George Rouy&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://hannahbarry.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Hannah Barry Gallery &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gnypgallery.com/artists/patrick-goddard&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Patrick Goddard &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://docent-art.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Docent&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gertrude.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Gertrude&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot; https://nataliajanula.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Natalia Janula&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://avantarte.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Avant Arte &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.teamlab.art/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;TeamLab Collective&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.hauserwirth.com/artists/23390-mika-rottenberg/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Mikka Rottenberg&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.tate.org.uk/whats-on&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Tate Modern&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.southbankcentre.co.uk/venues/hayward-gallery/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Hayward Gallery&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.serpentinegalleries.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Serpentine Galleries&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.modernart.net/en/artists/linder&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Linder Sterling &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.thelevettletter.com/christian-levett&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Christian Levett &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/rachael__thomas/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Rachel Thomas &lt;/a&gt;, Chief Curator at the Hayward Gallery&lt;/li&gt;&lt;li&gt;&lt;a href=&quot; https://www.artbasel.com/stories/modern-patrons-maria-sukkar-london-lebanese&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Maria Sukkar&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Ralph_Rugoff&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Ralph Rugoff &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.awita.london/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;AWITA (Associate of Women in the Arts) &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.bonhams.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Bonhams&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://famm.com/fr-fr&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Famm&lt;/a&gt;, Christian Levett&apos;s museum in Mougins &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://chateau-la-coste.com/fr/art-architecture/art-et-architecture.html&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Chateau La Coste &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.bloombergconnects.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Bloomberg Connects &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://arcone.com.au/vanila-neto-artist-profile&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Vanila Netto &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.whitecube.com/artists/rachel-kneebone&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Rachel Kneebone &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.galeriekreo.com/designer/guillaume-bardet/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Guillaume Bardet &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.victoria-miro.com/artists/186-celia-paul/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Celia Paul &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.victoria-miro.com/artists/19-chantal-joffe/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Chantal Joffe &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.elisabettacipriani.com/giampaolo-babetto-art-jewellery/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Giampaolo Babetto&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://michaelreid.com.au/artist/petrina-hicks/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Petrina Hicks &lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>01:02:11</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/ebe611c4-77e2-417c-a6ef-011bab403fc2/d6ef5c4c-108c-4e71-bd70-41a70dde2c77.jpg"/><itunes:title>How Rachel Verghis Made Art Her Business</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Collecting the Stories That Define Our Time with Kate Lee & Anne Parke]]></title><description><![CDATA[<p>I never seriously considered working with an art advisor. To me, 'having an advisor' was something for people with a lot of means and experience - ironically, those who might need it least. Tackling that limiting belief was one of the reasons I started interviewing art advisors, alongside understanding what they actually do.</p><p>Following my last episode with a Paris-based collector/advisor duo, I'm continuing with this format and introducing my first NY-based guests.</p><p><a href="https://www.instagram.com/kateleeknows/" rel="noopener noreferrer nofollow" target="_blank">Kate Lee</a> works in tech, started collecting five years ago, and the clarity and ambition behind her and her partner's approach is something I find genuinely inspiring. They focus on emerging artists from Asia and Latin America, a reflection of their own roots and identities, and have built the <a href="https://www.603arts.org/" rel="noopener noreferrer nofollow" target="_blank">603 Arts Foundation</a> to support those artists beyond their <a href="https://fromtheprivatecollection.substack.com/" rel="noopener noreferrer nofollow" target="_blank">private collection</a>, through acquisitions and exhibition support across galleries and institutions. It's rare to see a young collector couple build, this early on, what they couldn't find but believed was deeply needed.</p><p><a href="https://www.instagram.com/anneparke/" rel="noopener noreferrer nofollow" target="_blank">Anne Parke</a> is building <a href="https://www.anneparke.com/" rel="noopener noreferrer nofollow" target="_blank">her platform</a> to help a new generation of collectors step into the art world, removing barriers and bringing discernment to a space often oversaturated with content. She was the catalyst to Kate's entry into collecting and has accompanied her journey as a trusted friend and advisor since day one.</p><p>What I'm taking away from this conversation: working with an advisor is more accessible than I thought, and with the right person, it can accelerate your journey tenfold. But I’ll stop here for now and leave you to enjoy my conversation with Kate Lee and Anne Parke.</p><p>References from the episode:</p><ul><li><a href="https://www.instagram.com/wizard_neal/" rel="noopener noreferrer nofollow" target="_blank">Neal Vandenbergh</a></li><li><a href="https://www.shrine.nyc/" rel="noopener noreferrer nofollow" target="_blank">Shrine</a><a href="https://www.silkelindner.com/" rel="noopener noreferrer nofollow" target="_blank">Silke Lindner </a></li><li><a href="https://gladstonegallery.com/" rel="noopener noreferrer nofollow" target="_blank">Gladstone Gallery </a></li><li><a href="https://karmakarma.org/" rel="noopener noreferrer nofollow" target="_blank">Karma</a></li><li><a href="https://www.bortolamigallery.com/" rel="noopener noreferrer nofollow" target="_blank">Bortolami</a></li><li><a href="https://www.instagram.com/tongbean/" rel="noopener noreferrer nofollow" target="_blank">Ben Tong </a></li><li><a href="https://www.instagram.com/zehpalito/" rel="noopener noreferrer nofollow" target="_blank">Zéh Palito</a></li><li><a href="https://www.instagram.com/jenniferannecar/" rel="noopener noreferrer nofollow" target="_blank">Jennifer Carvalho</a></li><li><a href="https://www.momaps1.org/en/programs/702-greater-new-york-2026" rel="noopener noreferrer nofollow" target="_blank">MoMA PS1 Greater New York</a></li><li><a href="https://maiacruzpalileo.com/" rel="noopener noreferrer nofollow" target="_blank">Maia Cruz Palileo</a></li><li><a href="https://www.instagram.com/sylvie__hayes__wallace/" rel="noopener noreferrer nofollow" target="_blank">Sylvie Hayes Wallace</a></li><li><a href="https://gagosian.com/artists/adriana-varejao/" rel="noopener noreferrer nofollow" target="_blank">Adriana Varejão</a></li><li><a href="https://www.instagram.com/rachelyoun/" rel="noopener noreferrer nofollow" target="_blank">Rachel Youn</a></li><li><a href="https://www.instagram.com/komalshahgarg/" rel="noopener noreferrer nofollow" target="_blank">Komal Shah Garg</a></li></ul><p></p><p>Follow the podcast to see the guests' collections at <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">⁠@collectors_corner_⁠</a> !</p>]]></description><guid isPermaLink="false">d6d16760-a6e7-43f5-bc6b-157329276813</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 13 May 2026 08:30:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/5f7f8a28106070ea920b2474563583f7e7e047554246cfe81a5bf1b2aa70f0b2/eyJlcGlzb2RlSWQiOiJjN2JhM2UxMi0xNzdjLTQ3OTktOTkxMC04ODdkYzE2NzMyMGEiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvYzdiYTNlMTItMTc3Yy00Nzk5LTk5MTAtODg3ZGMxNjczMjBhL2Q2ZDE2NzYwLWE2ZTctNDNmNS1iYzZiLTE1NzMyOTI3NjgxMy5tcDMifQ==.mp3" length="63075544" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/c7ba3e12-177c-4799-9910-887dc167320a/d6d16760-a6e7-43f5-bc6b-157329276813.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;I never seriously considered working with an art advisor. To me, &apos;having an advisor&apos; was something for people with a lot of means and experience - ironically, those who might need it least. Tackling that limiting belief was one of the reasons I started interviewing art advisors, alongside understanding what they actually do.&lt;/p&gt;&lt;p&gt;Following my last episode with a Paris-based collector/advisor duo, I&apos;m continuing with this format and introducing my first NY-based guests.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.instagram.com/kateleeknows/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Kate Lee&lt;/a&gt; works in tech, started collecting five years ago, and the clarity and ambition behind her and her partner&apos;s approach is something I find genuinely inspiring. They focus on emerging artists from Asia and Latin America, a reflection of their own roots and identities, and have built the &lt;a href=&quot;https://www.603arts.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;603 Arts Foundation&lt;/a&gt; to support those artists beyond their &lt;a href=&quot;https://fromtheprivatecollection.substack.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;private collection&lt;/a&gt;, through acquisitions and exhibition support across galleries and institutions. It&apos;s rare to see a young collector couple build, this early on, what they couldn&apos;t find but believed was deeply needed.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.instagram.com/anneparke/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Anne Parke&lt;/a&gt; is building &lt;a href=&quot;https://www.anneparke.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;her platform&lt;/a&gt; to help a new generation of collectors step into the art world, removing barriers and bringing discernment to a space often oversaturated with content. She was the catalyst to Kate&apos;s entry into collecting and has accompanied her journey as a trusted friend and advisor since day one.&lt;/p&gt;&lt;p&gt;What I&apos;m taking away from this conversation: working with an advisor is more accessible than I thought, and with the right person, it can accelerate your journey tenfold. But I’ll stop here for now and leave you to enjoy my conversation with Kate Lee and Anne Parke.&lt;/p&gt;&lt;p&gt;References from the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/wizard_neal/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Neal Vandenbergh&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.shrine.nyc/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Shrine&lt;/a&gt;&lt;a href=&quot;https://www.silkelindner.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Silke Lindner &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gladstonegallery.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Gladstone Gallery &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://karmakarma.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Karma&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.bortolamigallery.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Bortolami&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/tongbean/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Ben Tong &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/zehpalito/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Zéh Palito&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/jenniferannecar/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jennifer Carvalho&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.momaps1.org/en/programs/702-greater-new-york-2026&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;MoMA PS1 Greater New York&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://maiacruzpalileo.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Maia Cruz Palileo&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/sylvie__hayes__wallace/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Sylvie Hayes Wallace&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gagosian.com/artists/adriana-varejao/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Adriana Varejão&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/rachelyoun/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Rachel Youn&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/komalshahgarg/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Komal Shah Garg&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Follow the podcast to see the guests&apos; collections at &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠@collectors_corner_⁠&lt;/a&gt; !&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>01:05:42</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/c7ba3e12-177c-4799-9910-887dc167320a/d6d16760-a6e7-43f5-bc6b-157329276813.jpg"/><itunes:title>Collecting the Stories That Define Our Time with Kate Lee &amp; Anne Parke</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[How to Think About Art, Money and Tech with Daniela Bianco]]></title><description><![CDATA[<p>Daniela Bianco (<a href="https://www.instagram.com/theblondeartdealer/" rel="noopener noreferrer nofollow" target="_blank">@theblondeartdealer</a>) has spent her career at the heart of the commercial art world: 15 years in galleries, followed by a few years at Artsy in private sales, and she is now Chief Sales Officer at art tech company <a href="www.artscapy.com" rel="noopener noreferrer nofollow" target="_blank">Artscapy</a>, a platform designed to simplify art collecting, management and investing for collectors. She has curated selling exhibitions in London, Milan and Brussels, and launched her own blog, The Blonde Art Dealer, and podcast, Secrets of the Art Business, back in 2020.</p><p>Daniela is also a collector in her own right, collecting personally for 18 years, with a very unique point of view at the intersection of art, investment and tech, and the reason I wanted to have her on the podcast.</p><p>We sat on the terrace at Tate Modern, overlooking the Thames. It was one of those moments where I felt very grateful to be able to talk about my favourite subject with someone who knows it so well.</p><p>The conversation did not disappoint. We covered the hierarchy of mediums, why collectors should consider art as an asset class, art advisor red flags, and the problematic buy-one-donate-one gallery model. What came through across every topic is Daniela's dedication to helping collectors, both new and established, make empowered decisions, so they can focus on building and enjoying their collection.</p><p>I'll leave you now to enjoy my conversation with Daniela Bianco.</p><p>References in the episode:</p><ul><li><a href="https://www.pearllam.com/artist/gonkar-gyatso/" rel="noopener noreferrer nofollow" target="_blank">Gonkar Gyatso</a></li><li><a href="https://www.193gallery.com/artists/31-thandiwe-muriu/" rel="noopener noreferrer nofollow" target="_blank">Thandiwe Muriu</a></li><li><a href="https://www.alzuetagallery.com/artists/rala-choi/" rel="noopener noreferrer nofollow" target="_blank">Rala Choi</a></li><li><a href="https://galerieisa.com/artist/annie-morris/" rel="noopener noreferrer nofollow" target="_blank">Annie Morris</a></li><li><a href="https://www.whitecube.com/artists/julie-mehretu" rel="noopener noreferrer nofollow" target="_blank">Julie Mehretu</a></li><li><a href="https://www.frankenthalerfoundation.org/artworks/paintings" rel="noopener noreferrer nofollow" target="_blank">Helen Frankenthaler</a></li><li><a href="https://avantarte.com/" rel="noopener noreferrer nofollow" target="_blank">Avant Arte</a></li><li><a href="https://www.sothebys.com/en/series/pauline-karpidas-the-london-collection" rel="noopener noreferrer nofollow" target="_blank">Pauline Karpidas Collection</a></li><li><a href="https://www.artsy.net/" rel="noopener noreferrer nofollow" target="_blank">Artsy</a></li><li><a href="https://www.artnet.com/" rel="noopener noreferrer nofollow" target="_blank">Artnet</a></li><li><a href="https://www.theartnewspaper.com/" rel="noopener noreferrer nofollow" target="_blank">The Art Newspaper</a></li><li><a href="https://www.ft.com/the-art-market" rel="noopener noreferrer nofollow" target="_blank">FT The Art Market</a></li><li><a href="https://www.nytimes.com/2025/02/18/arts/design/lisa-schiff-art-adviser-theft.html" rel="noopener noreferrer nofollow" target="_blank">Lisa Schiff</a></li><li><a href="https://www.boleegallery.com/artists/30-lindsey-bull/" rel="noopener noreferrer nofollow" target="_blank">Lindsey Bull</a></li><li><a href="https://artscapy.com/view-event-profile/women-in-the-picture" rel="noopener noreferrer nofollow" target="_blank">Women in the picture</a></li><li><a href="https://www.gillianjason.com/artists/131-isabella-amram/" rel="noopener noreferrer nofollow" target="_blank">Isabella Amran</a></li><li><a href="https://www.kasmingallery.com/artists/14-alexis-ralaivao/" rel="noopener noreferrer nofollow" target="_blank">Alexis Ralavaio</a></li><li><a href="https://www.instagram.com/valerianapoleone/?hl=en" rel="noopener noreferrer nofollow" target="_blank">Valeria Napoleone</a></li></ul><p></p><p>Follow the podcast to see the guests' collections at <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">⁠@collectors_corner_⁠</a> !</p>]]></description><guid isPermaLink="false">a4ca9488-4a2c-40cc-afc3-bfef05df60c8</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 25 Mar 2026 06:01:02 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/1a9e612c6fca73b847532227a437140d210b964c2bd45abbf13366073f665750/eyJlcGlzb2RlSWQiOiIwNDNkNjMzOC0yNTc4LTRmMDYtYmViOS0wMjBjZDRjZDgyMTgiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvMDQzZDYzMzgtMjU3OC00ZjA2LWJlYjktMDIwY2Q0Y2Q4MjE4L2E0Y2E5NDg4LTRhMmMtNDBjYy1hZmMzLWJmZWYwNWRmNjBjOC5tcDMifQ==.mp3" length="58720977" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/043d6338-2578-4f06-beb9-020cd4cd8218/a4ca9488-4a2c-40cc-afc3-bfef05df60c8.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Daniela Bianco (&lt;a href=&quot;https://www.instagram.com/theblondeartdealer/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@theblondeartdealer&lt;/a&gt;) has spent her career at the heart of the commercial art world: 15 years in galleries, followed by a few years at Artsy in private sales, and she is now Chief Sales Officer at art tech company &lt;a href=&quot;www.artscapy.com&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Artscapy&lt;/a&gt;, a platform designed to simplify art collecting, management and investing for collectors. She has curated selling exhibitions in London, Milan and Brussels, and launched her own blog, The Blonde Art Dealer, and podcast, Secrets of the Art Business, back in 2020.&lt;/p&gt;&lt;p&gt;Daniela is also a collector in her own right, collecting personally for 18 years, with a very unique point of view at the intersection of art, investment and tech, and the reason I wanted to have her on the podcast.&lt;/p&gt;&lt;p&gt;We sat on the terrace at Tate Modern, overlooking the Thames. It was one of those moments where I felt very grateful to be able to talk about my favourite subject with someone who knows it so well.&lt;/p&gt;&lt;p&gt;The conversation did not disappoint. We covered the hierarchy of mediums, why collectors should consider art as an asset class, art advisor red flags, and the problematic buy-one-donate-one gallery model. What came through across every topic is Daniela&apos;s dedication to helping collectors, both new and established, make empowered decisions, so they can focus on building and enjoying their collection.&lt;/p&gt;&lt;p&gt;I&apos;ll leave you now to enjoy my conversation with Daniela Bianco.&lt;/p&gt;&lt;p&gt;References in the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://www.pearllam.com/artist/gonkar-gyatso/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Gonkar Gyatso&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.193gallery.com/artists/31-thandiwe-muriu/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Thandiwe Muriu&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.alzuetagallery.com/artists/rala-choi/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Rala Choi&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://galerieisa.com/artist/annie-morris/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Annie Morris&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.whitecube.com/artists/julie-mehretu&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Julie Mehretu&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.frankenthalerfoundation.org/artworks/paintings&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Helen Frankenthaler&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://avantarte.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Avant Arte&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.sothebys.com/en/series/pauline-karpidas-the-london-collection&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Pauline Karpidas Collection&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.artsy.net/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Artsy&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.artnet.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Artnet&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.theartnewspaper.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;The Art Newspaper&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.ft.com/the-art-market&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;FT The Art Market&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.nytimes.com/2025/02/18/arts/design/lisa-schiff-art-adviser-theft.html&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Lisa Schiff&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.boleegallery.com/artists/30-lindsey-bull/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Lindsey Bull&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://artscapy.com/view-event-profile/women-in-the-picture&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Women in the picture&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.gillianjason.com/artists/131-isabella-amram/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Isabella Amran&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.kasmingallery.com/artists/14-alexis-ralaivao/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Alexis Ralavaio&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/valerianapoleone/?hl=en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Valeria Napoleone&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Follow the podcast to see the guests&apos; collections at &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠@collectors_corner_⁠&lt;/a&gt; !&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>01:01:10</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/043d6338-2578-4f06-beb9-020cd4cd8218/a4ca9488-4a2c-40cc-afc3-bfef05df60c8.jpg"/><itunes:title>How to Think About Art, Money and Tech with Daniela Bianco</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Ducklings and Disputes: Inside Susan Dunn's Whimsical Art Collection]]></title><description><![CDATA[<p>Today I am in London with Susan Dunn. Susan is the founder of Harbour Litigation Funding, which funds high value legal disputes - a fascinating industry that Susan kickstarted in the UK in the early 2000s and is worth over 2 billion pounds today.</p><p>While diving into litigation funding would have also made for a compelling podcast episode, Susan and I talked about her favourite topic in the world - art. Susan started collecting even before she became a lawyer and hasn’t stopped since. In her flat, all surfaces, walls and shelves, are dedicated to art. But beyond the works, Susan is above all driven by the people behind the art she collects - the artists she befriended and relationships she forged along the way. Susan shares the most fun and joyful stories of her collecting journey, her excitement shines through and is truly contagious. She perfectly demonstrates that there is no ‘right’ way to collect, as long as it’s driven by genuine passion and intention. I had such a fun time speaking with Susan, I hope you’ll enjoy our conversation.</p><p>Artists and references mentioned by Susan:</p><ul><li><a href="https://www.flowersgallery.com/artists/86-nancy-fouts/" rel="noopener noreferrer nofollow" target="_blank">Nancy Fouts</a></li><li><a href="https://maruanimercier.com/artists/74-george-shaw/" rel="noopener noreferrer nofollow" target="_blank">George Shaw</a></li><li><a href="https://roxanahalls.com/home.html" rel="noopener noreferrer nofollow" target="_blank">Roxana Halls</a></li><li><a href="https://www.victoria-miro.com/artists/12-grayson-perry/" rel="noopener noreferrer nofollow" target="_blank">Grayson Perry</a></li><li><a href="https://www.guggenheim-venice.it/en/" rel="noopener noreferrer nofollow" target="_blank">Peggy Guggenheim</a> </li><li><a href="https://www.francis-bacon.com/" rel="noopener noreferrer nofollow" target="_blank">Francis Bacon</a></li><li><a href="https://en.wikipedia.org/wiki/Maggi_Hambling" rel="noopener noreferrer nofollow" target="_blank">Maggie Hambling</a></li><li><a href="https://en.wikipedia.org/wiki/The_Colony_Room_Club#:~:text=artists%20like%20drinking%22.-,Closure,argued%20were%20under%20his%20control." rel="noopener noreferrer nofollow" target="_blank">The Colony Club</a></li><li><a href="https://sophieglover.co.uk/" rel="noopener noreferrer nofollow" target="_blank">Sophie Glover</a></li><li><a href="https://www.artinaction.org.uk/" rel="noopener noreferrer nofollow" target="_blank">Art in Action</a></li><li><a href="https://www.williamutermohlen.com/" rel="noopener noreferrer nofollow" target="_blank">William Utermohlen</a></li><li><a href="https://www.theherbert.org/" rel="noopener noreferrer nofollow" target="_blank">Herbert Gallery</a></li><li><a href="https://kristinhjellegjerde.com/artists/50-soheila-sokhanvari/overview/" rel="noopener noreferrer nofollow" target="_blank">Soheila Sokhanvari</a></li><li><a href="https://unitlondon.com/" rel="noopener noreferrer nofollow" target="_blank">Unit London</a></li><li><a href="https://unitlondon.com/exhibitions/stacey-gillian-abe-garden-of-blue-whispers/" rel="noopener noreferrer nofollow" target="_blank">Stacey Gillian Abe</a></li><li><a href="https://www.1-54.com/" rel="noopener noreferrer nofollow" target="_blank">1:54 Contemporary African Art Fair </a></li><li><a href="https://awarewomenartists.com/artiste/barbara-hepworth/" rel="noopener noreferrer nofollow" target="_blank">Barbara Hepworth</a></li><li><a href="https://www.forwardgallery.com/artist/danny-howes" rel="noopener noreferrer nofollow" target="_blank">Danny Howes</a></li><li><a href="https://www.forwardgallery.com/" rel="noopener noreferrer nofollow" target="_blank">Forward Gallery</a></li><li><a href="https://sarabandefoundation.org/" rel="noopener noreferrer nofollow" target="_blank">Sarabande Foundation </a></li><li><a href="https://www.rutlandgallery.com/artist/robbie-wraith" rel="noopener noreferrer nofollow" target="_blank">Robbie Wraith</a></li><li><a href="https://www.gowencontemporary.com/time-braden/moufouli-bello/" rel="noopener noreferrer nofollow" target="_blank">Moufouli Bello</a></li></ul>]]></description><guid isPermaLink="false">fcd2f479-c4d0-48ef-80ec-62e7083ab020</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 12 Nov 2025 06:04:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/d2ac55d7e67ad9615ba9ae2f145063b747a64cd81f948f5cdfba6929004225cc/eyJlcGlzb2RlSWQiOiI4OWM3MDY0Yi1kNWYzLTQwMGEtOGVmMC1jMzBiYjA3ODNhN2EiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvODljNzA2NGItZDVmMy00MDBhLThlZjAtYzMwYmIwNzgzYTdhL2ZjZDJmNDc5LWM0ZDAtNDhlZi04MGVjLTYyZTcwODNhYjAyMC5tcDMifQ==.mp3" length="47556375" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/89c7064b-d5f3-400a-8ef0-c30bb0783a7a/fcd2f479-c4d0-48ef-80ec-62e7083ab020.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Today I am in London with Susan Dunn. Susan is the founder of Harbour Litigation Funding, which funds high value legal disputes - a fascinating industry that Susan kickstarted in the UK in the early 2000s and is worth over 2 billion pounds today.&lt;/p&gt;&lt;p&gt;While diving into litigation funding would have also made for a compelling podcast episode, Susan and I talked about her favourite topic in the world - art. Susan started collecting even before she became a lawyer and hasn’t stopped since. In her flat, all surfaces, walls and shelves, are dedicated to art. But beyond the works, Susan is above all driven by the people behind the art she collects - the artists she befriended and relationships she forged along the way. Susan shares the most fun and joyful stories of her collecting journey, her excitement shines through and is truly contagious. She perfectly demonstrates that there is no ‘right’ way to collect, as long as it’s driven by genuine passion and intention. I had such a fun time speaking with Susan, I hope you’ll enjoy our conversation.&lt;/p&gt;&lt;p&gt;Artists and references mentioned by Susan:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://www.flowersgallery.com/artists/86-nancy-fouts/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Nancy Fouts&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://maruanimercier.com/artists/74-george-shaw/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;George Shaw&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://roxanahalls.com/home.html&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Roxana Halls&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.victoria-miro.com/artists/12-grayson-perry/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Grayson Perry&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.guggenheim-venice.it/en/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Peggy Guggenheim&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.francis-bacon.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Francis Bacon&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Maggi_Hambling&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Maggie Hambling&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/The_Colony_Room_Club#:~:text=artists%20like%20drinking%22.-,Closure,argued%20were%20under%20his%20control.&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;The Colony Club&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://sophieglover.co.uk/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Sophie Glover&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.artinaction.org.uk/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Art in Action&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.williamutermohlen.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;William Utermohlen&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.theherbert.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Herbert Gallery&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://kristinhjellegjerde.com/artists/50-soheila-sokhanvari/overview/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Soheila Sokhanvari&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://unitlondon.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Unit London&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://unitlondon.com/exhibitions/stacey-gillian-abe-garden-of-blue-whispers/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Stacey Gillian Abe&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.1-54.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;1:54 Contemporary African Art Fair &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://awarewomenartists.com/artiste/barbara-hepworth/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Barbara Hepworth&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.forwardgallery.com/artist/danny-howes&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Danny Howes&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.forwardgallery.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Forward Gallery&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://sarabandefoundation.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Sarabande Foundation &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.rutlandgallery.com/artist/robbie-wraith&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Robbie Wraith&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.gowencontemporary.com/time-braden/moufouli-bello/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Moufouli Bello&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:49:32</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/89c7064b-d5f3-400a-8ef0-c30bb0783a7a/fcd2f479-c4d0-48ef-80ec-62e7083ab020.jpg"/><itunes:title>Ducklings and Disputes: Inside Susan Dunn&apos;s Whimsical Art Collection</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[I Made a Cash Offer. The Gallery Said Nothing. [Behind The Mic]]]></title><description><![CDATA[<p>I tried to buy an artwork I loved. The gallery had been warm, responsive, helpful but then I made an offer, and heard nothing back. No explanation. Just silence.</p><p>In this Behind The Mic episode, I unpack what actually happened, what I didn't understand about how galleries work, and why that silence - frustrating as it felt at the time - turned out to be one of the most useful things that's happened to me as a new collector.</p><p></p><p>I hope you enjoy this episode - let me know your thoughts on Instagram <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">@collectors_corner_</a> or on the <a href="https://www.thecollectorscorner.art" rel="noopener noreferrer nofollow" target="_blank">podcast website</a>!</p>]]></description><guid isPermaLink="false">2c67c553-f7ce-4eb9-83ad-891e982092ff</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 01 Apr 2026 05:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/7e5baa0b1d49509b63a0add670ea3f223cd035da217f11ca185f70dec967ca94/eyJlcGlzb2RlSWQiOiIwMGJjODUxNC03YmVjLTRjODItYTdhNC04MTZiNTRjMDU5MDUiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvMDBiYzg1MTQtN2JlYy00YzgyLWE3YTQtODE2YjU0YzA1OTA1LzJjNjdjNTUzLWY3Y2UtNGViOS04M2FkLTg5MWU5ODIwOTJmZi5tcDMifQ==.mp3" length="9169209" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/00bc8514-7bec-4c82-a7a4-816b54c05905/2c67c553-f7ce-4eb9-83ad-891e982092ff.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;I tried to buy an artwork I loved. The gallery had been warm, responsive, helpful but then I made an offer, and heard nothing back. No explanation. Just silence.&lt;/p&gt;&lt;p&gt;In this Behind The Mic episode, I unpack what actually happened, what I didn&apos;t understand about how galleries work, and why that silence - frustrating as it felt at the time - turned out to be one of the most useful things that&apos;s happened to me as a new collector.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;I hope you enjoy this episode - let me know your thoughts on Instagram &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@collectors_corner_&lt;/a&gt; or on the &lt;a href=&quot;https://www.thecollectorscorner.art&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;podcast website&lt;/a&gt;!&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:09:33</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/00bc8514-7bec-4c82-a7a4-816b54c05905/2c67c553-f7ce-4eb9-83ad-891e982092ff.jpg"/><itunes:title>I Made a Cash Offer. The Gallery Said Nothing. [Behind The Mic]</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Five Lessons for Aspiring Art Collectors [Behind The Mic #1]]]></title><description><![CDATA[<p>This week I am trying out a new format with this solo episode, where I reflect on the five lessons I have learned so far about collecting art through my interviews with collectors on the field.</p><p>From where the real gatekeeping is happening, to the role of relationships and how to think about the market, these are the things collectors unanimously seem to agree on, regardless of their unique personal style.</p><p>If you are an aspiring collector or interested in a look behind the scenes of how collectors think, this episode is for you!</p><p>I hope you enjoy this new format - do let me know your thoughts on Instagram <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">@collectors_corner_</a> or on the <a href="https://www.thecollectorscornerpodcast.com/" rel="noopener noreferrer nofollow" target="_blank">podcast website</a>!</p>]]></description><guid isPermaLink="false">e396b98e-ab4f-4c9e-9f3b-e1e7e6aa3977</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 10 Dec 2025 14:21:45 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/d532f9de2129ec1eba7eeccf64f9fbe78c5a110d736addcc55f199803fc251b2/eyJlcGlzb2RlSWQiOiIwNTcxNDI4NC1hM2VmLTQ3MGEtODA4OS1jMjNhYzM3MDU4MTIiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvMDU3MTQyODQtYTNlZi00NzBhLTgwODktYzIzYWMzNzA1ODEyL2UzOTZiOThlLWFiNGYtNGM5ZS05ZjNiLWUxZTdlNmFhMzk3Ny5tcDMifQ==.mp3" length="10635624" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/05714284-a3ef-470a-8089-c23ac3705812/e396b98e-ab4f-4c9e-9f3b-e1e7e6aa3977.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;This week I am trying out a new format with this solo episode, where I reflect on the five lessons I have learned so far about collecting art through my interviews with collectors on the field.&lt;/p&gt;&lt;p&gt;From where the real gatekeeping is happening, to the role of relationships and how to think about the market, these are the things collectors unanimously seem to agree on, regardless of their unique personal style.&lt;/p&gt;&lt;p&gt;If you are an aspiring collector or interested in a look behind the scenes of how collectors think, this episode is for you!&lt;/p&gt;&lt;p&gt;I hope you enjoy this new format - do let me know your thoughts on Instagram &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@collectors_corner_&lt;/a&gt; or on the &lt;a href=&quot;https://www.thecollectorscornerpodcast.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;podcast website&lt;/a&gt;!&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:11:05</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/05714284-a3ef-470a-8089-c23ac3705812/e396b98e-ab4f-4c9e-9f3b-e1e7e6aa3977.jpg"/><itunes:title>Five Lessons for Aspiring Art Collectors [Behind The Mic #1]</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[An eye opening insight into the art market with Raphaël Isvy]]></title><description><![CDATA[<p>Today I am in Paris with Raphaël Isvy (<a href="https://www.instagram.com/raph_is/" rel="noopener noreferrer nofollow" target="_blank">@raph_is</a>) Raphaël doesn't come from an art background or career but since he was a kid, the act of collecting has been a big part of his life - be it trainers, Pokemon cards or video games.</p><p>His fine art journey began in 2016 and since 2022, he has been collecting art full time. Raphaël's journey as a fully self-taught collector is incredibly inspiring, I can’t thank him enough for sharing it in such an open and candid way! From the early days finding artists on Instagram, to mentoring aspiring collectors today, Raphaël truly walks the talk when it comes to helping more people enter and navigate the art world.</p><p>Drawing on Raphaël's personal experiences, we also discuss the unspoken rules outsiders and newcomers have to contend with, and he shares his honest views on how the art market operates. This discussion was full of amazing insights - I really loved it and I hope you do too!</p><p>References and artists mentioned by Raphael:</p><ul><li><a href="https://www.pacegallery.com/artists/robert-nava/" rel="noopener noreferrer nofollow" target="_blank">Robert Nava</a></li><li><a href="https://www.ppowgallery.com/artists/robin-f-williams#tab:thumbnails" rel="noopener noreferrer nofollow" target="_blank">Robin Francesca Williams</a></li><li><a href="https://www.petzel.com/artists/tomoo-gokita" rel="noopener noreferrer nofollow" target="_blank">Tomoo Gokita</a></li><li><a href="https://www.studioleeufan.org/" rel="noopener noreferrer nofollow" target="_blank">Lee Ufan</a></li><li><a href="https://www.lissongallery.com/artists/hugh-hayden" rel="noopener noreferrer nofollow" target="_blank">Hugh Hayden</a></li><li><a href=" https://www.pacegallery.com/artists/louise-nevelson/" rel="noopener noreferrer nofollow" target="_blank">Louise Nevelson</a></li><li><a href="https://www.pacegallery.com/exhibitions/brice-guilbert-ti-brule/" rel="noopener noreferrer nofollow" target="_blank">Brice Guilbert</a></li><li><a href="https://www.antonygormley.com/" rel="noopener noreferrer nofollow" target="_blank">Antony Gormley</a></li><li><a href="https://gagosian.com/artists/jade-fadojutimi/" rel="noopener noreferrer nofollow" target="_blank">Jadé Fadojutimi</a></li><li><a href="https://www.joanmitchellfoundation.org/joan-mitchell/artwork" rel="noopener noreferrer nofollow" target="_blank">Joan Mitchell</a></li><li><a href="https://www.bortolamigallery.com/artists/naotaka-hiro" rel="noopener noreferrer nofollow" target="_blank">Naotaka Hiro</a></li><li><a href="https://www.annaparkart.com/" rel="noopener noreferrer nofollow" target="_blank">Anna Park</a></li><li><a href="https://www.xavierhufkens.com/artists/josh-smith" rel="noopener noreferrer nofollow" target="_blank">Josh Smith</a></li><li><a href="https://gagosian.com/artists/thomas-houseago/" rel="noopener noreferrer nofollow" target="_blank">Thomas Houseago</a></li></ul>]]></description><guid isPermaLink="false">84b73137-1567-417f-a1aa-031c2588a053</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 29 Oct 2025 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/453fc883a78e51d38699f37e410ba20ea221aabccffc9c43323de164cded4283/eyJlcGlzb2RlSWQiOiIyMGNiZDQwMi05ZDEzLTRiYjAtYjNmZC1hMGY1MDE1NzYxZGIiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvMjBjYmQ0MDItOWQxMy00YmIwLWIzZmQtYTBmNTAxNTc2MWRiLzg0YjczMTM3LTE1NjctNDE3Zi1hMWFhLTAzMWMyNTg4YTA1My5tcDMifQ==.mp3" length="61701578" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/20cbd402-9d13-4bb0-b3fd-a0f5015761db/84b73137-1567-417f-a1aa-031c2588a053.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Today I am in Paris with Raphaël Isvy (&lt;a href=&quot;https://www.instagram.com/raph_is/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@raph_is&lt;/a&gt;) Raphaël doesn&apos;t come from an art background or career but since he was a kid, the act of collecting has been a big part of his life - be it trainers, Pokemon cards or video games.&lt;/p&gt;&lt;p&gt;His fine art journey began in 2016 and since 2022, he has been collecting art full time. Raphaël&apos;s journey as a fully self-taught collector is incredibly inspiring, I can’t thank him enough for sharing it in such an open and candid way! From the early days finding artists on Instagram, to mentoring aspiring collectors today, Raphaël truly walks the talk when it comes to helping more people enter and navigate the art world.&lt;/p&gt;&lt;p&gt;Drawing on Raphaël&apos;s personal experiences, we also discuss the unspoken rules outsiders and newcomers have to contend with, and he shares his honest views on how the art market operates. This discussion was full of amazing insights - I really loved it and I hope you do too!&lt;/p&gt;&lt;p&gt;References and artists mentioned by Raphael:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://www.pacegallery.com/artists/robert-nava/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Robert Nava&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.ppowgallery.com/artists/robin-f-williams#tab:thumbnails&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Robin Francesca Williams&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.petzel.com/artists/tomoo-gokita&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Tomoo Gokita&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.studioleeufan.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Lee Ufan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.lissongallery.com/artists/hugh-hayden&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Hugh Hayden&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot; https://www.pacegallery.com/artists/louise-nevelson/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Louise Nevelson&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.pacegallery.com/exhibitions/brice-guilbert-ti-brule/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Brice Guilbert&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.antonygormley.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Antony Gormley&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gagosian.com/artists/jade-fadojutimi/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jadé Fadojutimi&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.joanmitchellfoundation.org/joan-mitchell/artwork&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Joan Mitchell&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.bortolamigallery.com/artists/naotaka-hiro&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Naotaka Hiro&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.annaparkart.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Anna Park&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.xavierhufkens.com/artists/josh-smith&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Josh Smith&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gagosian.com/artists/thomas-houseago/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Thomas Houseago&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>01:04:16</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/20cbd402-9d13-4bb0-b3fd-a0f5015761db/84b73137-1567-417f-a1aa-031c2588a053.jpg"/><itunes:title>An eye opening insight into the art market with Raphaël Isvy</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Building a Timeless Art Collection with Corina Krawinkel]]></title><description><![CDATA[<p>In this episode of The Collector's Corner, I am speaking with Corina Krawinkel about her collecting journey.</p><p>A dentist by background who owns two dental practices in the Cologne area, Corina started collecting at the age of 19 and is a well-known collector in Germany's contemporary art scene. Her collection which focuses on post-war German art, has grown to include both iconic artists from her generation and emerging talent. In our conversation, Corina talks about how she personally approaches collecting and why historical and contemporary contexts play such an important part in how she selects work. She also values rediscovering overlooked female artists and believes in encouraging a vibrant art community, that she is an active member of.</p><p>A passionate collector for many years, Corina shares valuable tips for aspiring collectors, from how to build relationships with gallerists to the importance of research when looking at art.</p><p>I learned a lot in my conversation with Corina and hope you enjoy it!</p><p>Artists mentioned in the episode and that Corina collects:</p><ul><li><a href="https://www.instagram.com/maximgordon/" rel="noopener noreferrer nofollow" target="_blank">Maxim Gunga </a></li><li><a href="https://www.hauserwirth.com/artists/2784-isa-genzken/" rel="noopener noreferrer nofollow" target="_blank">Isa Genzken</a></li><li><a href="https://www.instagram.com/weaver_grace/" rel="noopener noreferrer nofollow" target="_blank">Grace Weaver</a></li><li><a href="https://www.instagram.com/adampaints" rel="noopener noreferrer nofollow" target="_blank">Adam Lupton</a></li><li><a href="https://www.jonathanmeese.com/" rel="noopener noreferrer nofollow" target="_blank">Jonathan Meese</a></li><li><a href="https://www.instagram.com/katharina_grosse/#" rel="noopener noreferrer nofollow" target="_blank">Katharina Grosse</a></li><li><a href="https://en.wikipedia.org/wiki/Leonora_Carrington" rel="noopener noreferrer nofollow" target="_blank">Leonora Carrington</a></li><li><a href="https://spruethmagers.com/artists/anne-imhof/" rel="noopener noreferrer nofollow" target="_blank">Anne Imhof</a></li><li><a href="https://alicjakwade.com/" rel="noopener noreferrer nofollow" target="_blank">Alicja Kwade</a></li><li><a href="www.uecker-werke.de" rel="noopener noreferrer nofollow" target="_blank">Günther Uecker </a></li><li><a href="https://www.philara.de/en/about" rel="noopener noreferrer nofollow" target="_blank">Philara Collection (Bronner family)</a></li></ul><p></p><p>***</p><p>Would love to hear your thoughts &amp; feedback!</p><p>On social media <a href="collectors_corner_" rel="noopener noreferrer nofollow" target="_blank">⁠⁠@collectors_corner_⁠⁠</a>or via email on the website <a href="https://www.thecollectorscornerpodcast.com/" rel="noopener noreferrer nofollow" target="_blank">⁠⁠thecollectorscornerpodcast.com/⁠</a></p>]]></description><guid isPermaLink="false">49568de1-6a32-4a84-9825-6c6877c4c5e2</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 03 Sep 2025 06:02:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/0de293e6d781738b044c68b6bb1ddb92ffddc9a2c163a1abb1ac400ddcaf69f5/eyJlcGlzb2RlSWQiOiI2NzQ2MWM5Ni1kYjQ2LTQ1OTUtYjJkOC1mYzQ2ZGFjMzUyZjIiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvNjc0NjFjOTYtZGI0Ni00NTk1LWIyZDgtZmM0NmRhYzM1MmYyLzQ5NTY4ZGUxLTZhMzItNGE4NC05ODI1LTZjNjg3N2M0YzVlMi5tcDMifQ==.mp3" length="42376267" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/67461c96-db46-4595-b2d8-fc46dac352f2/49568de1-6a32-4a84-9825-6c6877c4c5e2.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;In this episode of The Collector&apos;s Corner, I am speaking with Corina Krawinkel about her collecting journey.&lt;/p&gt;&lt;p&gt;A dentist by background who owns two dental practices in the Cologne area, Corina started collecting at the age of 19 and is a well-known collector in Germany&apos;s contemporary art scene. Her collection which focuses on post-war German art, has grown to include both iconic artists from her generation and emerging talent. In our conversation, Corina talks about how she personally approaches collecting and why historical and contemporary contexts play such an important part in how she selects work. She also values rediscovering overlooked female artists and believes in encouraging a vibrant art community, that she is an active member of.&lt;/p&gt;&lt;p&gt;A passionate collector for many years, Corina shares valuable tips for aspiring collectors, from how to build relationships with gallerists to the importance of research when looking at art.&lt;/p&gt;&lt;p&gt;I learned a lot in my conversation with Corina and hope you enjoy it!&lt;/p&gt;&lt;p&gt;Artists mentioned in the episode and that Corina collects:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/maximgordon/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Maxim Gunga &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.hauserwirth.com/artists/2784-isa-genzken/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Isa Genzken&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/weaver_grace/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Grace Weaver&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/adampaints&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Adam Lupton&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.jonathanmeese.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jonathan Meese&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/katharina_grosse/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Katharina Grosse&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Leonora_Carrington&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Leonora Carrington&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://spruethmagers.com/artists/anne-imhof/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Anne Imhof&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://alicjakwade.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Alicja Kwade&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;www.uecker-werke.de&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Günther Uecker &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.philara.de/en/about&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Philara Collection (Bronner family)&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;***&lt;/p&gt;&lt;p&gt;Would love to hear your thoughts &amp;amp; feedback!&lt;/p&gt;&lt;p&gt;On social media &lt;a href=&quot;collectors_corner_&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠@collectors_corner_⁠⁠&lt;/a&gt;or via email on the website &lt;a href=&quot;https://www.thecollectorscornerpodcast.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠thecollectorscornerpodcast.com/⁠&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:44:08</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/67461c96-db46-4595-b2d8-fc46dac352f2/49568de1-6a32-4a84-9825-6c6877c4c5e2.jpg"/><itunes:title>Building a Timeless Art Collection with Corina Krawinkel</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[How Collecting Expands Who You Believe You Are with Klaus Mertens]]></title><description><![CDATA[<p>Today I am interviewing Klaus Mertens, a discreet but active Berlin-based collector who also sits on the advisory board of <a href="https://hausamwaldsee.de/en/" rel="noopener noreferrer nofollow" target="_blank">Haus am Waldsee</a>, one of the most exciting contemporary art venues in the city. Klaus most recently founded a deep tech company, but he has had an interest in contemporary art since he was a student and started acquiring works together with his wife a few years ago. They slowed down collecting with the arrival of their kids but remain committed to building their collection, particularly favouring artists who have ties to the Berlin art scene.</p><p>With Klaus we spoke about the ways collecting takes you to places, both literally and figuratively, that you might have never expected, how in general most people tend to buy too early, and more broadly the power &amp; responsibility that come with having the ability and privilege to purchase art.</p><p>We also talk about some of the artists Klaus collects, and I will be sharing photographs on the podcast IG account as Klaus is not active on social media himself.</p><p>This was such an insightful conversation with many actionable tips from a collector who is truly committed to bringing artistic voices of our time to the forefront. I hope you enjoy!</p><p>Artists and references mentioned in the episode:</p><ul><li><a href="https://fraenkelgallery.com/artists/bernd-and-hilla-becher" rel="noopener noreferrer nofollow" target="_blank">Bernd and Hilla Becher</a></li><li><a href="https://becherklasse.staedelmuseum.de/en" rel="noopener noreferrer nofollow" target="_blank">Becher photography students</a></li><li><a href="https://www.maxhetzler.com/artists/christopher-wool" rel="noopener noreferrer nofollow" target="_blank">Christopher Wool</a></li><li><a href="https://alexanderlevy.de/artist/julius-von-bismarck" rel="noopener noreferrer nofollow" target="_blank">Julius von Bismarck</a></li><li><a href="https://www.danielmarzona.com/" rel="noopener noreferrer nofollow" target="_blank">Daniel Marzona gallery</a></li><li><a href="https://www.klemms-berlin.com/gallery/" rel="noopener noreferrer nofollow" target="_blank">Sebastian Klemm gallery</a></li><li><a href="https://alexanderlevy.de/" rel="noopener noreferrer nofollow" target="_blank">Alexander Levy gallery</a></li><li><a href="https://galeriethomasfischer.de/" rel="noopener noreferrer nofollow" target="_blank">Thomas Fischer gallery</a></li><li><a href="https://drei.cologne/" rel="noopener noreferrer nofollow" target="_blank">DREI Gallery</a></li><li><a href="https://www.kw-berlin.de/de/ " rel="noopener noreferrer nofollow" target="_blank">KW Institute for Contemporary Art </a></li><li><a href="https://alexanderlevy.de/artist/fabian-knecht" rel="noopener noreferrer nofollow" target="_blank">Fabian Knecht </a></li><li><a href="https://www.produzentengalerie.com/artists/prateek-vijan/ " rel="noopener noreferrer nofollow" target="_blank">Prateek Vijan</a></li><li><a href="https://officeimpart.com/salome-chatriot" rel="noopener noreferrer nofollow" target="_blank">Salomé Chatriot</a></li><li><a href="https://www.skny.com/artists/callum-innes" rel="noopener noreferrer nofollow" target="_blank">Callum Innes</a></li></ul>]]></description><guid isPermaLink="false">b1602991-0f1f-4aa8-b81b-a87c43ef4055</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 17 Dec 2025 06:01:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/d28277c4b025e955e7448dc1c3e1a03164050329083d1356c4a5371179d9b296/eyJlcGlzb2RlSWQiOiIzYTIxMDFlMS05Yzg4LTQzY2ItYTVlNC04ZjU4NGMwYTIxNDUiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvM2EyMTAxZTEtOWM4OC00M2NiLWE1ZTQtOGY1ODRjMGEyMTQ1L2IxNjAyOTkxLTBmMWYtNGFhOC1iODFiLWE4N2M0M2VmNDA1NS5tcDMifQ==.mp3" length="45355900" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/3a2101e1-9c88-43cb-a5e4-8f584c0a2145/b1602991-0f1f-4aa8-b81b-a87c43ef4055.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Today I am interviewing Klaus Mertens, a discreet but active Berlin-based collector who also sits on the advisory board of &lt;a href=&quot;https://hausamwaldsee.de/en/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Haus am Waldsee&lt;/a&gt;, one of the most exciting contemporary art venues in the city. Klaus most recently founded a deep tech company, but he has had an interest in contemporary art since he was a student and started acquiring works together with his wife a few years ago. They slowed down collecting with the arrival of their kids but remain committed to building their collection, particularly favouring artists who have ties to the Berlin art scene.&lt;/p&gt;&lt;p&gt;With Klaus we spoke about the ways collecting takes you to places, both literally and figuratively, that you might have never expected, how in general most people tend to buy too early, and more broadly the power &amp;amp; responsibility that come with having the ability and privilege to purchase art.&lt;/p&gt;&lt;p&gt;We also talk about some of the artists Klaus collects, and I will be sharing photographs on the podcast IG account as Klaus is not active on social media himself.&lt;/p&gt;&lt;p&gt;This was such an insightful conversation with many actionable tips from a collector who is truly committed to bringing artistic voices of our time to the forefront. I hope you enjoy!&lt;/p&gt;&lt;p&gt;Artists and references mentioned in the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://fraenkelgallery.com/artists/bernd-and-hilla-becher&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Bernd and Hilla Becher&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://becherklasse.staedelmuseum.de/en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Becher photography students&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.maxhetzler.com/artists/christopher-wool&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Christopher Wool&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://alexanderlevy.de/artist/julius-von-bismarck&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Julius von Bismarck&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.danielmarzona.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Daniel Marzona gallery&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.klemms-berlin.com/gallery/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Sebastian Klemm gallery&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://alexanderlevy.de/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Alexander Levy gallery&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://galeriethomasfischer.de/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Thomas Fischer gallery&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://drei.cologne/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;DREI Gallery&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.kw-berlin.de/de/ &quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;KW Institute for Contemporary Art &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://alexanderlevy.de/artist/fabian-knecht&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Fabian Knecht &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.produzentengalerie.com/artists/prateek-vijan/ &quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Prateek Vijan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://officeimpart.com/salome-chatriot&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Salomé Chatriot&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.skny.com/artists/callum-innes&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Callum Innes&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:47:14</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/3a2101e1-9c88-43cb-a5e4-8f584c0a2145/b1602991-0f1f-4aa8-b81b-a87c43ef4055.jpg"/><itunes:title>How Collecting Expands Who You Believe You Are with Klaus Mertens</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Building the Art World's Missing Infrastructure with Ade Sanusi from Art Meets Culture]]></title><description><![CDATA[<p>The collector experience doesn't exist in isolation: it's shaped by the infrastructure around it, the web connecting artists to galleries, galleries to new audiences, and new audiences to the work. The problem is, that infrastructure has gaps.</p><p>Ade Sanusi, founder of Art Meets Culture (<a href="https://www.instagram.com/artmeetsculture/?hl=en" rel="noopener noreferrer nofollow" target="_blank">@artmeetsculture</a>), has spent years identifying where it fails and building his own answer to it. Through events, brand partnerships, talks, and a brilliant podcast, he creates what he calls cultural infrastructure for the next generation of artists - in particular those trying to build careers without traditional entry points. He came up through the music industry, and in my opinion the parallels he draws make the picture very telling.</p><p>I am the first to tend to describe the art world as an 'ecosystem' but I like how Ade reframes it as infrastructure. Unlike an ecosystem, infrastructure feels tangible -it can be measured, objectively critiques and rebuilt. And that's exactly what he's doing.</p><p>References mentioned in the episode:</p><ul><li><a href="https://en.wikipedia.org/wiki/Exit_Through_the_Gift_Shop" rel="noopener noreferrer nofollow" target="_blank">Banksy documentary Exit through the gift shop</a></li><li><a href="https://mrbrainwash.com/" rel="noopener noreferrer nofollow" target="_blank">Mr Brainwash</a></li><li><a href="https://www.dsyf.com/" rel="noopener noreferrer nofollow" target="_blank">DSYF</a></li><li><a href="https://saatchiyates.com/exhibitions/slawn-s-studio" rel="noopener noreferrer nofollow" target="_blank">Slawn at Saatchi Yates</a></li><li><a href="https://www.1-54.com/" rel="noopener noreferrer nofollow" target="_blank">1-54</a></li><li><a href="https://www.hublot.com/en-int/find-your-hublot/exceptional-timepieces/daniel-arsham" rel="noopener noreferrer nofollow" target="_blank">Daniel Arsham and Hublot</a></li><li><a href="https://cristearoberts.com/artists/233-yinka-ilori/" rel="noopener noreferrer nofollow" target="_blank">Yinka Ilori </a></li><li><a href="https://www.lego.com/en-us/aboutus/news/2021/october/launderette-of-dreams" rel="noopener noreferrer nofollow" target="_blank">Yinka Ilori &amp; Lego: Launderette of Dreams</a></li><li><a href="https://www.pureteeelusive.com/" rel="noopener noreferrer nofollow" target="_blank">Puretee Elusive</a></li><li><a href="https://kristinhjellegjerde.com/artists/363-ken-nwadiogbu/overview/" rel="noopener noreferrer nofollow" target="_blank">Ken Nwadiogbu</a></li><li><a href="https://www.kobmart.co.uk/" rel="noopener noreferrer nofollow" target="_blank">Koby Martin</a></li><li><a href="https://www.instagram.com/clubbum/" rel="noopener noreferrer nofollow" target="_blank">Club Bum</a></li><li><a href="https://www.hebrubrantley.com/" rel="noopener noreferrer nofollow" target="_blank">Hebru Brantley</a></li><li><a href="https://www.maxhetzler.com/artists/kaws" rel="noopener noreferrer nofollow" target="_blank">KAWS</a></li><li><a href="https://www.skny.com/artists/kehinde-wiley" rel="noopener noreferrer nofollow" target="_blank">Kehinde WIley</a></li></ul><p></p>]]></description><guid isPermaLink="false">b66aba58-4ac8-4255-8ceb-0ace747a3085</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 10 Jun 2026 05:04:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/305c8935cfc3234aae0928aed9ccabf24018ea4990657a86f43ffda69786ebcd/eyJlcGlzb2RlSWQiOiJjZWFjMTUwMi1mNjNmLTRkOWYtOGUxZC1jMThiNGNhZDg2ZGQiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvY2VhYzE1MDItZjYzZi00ZDlmLThlMWQtYzE4YjRjYWQ4NmRkL2I2NmFiYTU4LTRhYzgtNDI1NS04Y2ViLTBhY2U3NDdhMzA4NS5tcDMifQ==.mp3" length="50326306" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/ceac1502-f63f-4d9f-8e1d-c18b4cad86dd/b66aba58-4ac8-4255-8ceb-0ace747a3085.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;The collector experience doesn&apos;t exist in isolation: it&apos;s shaped by the infrastructure around it, the web connecting artists to galleries, galleries to new audiences, and new audiences to the work. The problem is, that infrastructure has gaps.&lt;/p&gt;&lt;p&gt;Ade Sanusi, founder of Art Meets Culture (&lt;a href=&quot;https://www.instagram.com/artmeetsculture/?hl=en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@artmeetsculture&lt;/a&gt;), has spent years identifying where it fails and building his own answer to it. Through events, brand partnerships, talks, and a brilliant podcast, he creates what he calls cultural infrastructure for the next generation of artists - in particular those trying to build careers without traditional entry points. He came up through the music industry, and in my opinion the parallels he draws make the picture very telling.&lt;/p&gt;&lt;p&gt;I am the first to tend to describe the art world as an &apos;ecosystem&apos; but I like how Ade reframes it as infrastructure. Unlike an ecosystem, infrastructure feels tangible -it can be measured, objectively critiques and rebuilt. And that&apos;s exactly what he&apos;s doing.&lt;/p&gt;&lt;p&gt;References mentioned in the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Exit_Through_the_Gift_Shop&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Banksy documentary Exit through the gift shop&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://mrbrainwash.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Mr Brainwash&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.dsyf.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;DSYF&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://saatchiyates.com/exhibitions/slawn-s-studio&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Slawn at Saatchi Yates&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.1-54.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;1-54&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.hublot.com/en-int/find-your-hublot/exceptional-timepieces/daniel-arsham&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Daniel Arsham and Hublot&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://cristearoberts.com/artists/233-yinka-ilori/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Yinka Ilori &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.lego.com/en-us/aboutus/news/2021/october/launderette-of-dreams&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Yinka Ilori &amp;amp; Lego: Launderette of Dreams&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.pureteeelusive.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Puretee Elusive&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://kristinhjellegjerde.com/artists/363-ken-nwadiogbu/overview/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Ken Nwadiogbu&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.kobmart.co.uk/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Koby Martin&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/clubbum/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Club Bum&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.hebrubrantley.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Hebru Brantley&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.maxhetzler.com/artists/kaws&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;KAWS&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.skny.com/artists/kehinde-wiley&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Kehinde WIley&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:52:25</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/ceac1502-f63f-4d9f-8e1d-c18b4cad86dd/b66aba58-4ac8-4255-8ceb-0ace747a3085.jpg"/><itunes:title>Building the Art World&apos;s Missing Infrastructure with Ade Sanusi from Art Meets Culture</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[The Doctor who runs a Salon with Toni Nolte]]></title><description><![CDATA[<p>Today I am speaking with Toni Nolte, a Cologne-based collector, during one of her visits to Berlin.</p><p>Toni is a medical doctor by training and heads the department for phoniatrics &amp; paedaudiology at the University Hospital in Bonn. For a while, she considered a career in art but chose to study medicine, nonetheless dedicating all her free time to art since. Surprisingly, Toni only recently got into collecting painting. She explains why and and talks about how her early passion for photography has informed the way she approaches collecting across mediums. She also shares some of the unexpected places aspiring collectors should look to spend time in to train their eye and get inspired.</p><p>Above all, Toni is a very active supporter of young and emerging artists, and leads multiple innovative initiatives in the Rhineland region to create a bigger platform for them, including her own Salon <a href="https://www.instagram.com/salon_roberta/" rel="noopener noreferrer nofollow" target="_blank">@salon_roberta</a></p><p>My conversation with Toni was super refreshing &amp; inspiring, and I loved the perspective she brought. I hope you enjoy it too !</p><p>References mentioned by Toni:</p><ul><li><a href="https://de.wikipedia.org/wiki/D%C3%BCsseldorfer_Photoschule" rel="noopener noreferrer nofollow" target="_blank">Becher Schule</a></li><li><a href="https://www.andreasgursky.com/en" rel="noopener noreferrer nofollow" target="_blank">Andreas Gursky</a></li><li><a href="https://thomas-struth.com/" rel="noopener noreferrer nofollow" target="_blank">Thomas Struth</a></li><li><a href="https://www.davidzwirner.com/artists/thomas-ruff" rel="noopener noreferrer nofollow" target="_blank">Thomas Ruff</a></li><li><a href="https://www.hamburg.com/visitors/museums/deichtorhallen-18820" rel="noopener noreferrer nofollow" target="_blank">Deichtorhallen</a></li><li><a href="https://schiefe-zaehne.com/artists/phung-tien-phan/ " rel="noopener noreferrer nofollow" target="_blank">Phung Tien Phan</a></li><li><a href="https://www.sieshoeke.com/exhibitions/niklas-taleb" rel="noopener noreferrer nofollow" target="_blank">Niklas Taleb</a></li><li><a href="https://bonner-kunstverein.de/en/ " rel="noopener noreferrer nofollow" target="_blank">Bonner Kunstverein</a></li><li><a href="https://kunstvereine.de/de/jahresgaben" rel="noopener noreferrer nofollow" target="_blank">Jahresgaben</a></li><li><a href="https://de.wikipedia.org/wiki/Gerhard_Richter" rel="noopener noreferrer nofollow" target="_blank">Gerhard Richter</a></li><li><a href="https://de.wikipedia.org/wiki/Rosemarie_Trockel" rel="noopener noreferrer nofollow" target="_blank">Rosemarie Trockel</a></li><li><a href="https://www.mertes.de/soziales-engagement/peter-mertes-stipendium/" rel="noopener noreferrer nofollow" target="_blank">Peter Mertes Stipendium</a></li><li><a href="https://gesellschaft-museum-ludwig.de/en/initiativen-und-preise/junger-ankauf/" rel="noopener noreferrer nofollow" target="_blank">Junger Ankauf at Museum Ludwig </a></li><li><a href="https://www.museum-ludwig.de/de/museum/das-museum/partnerinnen-und-foerdererinnen/unsere-foerdererinnen/gesellschaft-fuer-moderne-kunst" rel="noopener noreferrer nofollow" target="_blank">Gesellschaft fuer Moderne Kunst at Museum Ludwig</a></li><li><a href=" https://www.artcologne.com/" rel="noopener noreferrer nofollow" target="_blank">Art Cologne</a></li><li><a href="https://www.estherschipper.com/artists/119-cemile-sahin/" rel="noopener noreferrer nofollow" target="_blank">Cemile Sahin</a></li><li><a href="https://chisenhale.org.uk/archive/artist/bruno-zhu " rel="noopener noreferrer nofollow" target="_blank">Bruno Zhu</a></li><li><a href="https://en.wikipedia.org/wiki/Hieronymus_Bosch" rel="noopener noreferrer nofollow" target="_blank">Hieronymus Bosch</a></li><li><a href="https://www.musee-unterlinden.com/de/sammlungen/isenheimer-altar/" rel="noopener noreferrer nofollow" target="_blank">Gruenewald Altar (Isenheimer Altar) </a></li><li><a href="https://www.smb.museum/museen-einrichtungen/gemaeldegalerie/home/" rel="noopener noreferrer nofollow" target="_blank">Gemaeldegalerie Berlin</a></li><li><a href="https://yartgallerytt.com/artists/ryan-huggins/" rel="noopener noreferrer nofollow" target="_blank">Ryan Huggins</a></li><li><a href="https://1ngv4.com/lukas-mueller/" rel="noopener noreferrer nofollow" target="_blank">Lukas Mueller</a></li><li><a href="https://kunstverein-duesseldorf.de/en/editions/2023/keta-gavasheli/" rel="noopener noreferrer nofollow" target="_blank">Keta Gavasheli</a></li></ul>]]></description><guid isPermaLink="false">bcb1b978-5191-42b9-999d-7b29c613afe7</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 15 Oct 2025 05:02:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/f3e3677b4c37ac88276aded6ebdafcbc022c82544cd0c3d1264b3730ede5f7e7/eyJlcGlzb2RlSWQiOiJmMDVlZmJhMy1jZWU1LTQzOGQtOWJhYi02ZDAwMGFmNzliNWEiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvZjA1ZWZiYTMtY2VlNS00MzhkLTliYWItNmQwMDBhZjc5YjVhL2JjYjFiOTc4LTUxOTEtNDJiOS05OTlkLTdiMjljNjEzYWZlNy5tcDMifQ==.mp3" length="46519435" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/f05efba3-cee5-438d-9bab-6d000af79b5a/bcb1b978-5191-42b9-999d-7b29c613afe7.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Today I am speaking with Toni Nolte, a Cologne-based collector, during one of her visits to Berlin.&lt;/p&gt;&lt;p&gt;Toni is a medical doctor by training and heads the department for phoniatrics &amp;amp; paedaudiology at the University Hospital in Bonn. For a while, she considered a career in art but chose to study medicine, nonetheless dedicating all her free time to art since. Surprisingly, Toni only recently got into collecting painting. She explains why and and talks about how her early passion for photography has informed the way she approaches collecting across mediums. She also shares some of the unexpected places aspiring collectors should look to spend time in to train their eye and get inspired.&lt;/p&gt;&lt;p&gt;Above all, Toni is a very active supporter of young and emerging artists, and leads multiple innovative initiatives in the Rhineland region to create a bigger platform for them, including her own Salon &lt;a href=&quot;https://www.instagram.com/salon_roberta/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@salon_roberta&lt;/a&gt;&lt;/p&gt;&lt;p&gt;My conversation with Toni was super refreshing &amp;amp; inspiring, and I loved the perspective she brought. I hope you enjoy it too !&lt;/p&gt;&lt;p&gt;References mentioned by Toni:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://de.wikipedia.org/wiki/D%C3%BCsseldorfer_Photoschule&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Becher Schule&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.andreasgursky.com/en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Andreas Gursky&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://thomas-struth.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Thomas Struth&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.davidzwirner.com/artists/thomas-ruff&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Thomas Ruff&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.hamburg.com/visitors/museums/deichtorhallen-18820&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Deichtorhallen&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://schiefe-zaehne.com/artists/phung-tien-phan/ &quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Phung Tien Phan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.sieshoeke.com/exhibitions/niklas-taleb&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Niklas Taleb&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://bonner-kunstverein.de/en/ &quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Bonner Kunstverein&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://kunstvereine.de/de/jahresgaben&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jahresgaben&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://de.wikipedia.org/wiki/Gerhard_Richter&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Gerhard Richter&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://de.wikipedia.org/wiki/Rosemarie_Trockel&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Rosemarie Trockel&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.mertes.de/soziales-engagement/peter-mertes-stipendium/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Peter Mertes Stipendium&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gesellschaft-museum-ludwig.de/en/initiativen-und-preise/junger-ankauf/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Junger Ankauf at Museum Ludwig &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.museum-ludwig.de/de/museum/das-museum/partnerinnen-und-foerdererinnen/unsere-foerdererinnen/gesellschaft-fuer-moderne-kunst&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Gesellschaft fuer Moderne Kunst at Museum Ludwig&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot; https://www.artcologne.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Art Cologne&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.estherschipper.com/artists/119-cemile-sahin/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Cemile Sahin&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://chisenhale.org.uk/archive/artist/bruno-zhu &quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Bruno Zhu&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Hieronymus_Bosch&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Hieronymus Bosch&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.musee-unterlinden.com/de/sammlungen/isenheimer-altar/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Gruenewald Altar (Isenheimer Altar) &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.smb.museum/museen-einrichtungen/gemaeldegalerie/home/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Gemaeldegalerie Berlin&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://yartgallerytt.com/artists/ryan-huggins/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Ryan Huggins&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://1ngv4.com/lukas-mueller/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Lukas Mueller&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://kunstverein-duesseldorf.de/en/editions/2023/keta-gavasheli/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Keta Gavasheli&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:48:27</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/f05efba3-cee5-438d-9bab-6d000af79b5a/bcb1b978-5191-42b9-999d-7b29c613afe7.jpg"/><itunes:title>The Doctor who runs a Salon with Toni Nolte</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[What Defines A Collector with CURA Art]]></title><description><![CDATA[<p>If there’s one thing I’m learning with this podcast is that there is no single or right way to collect. So speaking with Liza Shapiro (<a href="https://www.instagram.com/lizashapiro/" rel="noopener noreferrer nofollow" target="_blank">@lizashapiro</a>) and Georgia Powell (<a href="https://www.instagram.com/georgiabethpowell/" rel="noopener noreferrer nofollow" target="_blank">@georgiabethpowell</a>), the founders of CURA Art (<a href="https://www.instagram.com/cura_art_/" rel="noopener noreferrer nofollow" target="_blank">@cura_art_</a>), I was excited to get a bit more of a meta view on the topic. Since 2019, they've worked with a broad variety of private and corporate collectors between London and Los Angeles, to support them in the ongoing care and management of their collections.</p><p>To them caring for one’s art collection is akin to taking care of one’s physical health - an analogy they’ve seen eye to eye on ever since they first met while working together at the Redfern Gallery in London.</p><p>Georgia and Liza care deeply about the art they look after on behalf of their clients. However, what motivates them above everything else is developing personal relationships with their clients to help them build collections thoughtfully with purpose, integrity and intent, and ultimately allow them to embrace their role as custodians.</p><p>What differences are there between seasoned and new collectors, how do the London and LA art cultures compare, what is really the biggest threat to any art collection. Georgia and Liza share fascinating insights on this and more.</p><p>So I’ll stop here and leave you to enjoy my conversation with Georgia Powell and Liza Shapiro of CURA Art.</p><p>References from the episode:</p><ul><li><a href="https://www.frieze.com/fairs/frieze-los-angeles" rel="noopener noreferrer nofollow" target="_blank">Frieze LA</a></li><li><a href="https://www.frieze.com/fairs/frieze-london" rel="noopener noreferrer nofollow" target="_blank">Frieze london</a></li><li><a href="https://www.echosoho.com/" rel="noopener noreferrer nofollow" target="_blank">Echo Soho art fair</a></li><li><a href="https://www.lundhumphries.com/products/nextgen-collectors-and-the-art-market" rel="noopener noreferrer nofollow" target="_blank">NextGen Collectors and the Art market by Georgina Adam</a></li><li><a href="https://media.dorchestercollection.com/the-beverly-hills-hotel-and-hotel-bel-air-reveal-2026-art-exhibition-programme/?lang=eng" rel="noopener noreferrer nofollow" target="_blank">Beverly Hills Hotel and Hotel Bel-Air art programme</a></li><li><a href="https://labeastgallery.com/artists/47-amy-mackay/" rel="noopener noreferrer nofollow" target="_blank">Amy Mackay </a></li><li><a href="https://www.ackermanstudios.com/" rel="noopener noreferrer nofollow" target="_blank">Ackerman Studios</a></li><li><a href="https://www.wilder.gallery/" rel="noopener noreferrer nofollow" target="_blank">Wilder Gallery London</a></li><li><a href="https://www.wilder.gallery/xanthe-burdett" rel="noopener noreferrer nofollow" target="_blank">Xanthe Burdett </a></li><li><a href="https://tahneelonsdale.com/exhibitions" rel="noopener noreferrer nofollow" target="_blank">Tahnee Lonsdale </a></li><li><a href="https://www.instagram.com/joysimmonsdivadoc/" rel="noopener noreferrer nofollow" target="_blank">Joy Simmons</a></li><li><a href="https://www.instagram.com/p/DHGJpVxSGOa/" rel="noopener noreferrer nofollow" target="_blank">Henriane Mourgue d'Algue </a></li></ul><p></p><p>Follow the podcast to see the guests' collections at <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">⁠@collectors_corner_⁠</a> !</p><p><em>Cover art picture by Jayne West Photography</em></p>]]></description><guid isPermaLink="false">4097889e-a1d1-42fa-92aa-aaa3530a9681</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 08 Apr 2026 05:02:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/386d5cd1f80800d600c65b290761075879b854fb58957b2ab710607eed013dd0/eyJlcGlzb2RlSWQiOiJmZmFlYjJlOC1lODhlLTQwODgtYjUyOC03ZGZlY2Y1YTM2ZjUiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvZmZhZWIyZTgtZTg4ZS00MDg4LWI1MjgtN2RmZWNmNWEzNmY1LzQwOTc4ODllLWExZDEtNDJmYS05MmFhLWFhYTM1MzBhOTY4MS5tcDMifQ==.mp3" length="56100369" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/ffaeb2e8-e88e-4088-b528-7dfecf5a36f5/4097889e-a1d1-42fa-92aa-aaa3530a9681.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;If there’s one thing I’m learning with this podcast is that there is no single or right way to collect. So speaking with Liza Shapiro (&lt;a href=&quot;https://www.instagram.com/lizashapiro/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@lizashapiro&lt;/a&gt;) and Georgia Powell (&lt;a href=&quot;https://www.instagram.com/georgiabethpowell/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@georgiabethpowell&lt;/a&gt;), the founders of CURA Art (&lt;a href=&quot;https://www.instagram.com/cura_art_/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@cura_art_&lt;/a&gt;), I was excited to get a bit more of a meta view on the topic. Since 2019, they&apos;ve worked with a broad variety of private and corporate collectors between London and Los Angeles, to support them in the ongoing care and management of their collections.&lt;/p&gt;&lt;p&gt;To them caring for one’s art collection is akin to taking care of one’s physical health - an analogy they’ve seen eye to eye on ever since they first met while working together at the Redfern Gallery in London.&lt;/p&gt;&lt;p&gt;Georgia and Liza care deeply about the art they look after on behalf of their clients. However, what motivates them above everything else is developing personal relationships with their clients to help them build collections thoughtfully with purpose, integrity and intent, and ultimately allow them to embrace their role as custodians.&lt;/p&gt;&lt;p&gt;What differences are there between seasoned and new collectors, how do the London and LA art cultures compare, what is really the biggest threat to any art collection. Georgia and Liza share fascinating insights on this and more.&lt;/p&gt;&lt;p&gt;So I’ll stop here and leave you to enjoy my conversation with Georgia Powell and Liza Shapiro of CURA Art.&lt;/p&gt;&lt;p&gt;References from the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://www.frieze.com/fairs/frieze-los-angeles&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Frieze LA&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.frieze.com/fairs/frieze-london&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Frieze london&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.echosoho.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Echo Soho art fair&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.lundhumphries.com/products/nextgen-collectors-and-the-art-market&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;NextGen Collectors and the Art market by Georgina Adam&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://media.dorchestercollection.com/the-beverly-hills-hotel-and-hotel-bel-air-reveal-2026-art-exhibition-programme/?lang=eng&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Beverly Hills Hotel and Hotel Bel-Air art programme&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://labeastgallery.com/artists/47-amy-mackay/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Amy Mackay &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.ackermanstudios.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Ackerman Studios&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.wilder.gallery/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Wilder Gallery London&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.wilder.gallery/xanthe-burdett&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Xanthe Burdett &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://tahneelonsdale.com/exhibitions&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Tahnee Lonsdale &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/joysimmonsdivadoc/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Joy Simmons&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/p/DHGJpVxSGOa/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Henriane Mourgue d&apos;Algue &lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Follow the podcast to see the guests&apos; collections at &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠@collectors_corner_⁠&lt;/a&gt; !&lt;/p&gt;&lt;p&gt;&lt;em&gt;Cover art picture by Jayne West Photography&lt;/em&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:58:26</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/ffaeb2e8-e88e-4088-b528-7dfecf5a36f5/4097889e-a1d1-42fa-92aa-aaa3530a9681.jpg"/><itunes:title>What Defines A Collector with CURA Art</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[[REPLAY] Building a Timeless Art Collection with Corina Krawinkel]]></title><description><![CDATA[<p>In this first episode of The Collector's Corner, I am speaking with Dr. Corina Krawinkel about her collecting journey.</p><p>A dentist by background who owns two dental practices in the Cologne area, Corina started collecting at the age of 19 and is a well-known collector in Germany's contemporary art scene. Her collection which focuses on post-war German art, has grown to include both iconic artists from her generation and emerging talent. In our conversation, Corina talks about how she personally approaches collecting and why historical and contemporary contexts play such an important part in how she selects work. She also values rediscovering overlooked female artists and believes in encouraging a vibrant art community, that she is an active member of.</p><p>A passionate collector for many years, Corina shares valuable tips for aspiring collectors, from how to build relationships with gallerists to the importance of research when looking at art.</p><p>I learned a lot in my conversation with Corina and hope you enjoy it!</p><p>Artists mentioned in the episode and that Corina collects:</p><ul><li><a href="https://www.instagram.com/maximgordon/" rel="noopener noreferrer nofollow" target="_blank">Maxim Gunga </a></li><li><a href="https://www.hauserwirth.com/artists/2784-isa-genzken/" rel="noopener noreferrer nofollow" target="_blank">Isa Genzken</a></li><li><a href="https://www.instagram.com/weaver_grace/" rel="noopener noreferrer nofollow" target="_blank">Grace Weaver</a></li><li><a href="https://www.instagram.com/adampaints" rel="noopener noreferrer nofollow" target="_blank">Adam Lupton</a></li><li><a href="https://www.jonathanmeese.com/" rel="noopener noreferrer nofollow" target="_blank">Jonathan Meese</a></li><li><a href="https://www.instagram.com/katharina_grosse/#" rel="noopener noreferrer nofollow" target="_blank">Katharina Grosse</a></li><li><a href="https://en.wikipedia.org/wiki/Leonora_Carrington" rel="noopener noreferrer nofollow" target="_blank">Leonora Carrington</a></li><li><a href="https://spruethmagers.com/artists/anne-imhof/" rel="noopener noreferrer nofollow" target="_blank">Anne Imhof</a></li><li><a href="https://alicjakwade.com/" rel="noopener noreferrer nofollow" target="_blank">Alicja Kwade</a></li><li><a href="www.uecker-werke.de" rel="noopener noreferrer nofollow" target="_blank">Günther Uecker </a></li><li><a href="https://www.philara.de/en/about" rel="noopener noreferrer nofollow" target="_blank">Philara Collection (Bronner family)</a></li></ul><p></p><p>***</p><p>Would love to hear your thoughts &amp; feedback!</p><p>On social media <a href="collectors_corner_" rel="noopener noreferrer nofollow" target="_blank">⁠⁠@collectors_corner_⁠⁠</a>or via email on the website <a href="https://www.thecollectorscornerpodcast.com/" rel="noopener noreferrer nofollow" target="_blank">⁠⁠thecollectorscornerpodcast.com/⁠</a></p>]]></description><guid isPermaLink="false">c62977fc-ddb2-4a6d-8eed-b0eef150358f</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 31 Dec 2025 07:00:03 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/345bb384340bc441e49a901b93dc45c478d081d97e163eaa552db277e158f23d/eyJlcGlzb2RlSWQiOiIzOWRjODg1YS01ZDMxLTQxYjAtYWY2YS0xYTM2MDAwMzA5NWIiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvMzlkYzg4NWEtNWQzMS00MWIwLWFmNmEtMWEzNjAwMDMwOTViL2M2Mjk3N2ZjLWRkYjItNGE2ZC04ZWVkLWIwZWVmMTUwMzU4Zi5tcDMifQ==.mp3" length="43496193" type="audio/mpeg"/><itunes:summary>&lt;p&gt;In this first episode of The Collector&apos;s Corner, I am speaking with Dr. Corina Krawinkel about her collecting journey.&lt;/p&gt;&lt;p&gt;A dentist by background who owns two dental practices in the Cologne area, Corina started collecting at the age of 19 and is a well-known collector in Germany&apos;s contemporary art scene. Her collection which focuses on post-war German art, has grown to include both iconic artists from her generation and emerging talent. In our conversation, Corina talks about how she personally approaches collecting and why historical and contemporary contexts play such an important part in how she selects work. She also values rediscovering overlooked female artists and believes in encouraging a vibrant art community, that she is an active member of.&lt;/p&gt;&lt;p&gt;A passionate collector for many years, Corina shares valuable tips for aspiring collectors, from how to build relationships with gallerists to the importance of research when looking at art.&lt;/p&gt;&lt;p&gt;I learned a lot in my conversation with Corina and hope you enjoy it!&lt;/p&gt;&lt;p&gt;Artists mentioned in the episode and that Corina collects:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/maximgordon/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Maxim Gunga &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.hauserwirth.com/artists/2784-isa-genzken/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Isa Genzken&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/weaver_grace/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Grace Weaver&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/adampaints&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Adam Lupton&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.jonathanmeese.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jonathan Meese&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/katharina_grosse/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Katharina Grosse&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Leonora_Carrington&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Leonora Carrington&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://spruethmagers.com/artists/anne-imhof/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Anne Imhof&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://alicjakwade.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Alicja Kwade&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;www.uecker-werke.de&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Günther Uecker &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.philara.de/en/about&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Philara Collection (Bronner family)&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;***&lt;/p&gt;&lt;p&gt;Would love to hear your thoughts &amp;amp; feedback!&lt;/p&gt;&lt;p&gt;On social media &lt;a href=&quot;collectors_corner_&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠@collectors_corner_⁠⁠&lt;/a&gt;or via email on the website &lt;a href=&quot;https://www.thecollectorscornerpodcast.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠thecollectorscornerpodcast.com/⁠&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:45:18</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/39dc885a-5d31-41b0-af6a-1a360003095b/c62977fc-ddb2-4a6d-8eed-b0eef150358f.jpg"/><itunes:title>[REPLAY] Building a Timeless Art Collection with Corina Krawinkel</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Art Speak and the One Text That Wasn't [Behind The Mic]]]></title><description><![CDATA[<p>Every gallery show has one: the text on the wall, or the sheet you pick up at the door, that is meant to help you understand the artwork. But how often does it actually do that? In this Behind The Mic episode, I talk about my complicated relationship with show texts, the validation I've been looking for in them, why they so often don't deliver it, and the afternoon at a Berlin gallery when one text finally changed my whole perspective.</p><p><a href="https://www.galeriemolitor.com/exhibitions/jesse-darling/" rel="noopener noreferrer nofollow" target="_blank">Jesse Darling, The Contractor at Galerie Molitor</a></p><p></p><p>I hope you enjoy this episode - let me know your thoughts on Instagram <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">@collectors_corner_</a> or on the <a href="https://www.thecollectorscorner.art" rel="noopener noreferrer nofollow" target="_blank">podcast website</a>!</p>]]></description><guid isPermaLink="false">6cbcc1bb-ee92-4937-a915-12653e125047</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 24 Jun 2026 05:05:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/651a5bb45ba0d29aaa19108ef3e2080684ef5be7a798a2afd3ea1ac856ae2331/eyJlcGlzb2RlSWQiOiI0NzBlNDk3Ni0zOTY1LTQ1OGEtYmQ3Yi1lNTA5MjBjMmM2NjEiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvNDcwZTQ5NzYtMzk2NS00NThhLWJkN2ItZTUwOTIwYzJjNjYxLzZjYmNjMWJiLWVlOTItNDkzNy1hOTE1LTEyNjUzZTEyNTA0Ny5tcDMifQ==.mp3" length="13261629" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/470e4976-3965-458a-bd7b-e50920c2c661/6cbcc1bb-ee92-4937-a915-12653e125047.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Every gallery show has one: the text on the wall, or the sheet you pick up at the door, that is meant to help you understand the artwork. But how often does it actually do that? In this Behind The Mic episode, I talk about my complicated relationship with show texts, the validation I&apos;ve been looking for in them, why they so often don&apos;t deliver it, and the afternoon at a Berlin gallery when one text finally changed my whole perspective.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;https://www.galeriemolitor.com/exhibitions/jesse-darling/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jesse Darling, The Contractor at Galerie Molitor&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;I hope you enjoy this episode - let me know your thoughts on Instagram &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@collectors_corner_&lt;/a&gt; or on the &lt;a href=&quot;https://www.thecollectorscorner.art&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;podcast website&lt;/a&gt;!&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:13:49</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/470e4976-3965-458a-bd7b-e50920c2c661/6cbcc1bb-ee92-4937-a915-12653e125047.jpg"/><itunes:title>Art Speak and the One Text That Wasn&apos;t [Behind The Mic]</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[ Introducing The Collector’s Corner - The insider guide to art collecting]]></title><description><![CDATA[<p>Have you ever looked at an artwork and wondered, "Could I own something like that?" Welcome to "The Collector's Corner" – your insider guide to the elusive world of art collecting.</p><p>Here, passionate collectors from all walks of life invite you into their journeys, sharing their passion for art and individual approach to collecting. "The Collector's Corner" is for anyone curious about the art world and art collecting, from breaking entry barriers to finding hidden gems and making smart investments.</p><p>Whether you're a seasoned or aspiring collector, follow and subscribe to "The Collector's Corner" to discover the personal stories behind the collections, as well as tips and advice for getting started.</p><p>I’m your host Antonia Piersanti - an art lover and aspiring collector. Starting in September listen to The Collector’s Corner on Apple Podcasts, Spotify and all your favourite podcast platforms.</p><p></p><p>***</p><p>Would love to hear your thoughts &amp; feedback!</p><p>On social media <a href="collectors_corner_" rel="noopener noreferrer nofollow" target="_blank">⁠⁠@collectors_corner_⁠⁠</a>or via email on the website <a href="https://www.thecollectorscornerpodcast.com/" rel="noopener noreferrer nofollow" target="_blank">⁠⁠thecollectorscornerpodcast.com/⁠</a></p>]]></description><guid isPermaLink="false">ccfdf81f-c928-4d4a-9cac-6993e29aff82</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 13 Aug 2025 06:39:09 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/ed7e7e01b71ae7ae4b05ff190785e11f0d5bcab5535ca2beac6106f4b29589f1/eyJlcGlzb2RlSWQiOiI1MTAzMGQ4NC05OGRjLTQ3ZGItYTE5ZS1kM2RjZmNkZjNkMjIiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvNTEwMzBkODQtOThkYy00N2RiLWExOWUtZDNkY2ZjZGYzZDIyL2NjZmRmODFmLWM5MjgtNGQ0YS05Y2FjLTY5OTNlMjlhZmY4Mi5tcDMifQ==.mp3" length="1047958" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/51030d84-98dc-47db-a19e-d3dcfcdf3d22/ccfdf81f-c928-4d4a-9cac-6993e29aff82.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Have you ever looked at an artwork and wondered, &quot;Could I own something like that?&quot; Welcome to &quot;The Collector&apos;s Corner&quot; – your insider guide to the elusive world of art collecting.&lt;/p&gt;&lt;p&gt;Here, passionate collectors from all walks of life invite you into their journeys, sharing their passion for art and individual approach to collecting. &quot;The Collector&apos;s Corner&quot; is for anyone curious about the art world and art collecting, from breaking entry barriers to finding hidden gems and making smart investments.&lt;/p&gt;&lt;p&gt;Whether you&apos;re a seasoned or aspiring collector, follow and subscribe to &quot;The Collector&apos;s Corner&quot; to discover the personal stories behind the collections, as well as tips and advice for getting started.&lt;/p&gt;&lt;p&gt;I’m your host Antonia Piersanti - an art lover and aspiring collector. Starting in September listen to The Collector’s Corner on Apple Podcasts, Spotify and all your favourite podcast platforms.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;***&lt;/p&gt;&lt;p&gt;Would love to hear your thoughts &amp;amp; feedback!&lt;/p&gt;&lt;p&gt;On social media &lt;a href=&quot;collectors_corner_&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠@collectors_corner_⁠⁠&lt;/a&gt;or via email on the website &lt;a href=&quot;https://www.thecollectorscornerpodcast.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠thecollectorscornerpodcast.com/⁠&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:01:05</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/d708aafe-10c0-435f-924c-b33e8894521a.jpg"/><itunes:title> Introducing The Collector’s Corner - The insider guide to art collecting</itunes:title><itunes:episodeType>trailer</itunes:episodeType></item><item><title><![CDATA[A Collection Without Closed Doors with Manuel Koch]]></title><description><![CDATA[<p>Today, I’m back in Berlin to speak with Manuel Koch (<a href="https://www.instagram.com/kunstinvestments/" rel="noopener noreferrer nofollow" target="_blank">@kunstinvestments</a>) - financial journalist, entrepreneur running the financial media platform <a href="https://inside-wirtschaft.de/" rel="noopener noreferrer nofollow" target="_blank">Inside Wirtschaft</a>, salon host at <a href="https://www.salon-schinkelplatz.de/" rel="noopener noreferrer nofollow" target="_blank">Salon Schinkelplatz</a>, and one of the most visible figures in Germany’s ultra-contemporary art scene.</p><p>Manuel only began collecting around five years ago, but in that short time he has become a real fixture. Alongside his work as a journalist, he devotes almost all of his free time to art - looking, visiting, hosting, sharing. He brings a distinctly journalistic lens to the way he collects, using his highly active Instagram platform to give visibility to artists, galleries, and museum shows he believes deserve attention.</p><p>That visibility has also attracted criticism, particularly around the name of his account: <em>Kunstinvestments</em> - literally, “art investment.” In our conversation, Manuel unpacks what he actually means by that, and why the term is far more nuanced than it might initially sound.</p><p>While he did enter the art world through the market, in part because of his background, what is most interesting is how far his perspective has evolved since. Manuel talks about the thrill of discovery, with a particular interest in supporting young artists from graduation, complemented by a more analytical approach when acquiring pricier, more established artists.</p><p>Art has genuinely changed Manuel’s life. And perhaps most importantly, his public approach to collecting is motivated above all by a desire to make that transformation accessible to others.</p><p>References from the episode:</p><ul><li><a href="https://galeriekornfeld.com/artists/gallery-a/christopher-lehmpfuhl" rel="noopener noreferrer nofollow" target="_blank">Christopher Lehmpfuhl </a></li><li><a href="https://www.ruth-polleit-riechert.com/kunst-kaufen" rel="noopener noreferrer nofollow" target="_blank">Kunst Kaufen / Art for Everyone by Ruth Polleit </a></li><li><a href="https://www.magnusresch.com/" rel="noopener noreferrer nofollow" target="_blank">Magnus Resch </a></li><li><a href="https://www.talkinggalleries.com/project/dirk-boll/" rel="noopener noreferrer nofollow" target="_blank">Dirk Boll </a></li><li><a href="https://www.galeriejudin.com/artist/kiriakos-tompolidis/" rel="noopener noreferrer nofollow" target="_blank">Kiriakos Tompolidis </a></li><li><a href="https://www.navotmiller.com/" rel="noopener noreferrer nofollow" target="_blank">Navot Miller </a></li><li><a href=" https://van-horn.net/artists/anys-reimann/" rel="noopener noreferrer nofollow" target="_blank">Anys Reimann</a></li><li><a href="https://robertgrunenberg.com/artist/brandon-lipchik/" rel="noopener noreferrer nofollow" target="_blank">Brandon Lipchick </a></li><li><a href="https://artreview.com/luke-silva-emerging-british-artist-1999-2024/" rel="noopener noreferrer nofollow" target="_blank">Luke Silva </a></li><li><a href="https://www.maxhetzler.com/artists/grace-weaver" rel="noopener noreferrer nofollow" target="_blank">Grace Weaver </a></li><li><a href="https://www.andrebutzer.com/" rel="noopener noreferrer nofollow" target="_blank">Andre Butzer</a></li><li><a href="https://gagosian.com/artists/jenny-saville/" rel="noopener noreferrer nofollow" target="_blank">Jenny Saville </a></li><li><a href="https://galerie-schindler.de/artists/max-grote/" rel="noopener noreferrer nofollow" target="_blank">Max Grote </a></li><li><a href="https://www.artcologne.com/" rel="noopener noreferrer nofollow" target="_blank">Art Cologne </a></li><li><a href="https://positions.de/start.html" rel="noopener noreferrer nofollow" target="_blank">Positions Fair Berlin </a></li><li><a href=" https://www.gallery-weekend-berlin.de/" rel="noopener noreferrer nofollow" target="_blank">Gallery Weekend Berlin</a></li><li><a href="https://berlinartweek.de/" rel="noopener noreferrer nofollow" target="_blank">Berlin Art Week </a></li><li><a href="https://www.estherschipper.com/artists/185-norbert-bisky/" rel="noopener noreferrer nofollow" target="_blank">Norbert Bisky </a></li><li><a href="https://galerieneu.net/artist/louis+fratino" rel="noopener noreferrer nofollow" target="_blank">Louis Fratino </a></li><li><a href=" https://miettinen-collection.de/" rel="noopener noreferrer nofollow" target="_blank">Timo Miettinen</a></li></ul><p></p><p>Follow the podcast to see the guests' collections at <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">⁠@collectors_corner_⁠</a> !</p>]]></description><guid isPermaLink="false">850eeea4-c4a3-4dcf-95b4-a9029ed4b6b2</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 28 Jan 2026 06:00:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/e6fc7c84d1797959602f0a1fe52469e9d124456fee8dd27a9c34432f45ca20c2/eyJlcGlzb2RlSWQiOiJkNThmODE2My1iYTUyLTQxMGEtYjFjYi1kYzI0NGU4NTE1Y2QiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvZDU4ZjgxNjMtYmE1Mi00MTBhLWIxY2ItZGMyNDRlODUxNWNkLzg1MGVlZWE0LWM0YTMtNGRjZi05NWI0LWE5MDI5ZWQ0YjZiMi5tcDMifQ==.mp3" length="47428808" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/d58f8163-ba52-410a-b1cb-dc244e8515cd/850eeea4-c4a3-4dcf-95b4-a9029ed4b6b2.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Today, I’m back in Berlin to speak with Manuel Koch (&lt;a href=&quot;https://www.instagram.com/kunstinvestments/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@kunstinvestments&lt;/a&gt;) - financial journalist, entrepreneur running the financial media platform &lt;a href=&quot;https://inside-wirtschaft.de/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Inside Wirtschaft&lt;/a&gt;, salon host at &lt;a href=&quot;https://www.salon-schinkelplatz.de/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Salon Schinkelplatz&lt;/a&gt;, and one of the most visible figures in Germany’s ultra-contemporary art scene.&lt;/p&gt;&lt;p&gt;Manuel only began collecting around five years ago, but in that short time he has become a real fixture. Alongside his work as a journalist, he devotes almost all of his free time to art - looking, visiting, hosting, sharing. He brings a distinctly journalistic lens to the way he collects, using his highly active Instagram platform to give visibility to artists, galleries, and museum shows he believes deserve attention.&lt;/p&gt;&lt;p&gt;That visibility has also attracted criticism, particularly around the name of his account: &lt;em&gt;Kunstinvestments&lt;/em&gt; - literally, “art investment.” In our conversation, Manuel unpacks what he actually means by that, and why the term is far more nuanced than it might initially sound.&lt;/p&gt;&lt;p&gt;While he did enter the art world through the market, in part because of his background, what is most interesting is how far his perspective has evolved since. Manuel talks about the thrill of discovery, with a particular interest in supporting young artists from graduation, complemented by a more analytical approach when acquiring pricier, more established artists.&lt;/p&gt;&lt;p&gt;Art has genuinely changed Manuel’s life. And perhaps most importantly, his public approach to collecting is motivated above all by a desire to make that transformation accessible to others.&lt;/p&gt;&lt;p&gt;References from the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://galeriekornfeld.com/artists/gallery-a/christopher-lehmpfuhl&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Christopher Lehmpfuhl &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.ruth-polleit-riechert.com/kunst-kaufen&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Kunst Kaufen / Art for Everyone by Ruth Polleit &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.magnusresch.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Magnus Resch &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.talkinggalleries.com/project/dirk-boll/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Dirk Boll &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.galeriejudin.com/artist/kiriakos-tompolidis/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Kiriakos Tompolidis &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.navotmiller.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Navot Miller &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot; https://van-horn.net/artists/anys-reimann/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Anys Reimann&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://robertgrunenberg.com/artist/brandon-lipchik/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Brandon Lipchick &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://artreview.com/luke-silva-emerging-british-artist-1999-2024/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Luke Silva &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.maxhetzler.com/artists/grace-weaver&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Grace Weaver &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.andrebutzer.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Andre Butzer&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gagosian.com/artists/jenny-saville/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jenny Saville &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://galerie-schindler.de/artists/max-grote/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Max Grote &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.artcologne.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Art Cologne &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://positions.de/start.html&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Positions Fair Berlin &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot; https://www.gallery-weekend-berlin.de/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Gallery Weekend Berlin&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://berlinartweek.de/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Berlin Art Week &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.estherschipper.com/artists/185-norbert-bisky/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Norbert Bisky &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://galerieneu.net/artist/louis+fratino&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Louis Fratino &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot; https://miettinen-collection.de/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Timo Miettinen&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Follow the podcast to see the guests&apos; collections at &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠@collectors_corner_⁠&lt;/a&gt; !&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:49:24</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/d58f8163-ba52-410a-b1cb-dc244e8515cd/850eeea4-c4a3-4dcf-95b4-a9029ed4b6b2.jpg"/><itunes:title>A Collection Without Closed Doors with Manuel Koch</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Empowering Women in Art Collecting with Chimere Cissé]]></title><description><![CDATA[<p>In today's episode I am speaking with Chimere Cissé, founder of art consultancy <a href="https://www.artkorero.com/" rel="noopener noreferrer nofollow" target="_blank">Art Korero</a>, co-founder of <a href="https://www.stellaalliance.com/" rel="noopener noreferrer nofollow" target="_blank">Stella Alliance</a> and, of course, contemporary art collector. </p><p>Chimere started her career in luxury fashion and media but growing up in a home filled with antiquities, she early on developed an interest in art. She shares insights into her personal journey as a collector, always staying true to her instincts despite often feeling like an outsider. </p><p>A few years ago, Chimere decided to direct her focus towards bridging commercial brands with artistic endeavours, combining her art passion and marketing expertise. We talked about her deep commitment to supporting purpose-driven initiatives, especially with her most recent venture, Stella Alliance - a global community of female collectors aiming to influence fundamental structural change at the root of the gender gap in art collecting. </p><p>I loved hearing about Chimere's global perspective and how these experiences shaped her collection into a true reflection of her own personal growth. I hope you enjoy this episode! </p><p>References mentioned:</p><ul><li><a href="https://annabelleschneider.com" rel="noopener noreferrer nofollow" target="_blank">Annabelle Schneider</a></li><li><a href="https://www.instagram.com/anastasiaachilleos" rel="noopener noreferrer nofollow" target="_blank">Anastasia Achilleos</a></li><li><a href="https://humangarage.net/" rel="noopener noreferrer nofollow" target="_blank">Human Garage</a></li><li><a href="https://independent-collectors.com/cities/new-york/valeria-napoleone" rel="noopener noreferrer nofollow" target="_blank">Valeria Napoleone</a></li><li><a href="http://www.fatosustek.com/" rel="noopener noreferrer nofollow" target="_blank">Fatos Ustek</a></li><li><a href="https://artvoyagebiennial.org.uk/" rel="noopener noreferrer nofollow" target="_blank">Art Voyage Biennial</a></li><li><a href="https://gagosian.com/artists/jake-and-dinos-chapman/" rel="noopener noreferrer nofollow" target="_blank">Chapman Brothers</a></li></ul>]]></description><guid isPermaLink="false">f2789ae5-f0e0-4b70-b4fb-536bcbf3eb44</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 11 Feb 2026 06:04:03 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/f1ffcd0c4ccc88adf15ed1e8743e63a497312aee7ffaba9cfe59459354aa937d/eyJlcGlzb2RlSWQiOiI4MGI4MjJhOC03NzMyLTRiYzEtYjRhNS0zNTZmMmFhNGQ2ODQiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvODBiODIyYTgtNzczMi00YmMxLWI0YTUtMzU2ZjJhYTRkNjg0L2YyNzg5YWU1LWYwZTAtNGI3MC1iNGZiLTUzNmJjYmYzZWI0NC5tcDMifQ==.mp3" length="46121223" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/80b822a8-7732-4bc1-b4a5-356f2aa4d684/f2789ae5-f0e0-4b70-b4fb-536bcbf3eb44.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;In today&apos;s episode I am speaking with Chimere Cissé, founder of art consultancy &lt;a href=&quot;https://www.artkorero.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Art Korero&lt;/a&gt;, co-founder of &lt;a href=&quot;https://www.stellaalliance.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Stella Alliance&lt;/a&gt; and, of course, contemporary art collector. &lt;/p&gt;&lt;p&gt;Chimere started her career in luxury fashion and media but growing up in a home filled with antiquities, she early on developed an interest in art. She shares insights into her personal journey as a collector, always staying true to her instincts despite often feeling like an outsider. &lt;/p&gt;&lt;p&gt;A few years ago, Chimere decided to direct her focus towards bridging commercial brands with artistic endeavours, combining her art passion and marketing expertise. We talked about her deep commitment to supporting purpose-driven initiatives, especially with her most recent venture, Stella Alliance - a global community of female collectors aiming to influence fundamental structural change at the root of the gender gap in art collecting. &lt;/p&gt;&lt;p&gt;I loved hearing about Chimere&apos;s global perspective and how these experiences shaped her collection into a true reflection of her own personal growth. I hope you enjoy this episode! &lt;/p&gt;&lt;p&gt;References mentioned:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://annabelleschneider.com&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Annabelle Schneider&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/anastasiaachilleos&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Anastasia Achilleos&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://humangarage.net/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Human Garage&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://independent-collectors.com/cities/new-york/valeria-napoleone&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Valeria Napoleone&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://www.fatosustek.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Fatos Ustek&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://artvoyagebiennial.org.uk/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Art Voyage Biennial&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gagosian.com/artists/jake-and-dinos-chapman/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Chapman Brothers&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:48:02</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/80b822a8-7732-4bc1-b4a5-356f2aa4d684/f2789ae5-f0e0-4b70-b4fb-536bcbf3eb44.jpg"/><itunes:title>Empowering Women in Art Collecting with Chimere Cissé</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[From art world outsider to active collector within 5 years with Vanessa Mauz]]></title><description><![CDATA[<p>In this episode of The Collector's Corner, I sit down with my friend Vanessa Mauz - a former finance professional turned art collector and co-founder of <a href="https://www.instagram.com/a.r.c._art/" rel="noopener noreferrer nofollow" target="_blank">A.R.C.</a>, an art members club aiming to make the art world more accessible.</p><p>Vanessa talks openly about why she made this transition, the challenges she encountered as an outsider and why she believes community and relationships is what makes the journey worthwhile. As a young collector, she hopes to grow alongside the artists she supports by focusing on contemporary works from her generation. She also shares her learnings on how to get started while navigating financial constraints. I love how committed Vanessa is to bringing fresh voices into the art scene against perceived elitism and exclusivity - a mission I very much adhere to. I hope you enjoy our conversation!</p><p>References mentioned in the episode:</p><ul><li><a href="https://staedelverein.de/verein/staedelclub/" rel="noopener noreferrer nofollow" target="_blank">Staedelclub</a> </li><li><a href="https://maltezenses.com/" rel="noopener noreferrer nofollow" target="_blank">Malte Zenses</a></li><li><a href="https://www.schirn.de/" rel="noopener noreferrer nofollow" target="_blank">Schirn Kunsthalle Frankfurt </a></li><li><a href="https://super-super-markt.com/" rel="noopener noreferrer nofollow" target="_blank">Super Super Markt </a></li><li><a href="https://www.kunstmuseum-stuttgart.de/" rel="noopener noreferrer nofollow" target="_blank">Kunstmuseum Stuttgart</a></li><li><a href="https://www.instagram.com/isadoravogt" rel="noopener noreferrer nofollow" target="_blank">Isadora Vogt</a> </li><li><a href="https://www.sweetwaterberlin.com/artists/sofia-defino-leiby" rel="noopener noreferrer nofollow" target="_blank">Sofia Leiby</a> </li><li><a href="https://sophiereinhold.com/" rel="noopener noreferrer nofollow" target="_blank">Sophie Reinhold</a> </li><li><a href="https://henningstrassburger.com/" rel="noopener noreferrer nofollow" target="_blank">Henning Strassburger </a></li><li><a href="http://g2-leipzig.de/en/" rel="noopener noreferrer nofollow" target="_blank">Steffen Hildebrand and the Hildebrand Collection</a></li></ul><p></p><p></p><p></p><p>***</p><p>Would love to hear your thoughts &amp; feedback!</p><p>On social media <a href="collectors_corner_" rel="noopener noreferrer nofollow" target="_blank">⁠⁠@collectors_corner_⁠⁠</a>or via email on the website <a href="https://www.thecollectorscornerpodcast.com/" rel="noopener noreferrer nofollow" target="_blank">⁠⁠thecollectorscornerpodcast.com/⁠</a></p>]]></description><guid isPermaLink="false">10fd9298-548e-4e15-b4ca-56668c87c520</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 17 Sep 2025 05:04:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/119e68529e209bbee9f26ab03b211f8e29beb2879be49bd271f621774e274b79/eyJlcGlzb2RlSWQiOiJjZTUzYzM5Mi0wYTE1LTRjMDUtODRjZS0zMGU5YjZiZDBhMmYiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvY2U1M2MzOTItMGExNS00YzA1LTg0Y2UtMzBlOWI2YmQwYTJmLzEwZmQ5Mjk4LTU0OGUtNGUxNS1iNGNhLTU2NjY4Yzg3YzUyMC5tcDMifQ==.mp3" length="38832419" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/ce53c392-0a15-4c05-84ce-30e9b6bd0a2f/10fd9298-548e-4e15-b4ca-56668c87c520.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;In this episode of The Collector&apos;s Corner, I sit down with my friend Vanessa Mauz - a former finance professional turned art collector and co-founder of &lt;a href=&quot;https://www.instagram.com/a.r.c._art/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;A.R.C.&lt;/a&gt;, an art members club aiming to make the art world more accessible.&lt;/p&gt;&lt;p&gt;Vanessa talks openly about why she made this transition, the challenges she encountered as an outsider and why she believes community and relationships is what makes the journey worthwhile. As a young collector, she hopes to grow alongside the artists she supports by focusing on contemporary works from her generation. She also shares her learnings on how to get started while navigating financial constraints. I love how committed Vanessa is to bringing fresh voices into the art scene against perceived elitism and exclusivity - a mission I very much adhere to. I hope you enjoy our conversation!&lt;/p&gt;&lt;p&gt;References mentioned in the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://staedelverein.de/verein/staedelclub/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Staedelclub&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://maltezenses.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Malte Zenses&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.schirn.de/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Schirn Kunsthalle Frankfurt &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://super-super-markt.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Super Super Markt &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.kunstmuseum-stuttgart.de/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Kunstmuseum Stuttgart&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/isadoravogt&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Isadora Vogt&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.sweetwaterberlin.com/artists/sofia-defino-leiby&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Sofia Leiby&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://sophiereinhold.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Sophie Reinhold&lt;/a&gt; &lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://henningstrassburger.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Henning Strassburger &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;http://g2-leipzig.de/en/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Steffen Hildebrand and the Hildebrand Collection&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;***&lt;/p&gt;&lt;p&gt;Would love to hear your thoughts &amp;amp; feedback!&lt;/p&gt;&lt;p&gt;On social media &lt;a href=&quot;collectors_corner_&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠@collectors_corner_⁠⁠&lt;/a&gt;or via email on the website &lt;a href=&quot;https://www.thecollectorscornerpodcast.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠⁠thecollectorscornerpodcast.com/⁠&lt;/a&gt;&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:40:27</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/ce53c392-0a15-4c05-84ce-30e9b6bd0a2f/10fd9298-548e-4e15-b4ca-56668c87c520.jpg"/><itunes:title>From art world outsider to active collector within 5 years with Vanessa Mauz</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Collecting Art for the Next Century with Sonia Borrell]]></title><description><![CDATA[<p>Today I am speaking with long time ultra-contemporary art collector, curator, author and entrepreneur Sonia Borrell (<a href="https://www.instagram.com/soniabblondon/?hl=en" rel="noopener noreferrer nofollow" target="_blank">@soniabblondon</a>). Originally from Barcelona, Sonia was drawn to art since childhood but trained to become a lawyer to meet family expectations. Upon moving to London after graduation, she immersed herself in the local art scene and quickly left law behind. </p><p>She started <a href="https://www.soniabblondon.com/" rel="noopener noreferrer nofollow" target="_blank">her collection</a> in 2008 and has since dedicated her life to discovering, nurturing championing and uplifting artists through her own acquisitions and by acting as a bridge between the creative and business sides of the art world. She wrote Art in Real Time, full of advice for artists and collectors and recently she launched <a href="https://studiotogallery.com/" rel="noopener noreferrer nofollow" target="_blank">StudioToGallery</a>, a platform where she mentors artists at scale and which has seen hundreds of applicants within the first few weeks of launching.</p><p>With Sonia we talked about the way art has become a shared family passion, how she thinks about legacy and why collectors must embrace their custodial responsibility to artists and to the ecosystem — a point that resonates deeply in a changing art world where artists increasingly treat their practice as equal parts business and art.</p><p>Sonia’s journey is very rich and layered, and we could have talked for much longer but I will leave you to discover her story!</p><p>References mentioned in the episode:</p><ul><li><a href="https://jaumeplensa.com/" rel="noopener noreferrer nofollow" target="_blank">Jaume Plensa</a></li><li><a href="https://en.wikipedia.org/wiki/Leo_Castelli" rel="noopener noreferrer nofollow" target="_blank">Leo Castelli</a></li><li><a href="https://en.wikipedia.org/wiki/Larry_Gagosian" rel="noopener noreferrer nofollow" target="_blank">Larry Gagosian</a></li><li><a href="https://www.youtube.com/watch?v=RnYcPLLiGFk" rel="noopener noreferrer nofollow" target="_blank">Herb and Dorothy Vogel documentary</a></li><li><a href="https://www.marfainvitational.com/invitational" rel="noopener noreferrer nofollow" target="_blank">Marfa Invitational</a></li><li><a href="https://www.instagram.com/blessyoutacobell/?hl=en" rel="noopener noreferrer nofollow" target="_blank">Michael Phelan</a></li><li><a href="https://www.raysmithstudio.com/" rel="noopener noreferrer nofollow" target="_blank">Ray Smith</a></li><li><a href="https://www.basquiat.com/" rel="noopener noreferrer nofollow" target="_blank">Jean-Michel Basquiat</a></li><li><a href="https://www.julianschnabel.com/" rel="noopener noreferrer nofollow" target="_blank">Julian Schnabel</a></li><li><a href="https://gagosian.com/artists/takashi-murakami/" rel="noopener noreferrer nofollow" target="_blank">Takashi Murakami</a></li><li><a href="https://www.perrotin.com/" rel="noopener noreferrer nofollow" target="_blank">Galerie Perrotin</a></li><li><a href="https://www.perrotin.com/artists/Mr/31" rel="noopener noreferrer nofollow" target="_blank">Mr.</a></li><li><a href="https://galeriamayoral.com/artworks/3399-jose-luis-barquero-interior-lights-2026/" rel="noopener noreferrer nofollow" target="_blank">José Luis Barquero</a></li><li><a href="https://www.ifema.es/en/arco/madrid" rel="noopener noreferrer nofollow" target="_blank">ARCO Contemporary Art Fair in Madrid</a></li><li><a href="https://www.instagram.com/manu_exposito/?hl=en" rel="noopener noreferrer nofollow" target="_blank">Manuel Exposito</a></li><li><a href="https://www.mariavargasaguilar.net/" rel="noopener noreferrer nofollow" target="_blank">Maria Vargas</a></li><li><a href="https://www.museoreinasofia.es/" rel="noopener noreferrer nofollow" target="_blank">Museo Reina Sofia</a></li><li><a href="https://www.museothyssen.org/en" rel="noopener noreferrer nofollow" target="_blank">Thyssen-Bornemisza Museum</a></li></ul><p></p><p>Follow the podcast to see the guests' collections at <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">⁠@collectors_corner_⁠</a> !</p>]]></description><guid isPermaLink="false">086e3d67-f58d-40b0-9e66-a5eab34a1a48</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 11 Mar 2026 06:01:04 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/422332da5f44984976fc1e9e0708c178b3c9aed7126d4b4a3046ff6071ddb417/eyJlcGlzb2RlSWQiOiI4YTYxODEwMy03MWU5LTQxZTItODIxYi1mZTU0ODU4ZDQzYzgiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvOGE2MTgxMDMtNzFlOS00MWUyLTgyMWItZmU1NDg1OGQ0M2M4LzA4NmUzZDY3LWY1OGQtNDBiMC05ZTY2LWE1ZWFiMzRhMWE0OC5tcDMifQ==.mp3" length="48425524" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/8a618103-71e9-41e2-821b-fe54858d43c8/086e3d67-f58d-40b0-9e66-a5eab34a1a48.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Today I am speaking with long time ultra-contemporary art collector, curator, author and entrepreneur Sonia Borrell (&lt;a href=&quot;https://www.instagram.com/soniabblondon/?hl=en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@soniabblondon&lt;/a&gt;). Originally from Barcelona, Sonia was drawn to art since childhood but trained to become a lawyer to meet family expectations. Upon moving to London after graduation, she immersed herself in the local art scene and quickly left law behind. &lt;/p&gt;&lt;p&gt;She started &lt;a href=&quot;https://www.soniabblondon.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;her collection&lt;/a&gt; in 2008 and has since dedicated her life to discovering, nurturing championing and uplifting artists through her own acquisitions and by acting as a bridge between the creative and business sides of the art world. She wrote Art in Real Time, full of advice for artists and collectors and recently she launched &lt;a href=&quot;https://studiotogallery.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;StudioToGallery&lt;/a&gt;, a platform where she mentors artists at scale and which has seen hundreds of applicants within the first few weeks of launching.&lt;/p&gt;&lt;p&gt;With Sonia we talked about the way art has become a shared family passion, how she thinks about legacy and why collectors must embrace their custodial responsibility to artists and to the ecosystem — a point that resonates deeply in a changing art world where artists increasingly treat their practice as equal parts business and art.&lt;/p&gt;&lt;p&gt;Sonia’s journey is very rich and layered, and we could have talked for much longer but I will leave you to discover her story!&lt;/p&gt;&lt;p&gt;References mentioned in the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://jaumeplensa.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jaume Plensa&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Leo_Castelli&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Leo Castelli&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Larry_Gagosian&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Larry Gagosian&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.youtube.com/watch?v=RnYcPLLiGFk&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Herb and Dorothy Vogel documentary&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.marfainvitational.com/invitational&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Marfa Invitational&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/blessyoutacobell/?hl=en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Michael Phelan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.raysmithstudio.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Ray Smith&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.basquiat.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Jean-Michel Basquiat&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.julianschnabel.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Julian Schnabel&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gagosian.com/artists/takashi-murakami/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Takashi Murakami&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.perrotin.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Galerie Perrotin&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.perrotin.com/artists/Mr/31&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Mr.&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://galeriamayoral.com/artworks/3399-jose-luis-barquero-interior-lights-2026/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;José Luis Barquero&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.ifema.es/en/arco/madrid&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;ARCO Contemporary Art Fair in Madrid&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/manu_exposito/?hl=en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Manuel Exposito&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.mariavargasaguilar.net/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Maria Vargas&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.museoreinasofia.es/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Museo Reina Sofia&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.museothyssen.org/en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Thyssen-Bornemisza Museum&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Follow the podcast to see the guests&apos; collections at &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠@collectors_corner_⁠&lt;/a&gt; !&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:50:26</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/8a618103-71e9-41e2-821b-fe54858d43c8/086e3d67-f58d-40b0-9e66-a5eab34a1a48.jpg"/><itunes:title>Collecting Art for the Next Century with Sonia Borrell</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[When Buying What You Love Isn't Enough with Prisca Pan]]></title><description><![CDATA[<p>In this episode, I continue my exploration of art advisory with <a href="https://www.instagram.com/unfram_d/" rel="noopener noreferrer nofollow" target="_blank">Prisca Pan</a>, founder of <a href="https://www.unframdart.com/" rel="noopener noreferrer nofollow" target="_blank">Unframd</a>. Based in the US, Prisca works with clients from tech, law, and finance and puts strategy and financial thinking explicitly at the centre of her practice, which I hadn't come across yet and therefore truly caught my attention. Her mission is to get more people collecting while understanding art as an asset class, which she directly compares to venture capital.</p><p>That last part is where things get complicated for me. My day job is in finance and alternative assets, so I understand the framework. But I've always believed art serves a role in our civilisation that's hard to price: it transcends individuals and generations, captures cultural relevance in real time, functions almost like a public good. When art gets repackaged as an investment vehicle, the market starts selecting for financial value, and I worry that slowly erodes the conditions that make culturally meaningful work possible in the first place. I'm not naive about it: artists need to make a living, and markets exist for a reason. I just feel like a line should be drawn somewhere. I can't fully articulate where yet.</p><p>Ultimately I do agree with Prisca that it's not about throwing away the old art world, but building on it as our broader world changes. I hope you enjoy our conversation.</p><p>References mentioned in the episode:</p><ul><li><a href="https://ropac.net/artists/27-alvaro-barrington/" rel="noopener noreferrer nofollow" target="_blank">Alvaro Barrington</a></li><li><a href="https://www.tyburngallery.com/artist/moffat-takadiwa/" rel="noopener noreferrer nofollow" target="_blank">Moffat Takadiwa </a></li><li><a href="https://www.whitecube.com/artists/tunji-adeniyi-jones" rel="noopener noreferrer nofollow" target="_blank">Tunji Adeniyi-Jones</a></li><li><a href="https://kristinhjellegjerde.com/artists/519-alexa-kumiko-hatanaka/overview/" rel="noopener noreferrer nofollow" target="_blank">Alexa Hatanaka</a></li></ul><p></p><p>Follow the podcast to see the guests' collections at <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">⁠@collectors_corner_⁠</a> !</p>]]></description><guid isPermaLink="false">92e289ef-e4db-465e-b902-f7f14546e0b9</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 27 May 2026 05:03:01 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/9498e8db58bce7eefa59ade3276507bfb5113004b14bbe318bef2ce3c566801d/eyJlcGlzb2RlSWQiOiI0NzQxOWMxYS00NDVhLTQ0NDctYjg1NS1jZjA1MDQwYWE0MDUiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvNDc0MTljMWEtNDQ1YS00NDQ3LWI4NTUtY2YwNTA0MGFhNDA1LzkyZTI4OWVmLWU0ZGItNDY1ZS1iOTAyLWY3ZjE0NTQ2ZTBiOS5tcDMifQ==.mp3" length="47865859" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/47419c1a-445a-4447-b855-cf05040aa405/92e289ef-e4db-465e-b902-f7f14546e0b9.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;In this episode, I continue my exploration of art advisory with &lt;a href=&quot;https://www.instagram.com/unfram_d/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Prisca Pan&lt;/a&gt;, founder of &lt;a href=&quot;https://www.unframdart.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Unframd&lt;/a&gt;. Based in the US, Prisca works with clients from tech, law, and finance and puts strategy and financial thinking explicitly at the centre of her practice, which I hadn&apos;t come across yet and therefore truly caught my attention. Her mission is to get more people collecting while understanding art as an asset class, which she directly compares to venture capital.&lt;/p&gt;&lt;p&gt;That last part is where things get complicated for me. My day job is in finance and alternative assets, so I understand the framework. But I&apos;ve always believed art serves a role in our civilisation that&apos;s hard to price: it transcends individuals and generations, captures cultural relevance in real time, functions almost like a public good. When art gets repackaged as an investment vehicle, the market starts selecting for financial value, and I worry that slowly erodes the conditions that make culturally meaningful work possible in the first place. I&apos;m not naive about it: artists need to make a living, and markets exist for a reason. I just feel like a line should be drawn somewhere. I can&apos;t fully articulate where yet.&lt;/p&gt;&lt;p&gt;Ultimately I do agree with Prisca that it&apos;s not about throwing away the old art world, but building on it as our broader world changes. I hope you enjoy our conversation.&lt;/p&gt;&lt;p&gt;References mentioned in the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://ropac.net/artists/27-alvaro-barrington/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Alvaro Barrington&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.tyburngallery.com/artist/moffat-takadiwa/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Moffat Takadiwa &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.whitecube.com/artists/tunji-adeniyi-jones&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Tunji Adeniyi-Jones&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://kristinhjellegjerde.com/artists/519-alexa-kumiko-hatanaka/overview/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Alexa Hatanaka&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Follow the podcast to see the guests&apos; collections at &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠@collectors_corner_⁠&lt;/a&gt; !&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:49:51</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/47419c1a-445a-4447-b855-cf05040aa405/92e289ef-e4db-465e-b902-f7f14546e0b9.jpg"/><itunes:title>When Buying What You Love Isn&apos;t Enough with Prisca Pan</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[Collecting as a Couple in a Shifting Art Market with Julia Lammer and Nico Epstein]]></title><description><![CDATA[<p>Today I’m speaking with collector couple Julia Lammer (<u><a href="https://www.instagram.com/julammer" rel="noopener noreferrer nofollow" target="_blank">@julammer</a></u>) and Nico Epstein (<u><a href="https://www.instagram.com/nicoknowsart_/" rel="noopener noreferrer nofollow" target="_blank">@nicoknowsart_</a></u>). Together they run <u><a href="https://arbulu.studio/" rel="noopener noreferrer nofollow" target="_blank">arbulu studio</a></u>, working with art world stakeholders across the spectrum to help them achieve positive and lasting impact. They come from complementary sides of the art world: Julia from museums, strategic planning and philanthropy, and Nico from art advisory, curatorial and education through his platform <u><a href="https://collectorconnoisseur.com/" rel="noopener noreferrer nofollow" target="_blank">Collector Connoisseur</a></u>. </p><p>They started collecting individually and have carried on together, navigating rare disagreements with a few guiding principles whilst avoiding boxing themselves into any hard and fast rules. </p><p>Julia and Nico bring an incredibly valuable perspective to both aspiring and seasoned collectors. We talk about developing nuanced judgement and guiding principles for collecting over time, but what I love most from our conversation is the very tangible and practical insights they share both through examples from their personal collecting journey and their client work over the last 15 years. </p><p>I definitely recommend you check out Collector Connoisseur if you’re ready to start collecting. And with the code CCORNER15 listeners get 15% off until March 4th. That’s CCORNER15 on <u><a href="http://www.collectorconnoisseur.com" rel="noopener noreferrer nofollow" target="_blank">www.collectorconnoisseur.com</a></u></p><p>I’ll stop here for now and let you enjoy our conversation!</p><p>References from the episode:</p><ul><li><u><a href="https://fr.wikipedia.org/wiki/%C3%89tienne-Jules_Marey" rel="noopener noreferrer nofollow" target="_blank">Etienne-Jules Marey</a></u> </li><li><u><a href="https://www.moma.org/artists/4192-eadweard-j-muybridge" rel="noopener noreferrer nofollow" target="_blank">Eadweard J.Muybridge</a></u> </li><li><u><a href="https://www.eastman.org/" rel="noopener noreferrer nofollow" target="_blank">George Eastman Museum</a></u><a href="https://www.eastman.org/" rel="noopener noreferrer nofollow" target="_blank"> </a></li><li><u><a href="https://www.metmuseum.org/fr/collections/the-leonard-a-lauder-cubist-collection-at-the-met" rel="noopener noreferrer nofollow" target="_blank">Leonard Lauder Cubist Collection</a></u> </li><li><u><a href="https://www.aipad.com/" rel="noopener noreferrer nofollow" target="_blank">Aipad Fair</a></u> </li><li><u><a href="https://www.katsushikahokusai.org/" rel="noopener noreferrer nofollow" target="_blank">Hokusai</a></u> </li><li><u><a href="https://en.wikipedia.org/wiki/Thirty-six_Views_of_Mount_Fuji" rel="noopener noreferrer nofollow" target="_blank">Thirty-six Views of Mount Fuji</a></u> </li><li><u><a href="https://www.paulkneale.net/" rel="noopener noreferrer nofollow" target="_blank">Paul Kneale</a></u> </li><li><u><a href="https://rodolphejanssen.com/artists/aleksander-hardashnakov/" rel="noopener noreferrer nofollow" target="_blank">Aleksander Hardashnakov</a></u> </li><li><u><a href="https://derosia.nyc/artists/zoe-barcza/biography" rel="noopener noreferrer nofollow" target="_blank">Zoe Barcza</a></u> </li><li><u><a href="https://parisinternationale.com/" rel="noopener noreferrer nofollow" target="_blank">Paris Internationale</a></u> </li><li><u><a href="https://asianowparis.com/" rel="noopener noreferrer nofollow" target="_blank">Asia Now Paris</a></u><a href="https://asianowparis.com/" rel="noopener noreferrer nofollow" target="_blank"> </a></li><li><u><a href="https://papersky.jp/en/kasetsu/" rel="noopener noreferrer nofollow" target="_blank">Kasetsu</a></u></li><li><u><a href="https://www.ifema.es/pt/arco/lisboa" rel="noopener noreferrer nofollow" target="_blank">Arco Lisboa</a></u> </li><li><u><a href="https://www.davidkordanskygallery.com/artist/tristan-unrau" rel="noopener noreferrer nofollow" target="_blank">Tristan Unrau</a></u> </li><li><u><a href="http://www.georgbaselitz.com/" rel="noopener noreferrer nofollow" target="_blank">Georg Baselitz</a></u> </li><li><u><a href="https://www.hauserwirth.com/artists/maria-berrio/" rel="noopener noreferrer nofollow" target="_blank">Maria Berrío</a></u> </li><li><u><a href="http://joshkline.info/" rel="noopener noreferrer nofollow" target="_blank">Josh Kline</a></u> </li><li><u><a href="https://camdenartcentre.org/" rel="noopener noreferrer nofollow" target="_blank">Camden Arts Centre</a></u> </li><li><u><a href="https://www.gaiaartfoundation.org/" rel="noopener noreferrer nofollow" target="_blank">Gaia Art Foundation</a></u> </li><li><u><a href="https://blackculturalarchives.org/" rel="noopener noreferrer nofollow" target="_blank">Black Cultural Archives</a></u> </li><li><u><a href="https://www.las-art.foundation/" rel="noopener noreferrer nofollow" target="_blank">Light Art Space Berlin</a></u> </li><li><u><a href="https://news.artnet.com/market/clearing-gallery-closed-2675559" rel="noopener noreferrer nofollow" target="_blank">Clearing</a></u></li><li><u><a href="https://www.artforum.com/news/tim-blum-shutters-galleries-after-thirty-years-1234732846/" rel="noopener noreferrer nofollow" target="_blank">BLUM</a></u> </li><li><u><a href="https://www.artsy.net/article/artsy-editorial-stephen-friedman-gallery-closes-london-space-ceases-operations-30-years" rel="noopener noreferrer nofollow" target="_blank">Stephen Friedman</a></u> </li><li><u><a href="https://www.heraldst.com/" rel="noopener noreferrer nofollow" target="_blank">Herald St Gallery</a></u> </li><li><u><a href="https://www.tanyabonakdargallery.com/" rel="noopener noreferrer nofollow" target="_blank">Tanya Bonakdar Gallery</a></u><a href="https://www.tanyabonakdargallery.com/" rel="noopener noreferrer nofollow" target="_blank"> </a></li><li><u><a href="https://www.carlosishikawa.com/" rel="noopener noreferrer nofollow" target="_blank">Carlos/Ishikawa Gallery</a></u> </li><li><u><a href="https://www.estherschipper.com/" rel="noopener noreferrer nofollow" target="_blank">Esther Schipper Gallery</a></u> </li><li><u><a href="https://peterdoig.com/" rel="noopener noreferrer nofollow" target="_blank">Peter DOIG</a></u> </li><li><u><a href="https://www.katharinagrosse.com/" rel="noopener noreferrer nofollow" target="_blank">Katharina Grosse </a></u></li><li><u><a href="https://www.291agency.com/" rel="noopener noreferrer nofollow" target="_blank">291 Artist Agency</a></u> </li><li><u><a href="https://www.barnebys.com/" rel="noopener noreferrer nofollow" target="_blank">Barneby's</a></u> </li><li><u><a href="https://www.the-saleroom.com/" rel="noopener noreferrer nofollow" target="_blank">The Salesroom</a></u> </li><li><u><a href="https://www.invaluable.com/" rel="noopener noreferrer nofollow" target="_blank">Invaluable</a></u> </li><li><u><a href="https://www.artprice.com/" rel="noopener noreferrer nofollow" target="_blank">Art Price</a></u> </li><li><u><a href="https://www.christies.com/en/artists/kees-van-dongen?lotavailability=All&amp;sortby=relevance" rel="noopener noreferrer nofollow" target="_blank">Kees Van Dongen</a></u> </li><li><u><a href="https://it.wikipedia.org/wiki/Patrizia_Sandretto_Re_Rebaudengo" rel="noopener noreferrer nofollow" target="_blank">Patrizia Sandretto Re Rebaudengo</a></u> </li><li><u><a href="https://www.bombfactory.org.uk/chelsea-artislorentina" rel="noopener noreferrer nofollow" target="_blank">Marc Prats Quintana</a></u> </li><li><u><a href="https://spruethmagers.com/artists/oliver-bak/" rel="noopener noreferrer nofollow" target="_blank">Oliver Bak</a></u></li><li><u><a href="https://ropac.net/fr/artists/286-florentina-holzinger/" rel="noopener noreferrer nofollow" target="_blank">Florentina Holzinger</a></u> </li><li><u><a href="https://en.wikipedia.org/wiki/Herbert_and_Dorothy_Vogel" rel="noopener noreferrer nofollow" target="_blank">Herb and Dorothy Vogel </a></u></li><li><u><a href="https://en.wikipedia.org/wiki/Budi_Tek" rel="noopener noreferrer nofollow" target="_blank">Budi Tek</a></u> </li><li><u><a href="https://en.wikipedia.org/wiki/Agnes_Gund" rel="noopener noreferrer nofollow" target="_blank">Agnes Gund</a></u> </li></ul><p></p><p>Follow the podcast to see the guests' collections at <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">⁠@collectors_corner_⁠</a> !</p>]]></description><guid isPermaLink="false">7547caf9-14ed-4746-bc5a-ab83b986a71a</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 25 Feb 2026 06:03:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/9c9e71bbc62d75a9110c1c8c1da3b88fbcbeb72a92d8d3f1343175d40c53b38f/eyJlcGlzb2RlSWQiOiJkNDBhMGVkMy1kYWEwLTQ0OTktOWFmYy02NjZmMjA4ZjliODYiLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvZDQwYTBlZDMtZGFhMC00NDk5LTlhZmMtNjY2ZjIwOGY5Yjg2Lzc1NDdjYWY5LTE0ZWQtNDc0Ni1iYzVhLWFiODNiOTg2YTcxYS5tcDMifQ==.mp3" length="70488210" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/d40a0ed3-daa0-4499-9afc-666f208f9b86/7547caf9-14ed-4746-bc5a-ab83b986a71a.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;Today I’m speaking with collector couple Julia Lammer (&lt;u&gt;&lt;a href=&quot;https://www.instagram.com/julammer&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@julammer&lt;/a&gt;&lt;/u&gt;) and Nico Epstein (&lt;u&gt;&lt;a href=&quot;https://www.instagram.com/nicoknowsart_/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@nicoknowsart_&lt;/a&gt;&lt;/u&gt;). Together they run &lt;u&gt;&lt;a href=&quot;https://arbulu.studio/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;arbulu studio&lt;/a&gt;&lt;/u&gt;, working with art world stakeholders across the spectrum to help them achieve positive and lasting impact. They come from complementary sides of the art world: Julia from museums, strategic planning and philanthropy, and Nico from art advisory, curatorial and education through his platform &lt;u&gt;&lt;a href=&quot;https://collectorconnoisseur.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Collector Connoisseur&lt;/a&gt;&lt;/u&gt;. &lt;/p&gt;&lt;p&gt;They started collecting individually and have carried on together, navigating rare disagreements with a few guiding principles whilst avoiding boxing themselves into any hard and fast rules. &lt;/p&gt;&lt;p&gt;Julia and Nico bring an incredibly valuable perspective to both aspiring and seasoned collectors. We talk about developing nuanced judgement and guiding principles for collecting over time, but what I love most from our conversation is the very tangible and practical insights they share both through examples from their personal collecting journey and their client work over the last 15 years. &lt;/p&gt;&lt;p&gt;I definitely recommend you check out Collector Connoisseur if you’re ready to start collecting. And with the code CCORNER15 listeners get 15% off until March 4th. That’s CCORNER15 on &lt;u&gt;&lt;a href=&quot;http://www.collectorconnoisseur.com&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;www.collectorconnoisseur.com&lt;/a&gt;&lt;/u&gt;&lt;/p&gt;&lt;p&gt;I’ll stop here for now and let you enjoy our conversation!&lt;/p&gt;&lt;p&gt;References from the episode:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://fr.wikipedia.org/wiki/%C3%89tienne-Jules_Marey&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Etienne-Jules Marey&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.moma.org/artists/4192-eadweard-j-muybridge&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Eadweard J.Muybridge&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.eastman.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;George Eastman Museum&lt;/a&gt;&lt;/u&gt;&lt;a href=&quot;https://www.eastman.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt; &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.metmuseum.org/fr/collections/the-leonard-a-lauder-cubist-collection-at-the-met&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Leonard Lauder Cubist Collection&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.aipad.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Aipad Fair&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.katsushikahokusai.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Hokusai&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Thirty-six_Views_of_Mount_Fuji&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Thirty-six Views of Mount Fuji&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.paulkneale.net/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Paul Kneale&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://rodolphejanssen.com/artists/aleksander-hardashnakov/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Aleksander Hardashnakov&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://derosia.nyc/artists/zoe-barcza/biography&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Zoe Barcza&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://parisinternationale.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Paris Internationale&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://asianowparis.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Asia Now Paris&lt;/a&gt;&lt;/u&gt;&lt;a href=&quot;https://asianowparis.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt; &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://papersky.jp/en/kasetsu/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Kasetsu&lt;/a&gt;&lt;/u&gt;&lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.ifema.es/pt/arco/lisboa&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Arco Lisboa&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.davidkordanskygallery.com/artist/tristan-unrau&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Tristan Unrau&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;http://www.georgbaselitz.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Georg Baselitz&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.hauserwirth.com/artists/maria-berrio/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Maria Berrío&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;http://joshkline.info/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Josh Kline&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://camdenartcentre.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Camden Arts Centre&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.gaiaartfoundation.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Gaia Art Foundation&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://blackculturalarchives.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Black Cultural Archives&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.las-art.foundation/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Light Art Space Berlin&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://news.artnet.com/market/clearing-gallery-closed-2675559&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Clearing&lt;/a&gt;&lt;/u&gt;&lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.artforum.com/news/tim-blum-shutters-galleries-after-thirty-years-1234732846/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;BLUM&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.artsy.net/article/artsy-editorial-stephen-friedman-gallery-closes-london-space-ceases-operations-30-years&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Stephen Friedman&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.heraldst.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Herald St Gallery&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.tanyabonakdargallery.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Tanya Bonakdar Gallery&lt;/a&gt;&lt;/u&gt;&lt;a href=&quot;https://www.tanyabonakdargallery.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt; &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.carlosishikawa.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Carlos/Ishikawa Gallery&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.estherschipper.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Esther Schipper Gallery&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://peterdoig.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Peter DOIG&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.katharinagrosse.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Katharina Grosse &lt;/a&gt;&lt;/u&gt;&lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.291agency.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;291 Artist Agency&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.barnebys.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Barneby&apos;s&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.the-saleroom.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;The Salesroom&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.invaluable.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Invaluable&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.artprice.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Art Price&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.christies.com/en/artists/kees-van-dongen?lotavailability=All&amp;amp;sortby=relevance&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Kees Van Dongen&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://it.wikipedia.org/wiki/Patrizia_Sandretto_Re_Rebaudengo&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Patrizia Sandretto Re Rebaudengo&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://www.bombfactory.org.uk/chelsea-artislorentina&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Marc Prats Quintana&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://spruethmagers.com/artists/oliver-bak/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Oliver Bak&lt;/a&gt;&lt;/u&gt;&lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://ropac.net/fr/artists/286-florentina-holzinger/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Florentina Holzinger&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Herbert_and_Dorothy_Vogel&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Herb and Dorothy Vogel &lt;/a&gt;&lt;/u&gt;&lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Budi_Tek&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Budi Tek&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;li&gt;&lt;u&gt;&lt;a href=&quot;https://en.wikipedia.org/wiki/Agnes_Gund&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Agnes Gund&lt;/a&gt;&lt;/u&gt; &lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Follow the podcast to see the guests&apos; collections at &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠@collectors_corner_⁠&lt;/a&gt; !&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>01:13:25</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/d40a0ed3-daa0-4499-9afc-666f208f9b86/7547caf9-14ed-4746-bc5a-ab83b986a71a.jpg"/><itunes:title>Collecting as a Couple in a Shifting Art Market with Julia Lammer and Nico Epstein</itunes:title><itunes:episodeType>full</itunes:episodeType></item><item><title><![CDATA[What Art Is Really For with Carrie Scott]]></title><description><![CDATA[<p>In this first episode of 2026 I am speaking with the wonderful Carrie Scott (<a href="https://www.instagram.com/carriescottcurates/" rel="noopener noreferrer nofollow" target="_blank">@carriescottcurates</a>). Carrie is an American/English curator and art historian who started her career in Seattle 16 years ago, and has worked with many galleries, businesses, collectors and artists worldwide through her practice, <a href="https://www.carrie-scott.com/" rel="noopener noreferrer nofollow" target="_blank">Carrie Scott &amp; Partners</a>.</p><p>In 2024, Carrie also launched <a href="seen.art" rel="noopener noreferrer nofollow" target="_blank">Seen</a> - a next generation art consultancy and amazing platform that helps collectors, artists, and all art lovers to understand and navigate the art world with confidence. And of course Carrie’s own wonderful collection fills her entire home.</p><p>I normally highlight collectors who are not art world professionals but I wanted to make an exception with Carrie. Her dedication to breaking down barriers and working from inside the system to pull more people in deeply resonated.</p><p>Together we talk about how hyper financialisation broke the value exchange in the art world, the importance of protecting our creative health especially in today’s polarised society, and pro tips on what people should know before they start collecting.</p><p>I hope you enjoy our conversation!</p><p>References mentioned by Carrie:</p><ul><li><a href="https://gagosian.com/artists/adam-mcewen/" rel="noopener noreferrer nofollow" target="_blank">Adam McEwen</a></li><li><a href="https://www.hauserwirth.com/artists/2830-rashid-johnson/" rel="noopener noreferrer nofollow" target="_blank">Rashid Johnson</a></li><li><a href="https://www.hauserwirth.com/artists/23390-mika-rottenberg/" rel="noopener noreferrer nofollow" target="_blank">Mika Rottenberg </a></li><li><a href="https://www.pacegallery.com/artists/matthew-day-jackson/" rel="noopener noreferrer nofollow" target="_blank">Matthew Day Jackson </a></li><li><a href="https://whitney.org/" rel="noopener noreferrer nofollow" target="_blank">Whitney Museum of American Art </a></li><li><a href="https://www.moma.org" rel="noopener noreferrer nofollow" target="_blank">MoMA</a></li><li><a href="https://www.guggenheim.org/" rel="noopener noreferrer nofollow" target="_blank">Guggenheim</a></li><li><a href="https://www.christies.com/en/events/visionary-the-paul-g-allen-collection/overview" rel="noopener noreferrer nofollow" target="_blank">The Paul G Allen Collection </a></li><li><a href="https://gagosian.com/artists/damien-hirst/" rel="noopener noreferrer nofollow" target="_blank">Damien Hirst </a></li><li><a href="https://www.youtube.com/channel/UCcpQJY7Yv-fQHd9bJcNz84w" rel="noopener noreferrer nofollow" target="_blank">The Art Show on Sky Arts</a></li><li><a href="https://www.perrotin.com/artists/Bharti_Kher" rel="noopener noreferrer nofollow" target="_blank">Bharti Kher </a></li><li><a href="https://jackshainman.com/artists/nick_cave" rel="noopener noreferrer nofollow" target="_blank">Nick Cave</a></li><li><a href="https://www.nathalieobadia.com/artists/60-mickalene-thomas/overview/" rel="noopener noreferrer nofollow" target="_blank">Mickalene Thomas </a></li><li><a href="https://www.lissongallery.com/artists/marina-abramovic" rel="noopener noreferrer nofollow" target="_blank">Marina Abramovic </a></li><li><a href="https://www.hauserwirth.com/artists/2781-martin-creed/" rel="noopener noreferrer nofollow" target="_blank">Martin Creed </a></li><li><a href="https://liminal-gallery.com/collections/zena-blackwell" rel="noopener noreferrer nofollow" target="_blank">Zena Blackwell </a></li><li><a href="https://www.simonettequamina.com/" rel="noopener noreferrer nofollow" target="_blank">Simonette Quamina </a></li><li><a href="https://www.thamesandhudson.com/products/africa-state-of-mind" rel="noopener noreferrer nofollow" target="_blank">African State of Mind </a></li><li><a href=" https://dk.com/products/art-annotated" rel="noopener noreferrer nofollow" target="_blank">Art Annotated</a></li><li><a href="https://www.thejealouscurator.com/blog/" rel="noopener noreferrer nofollow" target="_blank">The Jealous Curator </a></li><li><a href="https://auctionet.com/en" rel="noopener noreferrer nofollow" target="_blank">Auctionet</a></li><li><a href="https://www.lotsroad.com/" rel="noopener noreferrer nofollow" target="_blank">Lots Road </a></li><li><a href="https://unitlondon.com/" rel="noopener noreferrer nofollow" target="_blank">Unit London </a></li><li><a href="https://www.stormtharpstudio.com/" rel="noopener noreferrer nofollow" target="_blank">Storm Tharp </a></li><li><a href="https://www.roseeaston.com/artists/eva-gold" rel="noopener noreferrer nofollow" target="_blank">Eva Gold </a></li><li><a href="https://www.instagram.com/evadixon.png/?hl=fr" rel="noopener noreferrer nofollow" target="_blank">Eva Dixon </a></li><li><a href="https://www.frieze.com/fairs/frieze-london" rel="noopener noreferrer nofollow" target="_blank">Frieze London </a></li><li><a href="https://www.echosoho.com/" rel="noopener noreferrer nofollow" target="_blank">Echo Soho Art Fair </a></li><li><a href="https://minorattractions.com/" rel="noopener noreferrer nofollow" target="_blank">Minor Attractions </a></li><li><a href="https://www.nicolaernicollection.ch/en/home-en/" rel="noopener noreferrer nofollow" target="_blank">Nicola Erni Collection </a></li></ul><p></p><p>Follow the podcast to see the guests' collections and let me know your feedback at <a href="https://www.instagram.com/collectors_corner_/#" rel="noopener noreferrer nofollow" target="_blank">⁠@collectors_corner_⁠</a> !</p>]]></description><guid isPermaLink="false">c54f4882-7e06-4459-9049-6444709b667b</guid><dc:creator><![CDATA[Antonia Piersanti]]></dc:creator><pubDate>Wed, 14 Jan 2026 06:02:00 GMT</pubDate><enclosure url="https://api.riverside.com/hosting-analytics/media/d5024faa9c72023f8e5c15ce59c2476994964e30316b55289e43eb125840a5f8/eyJlcGlzb2RlSWQiOiJhNjdlOTI2ZS01N2VjLTQ4ODgtOGI1Ni00MDRhYjU5MzFlODciLCJwb2RjYXN0SWQiOiI5M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYiLCJhY2NvdW50SWQiOiI2ODcwYWU5MThmNjcyZTZiZWJkMjI1Y2UiLCJwYXRoIjoibWVkaWEvaW1wb3J0cy9wb2RjYXN0cy85M2E0Y2YzYS03NDY5LTQ3NDItYWNhYy0yNDljMGNiZDhmMDYvZXBpc29kZXMvYTY3ZTkyNmUtNTdlYy00ODg4LThiNTYtNDA0YWI1OTMxZTg3L2M1NGY0ODgyLTdlMDYtNDQ1OS05MDQ5LTY0NDQ3MDliNjY3Yi5tcDMifQ==.mp3" length="54034815" type="audio/mpeg"/><podcast:transcript url="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/a67e926e-57ec-4888-8b56-404ab5931e87/c54f4882-7e06-4459-9049-6444709b667b.srt" type="application/x-subrip"/><itunes:summary>&lt;p&gt;In this first episode of 2026 I am speaking with the wonderful Carrie Scott (&lt;a href=&quot;https://www.instagram.com/carriescottcurates/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;@carriescottcurates&lt;/a&gt;). Carrie is an American/English curator and art historian who started her career in Seattle 16 years ago, and has worked with many galleries, businesses, collectors and artists worldwide through her practice, &lt;a href=&quot;https://www.carrie-scott.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Carrie Scott &amp;amp; Partners&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;In 2024, Carrie also launched &lt;a href=&quot;seen.art&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Seen&lt;/a&gt; - a next generation art consultancy and amazing platform that helps collectors, artists, and all art lovers to understand and navigate the art world with confidence. And of course Carrie’s own wonderful collection fills her entire home.&lt;/p&gt;&lt;p&gt;I normally highlight collectors who are not art world professionals but I wanted to make an exception with Carrie. Her dedication to breaking down barriers and working from inside the system to pull more people in deeply resonated.&lt;/p&gt;&lt;p&gt;Together we talk about how hyper financialisation broke the value exchange in the art world, the importance of protecting our creative health especially in today’s polarised society, and pro tips on what people should know before they start collecting.&lt;/p&gt;&lt;p&gt;I hope you enjoy our conversation!&lt;/p&gt;&lt;p&gt;References mentioned by Carrie:&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;a href=&quot;https://gagosian.com/artists/adam-mcewen/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Adam McEwen&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.hauserwirth.com/artists/2830-rashid-johnson/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Rashid Johnson&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.hauserwirth.com/artists/23390-mika-rottenberg/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Mika Rottenberg &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.pacegallery.com/artists/matthew-day-jackson/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Matthew Day Jackson &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://whitney.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Whitney Museum of American Art &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.moma.org&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;MoMA&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.guggenheim.org/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Guggenheim&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.christies.com/en/events/visionary-the-paul-g-allen-collection/overview&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;The Paul G Allen Collection &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://gagosian.com/artists/damien-hirst/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Damien Hirst &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.youtube.com/channel/UCcpQJY7Yv-fQHd9bJcNz84w&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;The Art Show on Sky Arts&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.perrotin.com/artists/Bharti_Kher&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Bharti Kher &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://jackshainman.com/artists/nick_cave&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Nick Cave&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.nathalieobadia.com/artists/60-mickalene-thomas/overview/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Mickalene Thomas &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.lissongallery.com/artists/marina-abramovic&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Marina Abramovic &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.hauserwirth.com/artists/2781-martin-creed/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Martin Creed &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://liminal-gallery.com/collections/zena-blackwell&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Zena Blackwell &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.simonettequamina.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Simonette Quamina &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.thamesandhudson.com/products/africa-state-of-mind&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;African State of Mind &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot; https://dk.com/products/art-annotated&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Art Annotated&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.thejealouscurator.com/blog/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;The Jealous Curator &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://auctionet.com/en&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Auctionet&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.lotsroad.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Lots Road &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://unitlondon.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Unit London &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.stormtharpstudio.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Storm Tharp &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.roseeaston.com/artists/eva-gold&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Eva Gold &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.instagram.com/evadixon.png/?hl=fr&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Eva Dixon &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.frieze.com/fairs/frieze-london&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Frieze London &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.echosoho.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Echo Soho Art Fair &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://minorattractions.com/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Minor Attractions &lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href=&quot;https://www.nicolaernicollection.ch/en/home-en/&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;Nicola Erni Collection &lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Follow the podcast to see the guests&apos; collections and let me know your feedback at &lt;a href=&quot;https://www.instagram.com/collectors_corner_/#&quot; rel=&quot;noopener noreferrer nofollow&quot; target=&quot;_blank&quot;&gt;⁠@collectors_corner_⁠&lt;/a&gt; !&lt;/p&gt;</itunes:summary><itunes:explicit>yes</itunes:explicit><itunes:duration>00:56:17</itunes:duration><itunes:image href="https://hosting-media.riverside.com/media/imports/podcasts/93a4cf3a-7469-4742-acac-249c0cbd8f06/episodes/a67e926e-57ec-4888-8b56-404ab5931e87/c54f4882-7e06-4459-9049-6444709b667b.jpg"/><itunes:title>What Art Is Really For with Carrie Scott</itunes:title><itunes:episodeType>full</itunes:episodeType></item></channel></rss>